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This book describes the German bisque dolls manufactured by the German company, Kestner, and produced from the early 1880s until the merging of the Kestner factory with Kammer & Reinhardt in the 1930s. This book features all the Kestner dolls, including the Hilda dolls, the closed-mouth, open-mouth and character babies and all bisque dolls. Extensive research has been undertaken with the mould numbers to further aid identification.
A short essay and never before published photographs by Emile Zola during his self-imposed exile in England in the late nineteenth-century.
“This ambitious undertaking is concerned with the melodramatic form in theatre and film and its impact on French political culture.” —H-France Review In France, both political culture and theatrical performances have drawn upon melodrama. This “melodramatic thread” helped weave the country’s political life as it moved from monarchy to democracy. By examining the relationship between public ceremonies and theatrical performance, James R. Lehning sheds light on democratization in modern France. He explores the extent to which the dramatic forms were present in the public performance of political power. By concentrating on the Republic and the Revolution and on theatrical performance, Lehning affirms the importance of examining the performative aspects of French political culture for understanding the political differences that have marked France in the years since 1789. “In this thoroughly researched and persuasive book, Lehning provides a fascinating reading of public performances in modern France . . . This is an important contribution to the study of French culture and the democratization process . . . Essential.” —Choice “Lehning’s application of the themes of melodrama to French political culture offers new insights into French history. His style is lively, clear, and highly readable.” —Venita Datta, Wellesley College “The analyses in this book make a real contribution to debates about the ways in which art, particularly popular art, and politics interact; how politics itself is theatrical in the French case; and the role of ritual in politics and the function of politics as ritual and ceremony.” —John Gaffney, Aston University
'Victorian demons' explores how a crisis in masculinity was represented in literary, medical, legal and sociological contexts at the fin-de-siècle. It makes a significant contribution to scholarship on the Gothic.
Handbook of Cane Sugar Engineering focuses on the technologies, equipment, methodologies, and processes involved in cane sugar engineering. The handbook first underscores the delivery, unloading, and handling of cane, cane carrier and knives, and tramp iron separators. The text then examines crushers, shredders, combinations of cane preparators, and feeding of mills and conveying bagasse. The manuscript takes a look at roller grooving, pressures in milling, mill speeds and capacity, and mill settings. Topics include setting of feed and delivery openings and trash plate, factors influencing capacity, formula for capacity, fiber loading, tonnage records, linear speed and speed of rotation, sequence of speeds, hydraulic pressure, and types of roller grooving. The book then elaborates on electric and turbine mill drives, mill gearing, construction of mills, extraction, milling control, purification of juice, filtration, evaporation, sugar boiling, and centrifugal separation. The handbook is a valuable source of data for engineers involved in sugar cane engineering.
"...an immense and highly impressive work of historical/political scholarship. [An] admirably detailed yet still eminently readable account of the lives of three of the twentieth century's most influential politicians..." —Manhattan Book Review "...impressively researched, with...fresh insights that will appeal to even seasoned diplomatic historians. Readers will be introduced to myriad rich details about the lives of the early-20th-century's most important world leaders." —Kirkus The three men who met in Paris for the most consequential summit conference of the twentieth century were very different men: Georges Clemenceau, 77, “The Tiger” who had spent five decades fighting for the ideals of the French Republic; David Lloyd George, who grew up in poverty in rural Wales, had entered the House of Commons at twenty-seven, had stood alone in his opposition to the South African War, and who rose to become prime minister and become the face of Britain’s defiance to the kaiser; and Woodrow Wilson, the lifelong academic who went from president of Princeton University to the president of the United States in the span of two years. They were, in many ways, much alike: They were three of the most brilliant men of their age. Each had the ability to charm and sway an audience, whether in the House of Commons, the French Chamber of Deputies or in a Princeton classroom. Yet, the document they produced, the Treaty of Versailles, was the “Carthaginian” peace that sowed the seeds of the Second World War. How did these brilliant men—who knew better—let it happen? For the first time, Robert F. Klueger traces their tumultuous histories until they reach Paris in 1919, Wilson determined to remake international law based upon the ideals of his Fourteen Points, Clemenceau every bit as determined to make France secure against another German invasion, and Lloyd George, leading a coalition government and a people determined to “make Germany pay,” until, at the very last, he tried and failed to reverse what he saw would be a tragic result.