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At the heart of the Khmer city stands the palace of the gods, a replica on earth of the heavenly world. Built of stone and brick, these monumental temples were erected throughout Thailand between the 7th and 14th centuries to link man magically to the gods. Today, the harmony of these microcosms remains for the visitor following the footsteps of the ancient Khmer.
The thousand-year artistic legacy of Cambodia includes some of the world's mostbeautiful works of art and architecture. This richly illustrated volume, published to coincide with an exhibition organized by the National Gallery of Art and the Réunion des Musées Nationnaux, examines the powerful and original Khmer culture that flourished on the mainland of Southeast Asia between 600 and 1600 A.D. Centered on the northern shores of Cambodia's Great Lake, the Tonle Sap, and extending westward into eastern Thailand, the civilization reached its apogee in the early twelfth century with the construction of the Temple of Angkor. Embracing both Buddhist and Hindu traditions, the sculpture ranges from monumental works in sandstone representing gods and goddesses, guardians, female dancers, and legendary creatures, to refined ritual and ceremonial bronzes. Essays by an international group of scholars together with narrative discussions of each of the works illustrated provide a fascinating introduction to a culture that is still relatively unknown.
Over the last 20 years, intensive research has shed new light on Thailand's ancient pre-Tai era, a period that spanned from the 3rd millennium BC to the 13th century AD. This illustrated book, by a renowned authority on the subject, presents a survey of early Thai art.
The Present Book, Thai Art With Indian Influences, Studies The Subject In Its Different Spheres. As A Major Pioneering Scholar In The Field, Dr. Promsak Jermsawatdi Possesses An Extraordinary Background In Art History, Aesthetics And Asian History And Philosophy. This Fascinating Study Is One Of His Finest Works Which Will Continue To Be Regarded As One Of The Most Significant Contributions To Our Understanding Of Thai And Indian Art For A Long Time To Come. Divided Into Five Chapters, The Book Takes Into Account Material From The Earliest Archaeological Finds Through The Bangkok Period Including The Early Art And Craft Works. Most Of The Study Deals With Thai Art But India And The Peripheries Of South East Asia Are Covered Where They Reflect Indian Influences. The Focus Of This Study Is Upon Architecture, Sculpture And Iconography. However, It Also Encompasses Other Aspects Of Art And Crafts. Background Information On The History And Geography Of The Area Is Also Provided Along With Philosophical Religious And Social Insights That Are Significantly Valuable To Readers In General And Those Of South-East Asia And India In Particular.As A Student Of Ancient History And Art In India, Dr. Promsak Jermsawatdi Was Deeply Sensitive To The Beauty Of Thai And Indian Art Works. As A Result, The Illustrations He Had Selected Are Unusually Pertinent And Fitting, Comprising Some Of The Most Impressive Examples Of Thai Art. Students Of The History Of Oriental Art Could Ask For No Finer Exposition Of The History And Aesthetics Of Thai And Indian Art. The Author S Penetrating Cultural Insights Make It An Indispensable Text For All Who Plan Further Study In The Field. This Is Also A Book Which General Readers Will Read With Great Interest And Pleasure.
Angkor, like Borobudur in Indonesia or Vat Phra Kaeo in Thailand, is one of the most important shrines of Buddhist art in all Asia. Angkor is among the treasures of Humanity's Heritage, under the protection of UNESCO. Angkor's temple, built in one of the most populous cities of the 11th century, is a prime example of religious art, but its ""bas reliefs"" also depict events in the lives of kings and their courts, wars and scenes from the everyday life of the common people. Between the 7th and 14th centuries, Khmer art, primarily sculpture, is characterized by perfection of line and monumental size. Profoundly influenced by Indian Art, it is nonetheless original and of obvious refinement. Long out of print, this volume is inspired, in part, by a revival of interest in Cambodian art. It presents the architectural treasures and splendid sculptures of a civilization that drew on Indian and Chinese influences to create a uniquely Cambodian art.
A crucial reference for historians of Southeast Asia and those with a serious interest in the Buddhism and Buddhist art of Southeast Asia. What explains the spread of Theravada Buddhism? And how is it entangled with the identity shifts that over the next four hundred years gave rise to the Buddhist state now called Cambodia? Early Theravadin Cambodia sheds light on one of the outstanding questions of Southeast Asian history: the nature and timing of major cultural and political shifts in the territory that was to become Cambodia, starting in the 13th century. This important collection challenges the conventional picture of Theravada as taking root in the void left by the collapse of Angkor and its Hindu-Buddhist power structure. Written by a diverse group of scholars from Cambodia, Thailand, the United States, France, Australia, and Japan, this volume is a sustained, collaborative discussion of evidence from art and archaeology, and how it relates to questions of Buddhist history, regional exchange networks, and ethnopolitical identities. Accessibly written and vividly illustrated, the book will be a crucial reference for historians of Southeast Asia and scholars of Buddhism.
A stunning showcase of exceptional and rare works of Buddhist art, presented to the international community for the first time The practice of Buddhism in Myanmar (Burma) has resulted in the production of dazzling objects since the 5th century. This landmark publication presents the first overview of these magnificent works of art from major museums in Myanmar and collections in the United States, including sculptures, paintings, textiles, and religious implements created for temples and monasteries, or for personal devotion. Many of these pieces have never before been seen outside of Myanmar. Accompanied by brilliant color photography, essays by Sylvia Fraser-Lu, Donald M. Stadtner, and scholars from around the world synthesize the history of Myanmar from the ancient through colonial periods and discuss the critical links between religion, geography, governance, historiography, and artistic production. The authors examine the multiplicity of styles and techniques throughout the country, the ways Buddhist narratives have been conveyed through works of art, and the context in which the diverse objects were used. Certain to be the essential resource on the subject, Buddhist Art of Myanmar illuminates two millennia of rarely seen masterpieces.