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A solitary man digs a hole in the ground, near a dead horse. Amidst the clutter of food and equipment stands Hobart Struther, who has ridden all the way out to the middle of nowhere on a holy mission. But one day into his “Great Sojourn,” things are looking bleak. His horse has choked to death, he's miles away from civilization, and there's not a person around to talk to – other than himself. As Hobart examines his rise — how he built a vast art collection while ensconced in a comfortable Park Avenue lifestyle — he digs deep into his own history, unearthing truths about his past while still struggling to find the answers he needs. With Shepard's linguistic flair, subtle humor, and probing insights, Kicking a Dead Horse is an invigorating addition to the works of one of America's most innovative playwrights.
"Richard Hugo's concern is the unenviable, the unvisited, even the uninviting, which he must invest with his own deprivations, his own private war. The distinctiveness of impulse int he language, the movement organized in single syllables by the craving mind, this credible richness is related to, is even derived from, the poverty of the places, local emanations, free (or freed) to be the poet's own." --Richard Howard "Richard Hugo is such an important poet because the difficulties inherent in his art provide him a means of saying what he has to say. It is no accident that he must develop a negative in order to produce a true image." --Richard Howard
Set against the bitter frontier strife between Texans and the Comanche, Texas Rangers Gus McCrae and Woodrow Call battle Buffalo Hump, the enigmatic war chief, and Gus' long-time nemesis, Blue Duck.
A First Nations former hockey star looks back on his life as he undergoes treatment for alcoholism in this novel from the author of Dream Wheels. Saul Indian Horse is a child when his family retreats into the woods. Among the lakes and the cedars, they attempt to reconnect with half-forgotten traditions and hide from the authorities who have been kidnapping Ojibway youth. But when winter approaches, Saul loses everything: his brother, his parents, his beloved grandmother—and then his home itself. Alone in the world and placed in a horrific boarding school, Saul is surrounded by violence and cruelty. At the urging of a priest, he finds a tentative salvation in hockey. Rising at dawn to practice alone, Saul proves determined and undeniably gifted. His intuition and vision are unmatched. His speed is remarkable. Together they open doors for him: away from the school, into an all-Ojibway amateur circuit, and finally within grasp of a professional career. Yet as Saul’s victories mount, so do the indignities and the taunts, the racism and the hatred—the harshness of a world that will never welcome him, tied inexorably to the sport he loves. Spare and compact yet undeniably rich, Indian Horse is at once a heartbreaking account of a dark chapter in our history and a moving coming-of-age story. “Shocking and alien, valuable and true… A master of empathy.”—Jane Smiley, Pulitzer Prize–winning author of Golden Age “A severe yet beautiful novel…. Indian Horse finds the granite solidity of Wagamese’s prose polished to a lustrous sheen; brisk, brief, sharp chapters propel the reader forward.”—Donna Bailey Nurse, National Post (Toronto)
The New York Times bestselling author of Chosen by a Horse explains how caring for an animal taught her to care for herself. One day, at the age of thirty-one, Susan Richards realized that she was an alcoholic. She wrote it down in her journal, struck by the fact that it had taken nine years of waking up hung-over to name her illness. What had changed? Susan had a new horse, a spirited Morgan named Georgia, and, as she says: “It had something to do with Georgia. It had something to do with making a commitment as enormous as caring for a horse that might live as my companion for the next forty years. It had something to do with love.” Every day begins with a morning ride. Every day Susan lives a little more and thinks about her mistakes a little less. Every day she learns a little more from Georgia, the kind of horse who doesn’t go in for indecision, who doesn’t apologize for her opinions, and who isn’t afraid to be herself. In Georgia, Susan finds something to draw her back to herself, but also something to keep her steady and focused, to teach her about stepping carefully in unknown territory, to help her learn again about balance. This is a memoir about the power of animals to carry us through the toughest times of our lives—about the importance of constancy, the beauty of quiet, steadfast love, the way loving a good (and sometimes bad!) animal can keep you going. It’s a wonderful story for Susan’s (and Georgia’s) fans, and for anyone who has ever loved an animal enough to keep on living.
THE STORY: An uproarious, brilliantly provocative farce that brings the gifts of a quintessentially American playwright to bear on the current American dilemma. Frank and Emma are a quiet, respectable couple who raise cows on their Wisconsin farm.
Now in paperback after six hardback printings, the damn funny...wild collection of bracingly intelligent essays about topics that aren't quite as intelligent as Chuck Klosterman'(Esquire). Following the success of Fargo Rock City, Klosterman, a senior writer at Spin magazine, is back with a hilarious and savvy manifesto for a youth gone wild on pop culture and media, taking on everything from Guns'n'Roses tribute bands to Christian fundamentalism to internet porn. 'Maddeningly smart and funny' - Washington Post'
The United States is the top immigrant destination country in the world, with more than 40 million foreign-born residents living here in 2010. Over the next 50 years, nearly 90 percent of our population growth will come from the minority community.America has become more of a Mulligan stew than a melting pot!Minorities are becoming the majority. How do they fit into your sales plan?In Myers Barnes' latest book, New Home Sales Training: Selling New Homes in a Multicultural America", the country's premier visionary on new home sales delivers a guidebook packed with insight, facts, advice, and cautionary tales to equip you with the tools you need to succeed with today's New American homebuyers.Discover the faux pas-like crossing your legs, saying "no", smiling, pointing, or accepting a business card with the wrong hand-that can close the door on a new home sales opportunity.Seize the opportunity presented by a rapidly growing market of eager buyers, but start right here and learn the rules of the multicultural marketplace.
The story of a rope, a symbol, and rough justice in America. The hangman's knot is a simple thing to tie, just a rope carefully coiled around itself up to thirteen times. But in those thirteen turns lie a powerful symbol, one that is all too deeply connected to America's past -- and present. The last man to be hanged in the United States was Billy Bailey, who was executed in Delaware in 1996 for committing a double murder. Even today, hanging is still legal, in certain situations, in New Hampshire and Washington. And the noose remains a potent cultural symbol. An incident in Jena, Louisiana, in 2006, in which nooses were used to menace black students, made national news. Yet little has changed: according to author Jack Shuler, there have been nearly 100 "noose incidents" just in the last two years. The Thirteenth Turn unravels these stories, from Judas Iscariot, perhaps the most infamous hanged man, to the killing of Perry Smith and Richard Hickock, the murderers at the heart of Truman Capote's In Cold Blood, and beyond. In his travels across America, Shuler traces the evolution of this dark practice. As he investigates the death of John Brown, or the 1930 lynching that inspired the song "Strange Fruit," he finds that the very places that perpetrated these acts now seek to forget them. Shuler's account is a kind of shadow history of America: a reminder that vigilantes and hangmen play a crucial role in our national story. The Thirteenth Turn is a courageous and searching book that reminds us where we come from, and what is lost if we forget.