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One of the most heated scholarly controversies of the early twentieth century, the Orient-or-Rome debate turned on whether art historians should trace the origin of all Western—and especially Gothic—architecture to Roman ingenuity or to the Indo-Germanic Geist. Focusing on the discourses around this debate, Talinn Grigor considers the Persian Revival movement in light of imperial strategies of power and identity in British India and in Qajar-Pahlavi Iran. The Persian Revival examines Europe’s discovery of ancient Iran, first in literature and then in art history. Tracing Western visual discourse about ancient Iran from 1699 on, Grigor parses the invention and use of a revivalist architectural style from the Afsharid and Zand successors to the Safavid throne and the rise of the Parsi industrialists as cosmopolitan subjects of British India. Drawing on a wide range of Persian revival narratives bound to architectural history, Grigor foregrounds the complexities and magnitude of artistic appropriations of Western art history in order to grapple with colonial ambivalence and imperial aspirations. She argues that while Western imperialism was instrumental in shaping high art as mercantile-bourgeois ethos, it was also a project that destabilized the hegemony of a Eurocentric historiography of taste. An important reconsideration of the Persian Revival, this book will be of vital interest to art and architectural historians and intellectual historians, particularly those working in the areas of international modernism, Iranian studies, and historiography.
In the nineteenth century, a number of Zoroastrians emigrated from Iran to India. The subsequent importance of the cultural, religious and political ties between the Zoroastrian communities of Iran and the Zoroastrian communities of India has long been recognised. But despite this, there has been little scholarly attention paid to the changing dynamics of this transnational relationship. This book examines the Zoroastrian community in the late Qajar and early Pahlavi period beyond the borders of Iran to trace this Parsi-Persian relationship. A major theme is the increase in philanthropy directed to the Zoroastrians of Iran by the Parsis and the involvement of the British in encouraging Parsi feelings of patriotism towards Iran. The book shows that not only were Parsis affected by events taking place in Iran, they also contributed to the broader change in attitudes towards Zoroastrians in that country. Using a variety of original sources from Britain, India and Iran, Alexandra Buhler looks at the political, legal, and social position of Zoroastrians in Iran and how different events impacted their attitudes as well as the attitudes of Parsis towards their ancestral homeland. Of particular significance, this book shows, are the seminal years of the Iranian Constitutional Revolution (1906-11) and the rise in the glorification of the pre-Islamic past, which culminated in the state nationalism expounded by Reza Shah. These political moments had a profound impact on how Zoroastrians in India felt about their future in the country and reveal a complex web of relations between the Parsis, the Zoroastrians of Iran, and the British.
The Parsis of India examines a much-neglected area of Asian Studies. In tracing keypoints in the development of the Parsi community, it depicts the Parsis’ history, and accounts for their ability to preserve, maintain and construct a distinct identity. For a great part the story is told in the colonial setting of Bombay city. Ample attention is given to the Parsis’ evolution from an insular minority group to a modern community of pluralistic outlook. Filling the obvious lacunae in the literature on British colonialism, Indian society and history, and, last but not least, Zoroastrianism, this book broadens our knowledge of the interaction of colonialism and colonial groups, and elucidates the significant role of the Parsis in the commercial, educational, and civic milieu of Bombay colonial society.
"The Parsis of India" examines a much-neglected area of Asian Studies. In tracing keypoints in the development of the Parsi community, it depicts the Parsis' history, and accounts for their ability to preserve, maintain and construct a distinct identity. For a great part the story is told in the colonial setting of Bombay city. Ample attention is given to the Parsis' evolution from an insular minority group to a modern community of pluralistic outlook. Filling the obvious lacunae in the literature on British "colonialism," Indian society and history, and, last but not least, "Zoroastrianism," this book broadens our knowledge of the interaction of colonialism and colonial groups, and elucidates the significant role of the Parsis in the commercial, educational, and civic milieu of Bombay colonial society.
In the aftermath of the seventh-century Islamic conquest of Iran, Zoroastrians departed for India. Known as the Parsis, they slowly lost contact with their ancestral land until the nineteenth century, when steam-powered sea travel, the increased circulation of Zoroastrian-themed books, and the philanthropic efforts of Parsi benefactors sparked a new era of interaction between the two groups. Tracing the cultural and intellectual exchange between Iranian nationalists and the Parsi community during the late nineteenth and early twentieth centuries, Exile and the Nation shows how this interchange led to the collective reimagining of Parsi and Iranian national identity—and the influence of antiquity on modern Iranian nationalism, which previously rested solely on European forms of thought. Iranian nationalism, Afshin Marashi argues, was also the byproduct of the complex history resulting from the demise of the early modern Persianate cultural system, as well as one of the many cultural heterodoxies produced within the Indian Ocean world. Crossing the boundaries of numerous fields of study, this book reframes Iranian nationalism within the context of the connected, transnational, and global history of the modern era.
Includes the Institute's Annual report, 1921-
A revision of a doctoral thesis at the State U. of New York at Stony Brook. It argues that the emerging dynamics between colonial and nationalist politics in the 1880s and 1890s in India is best captured in the logic of colonial masculinity, and it traces the impact of colonial masculinity in four controversies: the "white mutiny" against the Ilbert Bill in 1883; the official government response to the Native Volunteer movement in 1885; the recommendations of the Public Service Commission of 1886; and the Indian opposition to the Age of Consent Bill in 1891. Distributed by St. Martin's Press. Annotation copyright by Book News, Inc., Portland, OR