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"Khandelwal's Poetic Process" unveils the art of creation through fifty-two meticulously crafted poems that delve into the heart of a poet's journey. With a masterful touch, Khandelwal explores the intricate dimensions of poetry writing, providing a kaleidoscope of perspectives on the poetic process, from the struggle of ink meeting paper to the triumphant birth of verse to the publication pains, inspiring poets to refine their craft. Khandelwal's exploration of themes, employing exceptional use of vivid imagery, is unique in contemporary poetry, offering unexpected angles that evoke emotions through unconventional juxtapositions. What distinguishes this book is that it combines, through engaging, pithy poems, almost all the theory required to be disseminated under one cover. This is a handbook that all poetry writers and readers should possess.
The poets of North-East India, though belonging to diverse spaces, cultures, languages and religions, share a common bond. It is a sensibility defined by a deep connection with the land; the overarching presence of nature in their lives; the predominance of myths and tribal folklore; and the search for an identity. All this informs their poetry and gives it a unique flavour. Much of the distinctiveness of their work is also the consequence of contemporary events, often marked by violence. Like its title poem The Dancing Earth , the anthology too, is a celebration of this life, in all its unpredictable variety, richness and contradictions. So while Thangjam Ibopishak writes I Want to be Killed By an Indian Bullet and Chandrakanta Murasingh speaks of a minister with neither inside nor outside , there are also Temsula Ao s poems about her stone-people ancestors; Mamang Dai s portraits of swift rivers and primeval forests; and the Shillong poets with their mist-shrouded pine slopes, red cherries and gridlocked streets.
Poetry. South Asia Studies. Translated from the Hindi by Rahul Soni. MAGADH, Shrikant Verma's crowning achievement, was published in Hindi in 1984 and has established itself as one of the key works of late 20th century Indian poetry. Speaking both archly and urgently through unreliable narrators commoners, statesmen, wanderers, people close to power (but never in power) often like a kind of prudent and duplicitous advice for the ears of monarchs, the 56 poems range widely in tone from nostalgic to ironic to bitter to sorrowful. "Twentieth century Indian poetry has seldom been translated well, and very rarely as well as Rahul Soni's rendering of this Hindi classic." Arvind Krishna Mehrotra"
Kashmiri Literature, With Poetry As Its Chief Mode Of Expression, Can Be Said To Have Begun With Lal Ded,ýThat Most Manly Of Women Seekers After Godý And The Other Outstanding Mystic, Sheikh-Ul-Alam.One Unique Thing About Kashmiri Letters Is The Total Absence Of Prose Till 1940 (Apart From The Language Of Speech). During The Last Six Decades It Has, However, Branched Out Into Various Genres Like Essay, Criticism, History, Drama And Fiction-And Kashmiri Literature Now Has A Pride Of Place In Indian Letters.
Blackmore in this volume brings together some of the great minds of our time, a who's who of eminent thinkers, all of whom have devoted much of their lives to understanding consciousness. Some of the interviewees are major philosophers (such as John Searle, Ned Block, and David Chalmers) and some are equally renowned scientists (Francis Crick, Roger Penrose, V.S. Ramachandran). All of them talk candidly with Blackmore about some of the key philosophical issues confronting us, in a series of conversations that are revealing, insightful, and stimulating.