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Inspire communication in your classroom. Keyboard Village helps your students find their best ideas. This gets them talking. You find the best way for them to express their ideas. This gets everybody learning. Keyboard Village gets your students talking by giving them something worth talking about, themselves and the way they see the world. Keyboard Village is full of questions and stories to give them context. Keyboardvillage.com is here to help you make the most of your students’ ideas. We can share our answers, sample lesson plans and activity sheets to support them. I’ll go first. Come check it out.
straight / 'strāt (adj.) . . . without curves . . . correct . . . honest . . . not deviating from the normal . . . conventional . . . Heterosexual Practically all mainstream cinema is "straight," and has been since its inception. In Straight, Wheeler Winston Dixon explores how heterosexual performativity has been constructed in film, from early cinema to the present day. In addition to discussing how cinematic visions of masculine and feminine desire have been commodified and sold to reinforce existing societal constructs, Dixon also documents the recent emergence of "hypermasculinity," a kinetic and exaggerated masculinity that has been created to counter the more gentle, thoughtful male portrayed in While You Were Sleeping, Sleepless in Seattle, and other films that seemingly threaten the established order of patriarchal cinematic discourse.
From music to gaming, information gathering to eLearning; eCommerce to eGovernment, Lorenzo Cantoni and Stefano Tardini's absorbing introduction considers the internet as a communication technology; the opportunities it affords us, the limitations it imposes and the functions it allows. Internet explores: the political economy of the internet hypertext computer mediated communication websites as communication conceptualizing users of the internet internet communities and practices. Perfect for students studying this modern phenomenon, and a veritable e-feast for all cyber junkies.
(Limelight). This book relates the life and experiences of composer Giuseppe Verdi, from his birth in 1813 to his death in 1901. Besides documenting Verdi's life and the music he created, it also goes further in discussing the times and culture in which he was living in 19th century Italy, both socially and politically. "A complete life-to-death biography, wonderfully comprehensive on both life and art, wonderfullly sensible, and splendidly gotten up." The Boston Herald
Indigenous peoples of Brazil have come to faith in Christ in large numbers in recent decades. As Christianity takes root in each culture, it may incorporate expressive forms of music and art, which can range from those identical to earlier cultural forms to those which are fully imported. But what happens when musicians and artists of a local indigenous community fuse elements from a variety of genres and create their own music? Are they just imitations of external forms? Or are they authentic creations from elements that have now become their own sounds, too? Christian musicians among the Xerente (pronounced Sheh- ́ren-teh) have created their own fusion genre(s) to express their faith, communicate the gospel, and edify their churches. Their music includes elements from their cultural tradition as well as from (secular) genres of the northeastern region of Brazil. Is it, then, authentically Xerente? As we discuss in this book, independent of tangible markers or its long history, the authenticity of an art form can be demonstrated through a number of connections with the community and signposted by its meaning and function among the people, as well as the competence and agency of the people in their artistic choices.
When the sleepy town of Weyharrow is enveloped by a mysterious fog, the inhabitants find themselves behaving in strange and dangerous ways. Dr Steven Glaze, a young probationary GP, prescribes a most unorthodox treatment for arthritis; the vicar proclaims in morning service that the villagers are in the hands of the devil; and Phyllis Knabbe tragically commits suicide. Throughout the village people have seemingly taken leave of their senses. Soon word leaks out and Weharrow becomes inundated both by the national press and a bus load of hippies seeking a magical experience, who believe that a nearby ancient pagan temple is somehow responsible for this strange phenomenon. But Steven Glaze and Jenny, a reporter for the local newspaper, feel sure that there is more to this than meets the eye and they set out to discover the cause - supernatural or otherwise - of everyone's drastically altered behaviour.
The strict traditions of piano teaching have remained entrenched for generations. The dominant influence of Muzio Clementi (1752-1832), the first composer-pedagogue of the instrument, brought about an explosion of autocratic instruction and bizarre teaching systems, exemplified in the mind-numbing drills of Hanon's "The Virtuoso Pianist." These practices--considered absurd or abusive by many--persist today at all levels of piano education. This book critically examines two centuries of teaching methods and encourages instructors to do away with traditions that disconnect mental and creative skills.