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This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1965.
A young girl makes her fractured family whole again with the help of a very special book When eleven-year-old Ella's mother has to be hospitalized to undergo a dangerous cancer treatment, Ella spends the summer at "Broken Family Camp" with her eccentric grandmother, whom she's never met. The situation is hardly ideal for either of them. Ella is scared her mother may die, but her grandmother seems to care more about her library full of books than she does about her very own granddaughter. But when a rare and beloved book, Kepler's Dream of the Moon, is stolen from her grandmother's amazing library, Ella and her new friend Rosie make up their minds to find it. Finding the beautiful book her grandmother loves so much could even be the key to healing Ella's broken family. An affecting and beautifully written story of family, forgiveness and the wonder of the stars, Kepler's Dream is a sparkling and memorable debut.
This book tells the story of the early modern astronomer Johannes Kepler’s Somnium, which has been regarded by science historians and literary critics alike as the first true example of science fiction. Kepler began writing his complex and heavily-footnoted tale of a fictional Icelandic astronomer as an undergraduate and added to it throughout his life. The Somnium fuses supernatural and scientific models of the cosmos through a satirical defense of Copernicanism that features witches, lunar inhabitants, and a daemon who speaks in the empirical language of modern science. Swinford’s looks at the ways that Kepler’s Somnium is influenced by the cosmic dream, a literary genre that enjoyed considerable popularity among medieval authors, including Geoffrey Chaucer, Dante, John of Salisbury, Macrobius, and Alan of Lille. He examines the generic conventions of the cosmic dream, also studying the poetic and theological sensibilities underlying the categories of dreams formulated by Macrobius and Artemidorus that were widely used to interpret specific symbols in dreams and to assess their overall reliability. Swinford develops a key claim about the form of the Somnium as it relates to early science: Kepler relies on a genre that is closely connected to a Ptolemaic, or earth-centered, model of the cosmos as a way of explaining and justifying a model of the cosmos that does not posit the same connections between the individual and the divine that are so important for the Ptolemaic model. In effect, Kepler uses the cosmic dream to describe a universe that cannot lay claim to the same correspondences between an individual’s dream and the order of the cosmos understood within the rules of the genre itself. To that end, Kepler’s Somnium is the first example of science fiction, but the last example of Neoplatonic allegory.
Somnium is a Latin word for Dream. This novel was written by Johannes Kepler in 1608, in a time when a trip to the ethereal regions of the moon would be possible only with the assistance of supernatural forces. Historians consider this lunar exploration a remarkable and revolutionary text, and one of the most provocative and innovative of Kepler's works. Great authors/scientists such as Isaac Asimov and Carl Sagan suggested it as the first science fiction story. If it is not, we can at least consider it as the first serious scientific work about lunar astronomy.
Both a scientific treatise on lunar astronomy and a science-fiction story about a voyage to the moon, Kepler's Somnium went unrecognized for centuries. This edition presents a full translation from the original Latin.
With an introduction by Albert Einstein: The collected letters of the Renaissance astronomer who discovered the laws of planetary motion. Astronomer and mathematician Johannes Kepler made major contributions to the Scientific Revolution of the seventeenth century. While his achievements are well-documented elsewhere, this volume of his personal correspondence offers a rare window into the life of a man who pursued knowledge through a dangerous and turbulent period of history. Spanning more than thirty years, from 1596 to the end of his life, Kepler’s letters reveal the internal conflicts of a devout Protestant who nevertheless opposed many pronouncements of the Church, an eminent man of science who was also swayed by astrology, and a contemporary of Galileo who served three succeeding Holy Roman Emperors.
In The Astronomer and the Witch, Ulinka Rublack pieces together the tale of this extraordinary episode in Kepler's life, one that takes us to the heart of his changing world.
The first in a six-book series, We the Children follows Ben, his tech-savvy friend, Jill, and the class know-it-all, Robert, as they uncover a remarkable history and use it to protect the school. Sixth grader Benjamin Pratt loves history, which makes going to the historic Duncan Oakes School a pretty cool thing. But a wave of commercialization is hitting the area and his beloved school is slated to be torn down to make room for an entertainment park. This would be most kids’ dream—except there’s more to the developers than meets the eye… and more to the school. Because weeks before the wrecking ball is due to strike, Ben finds an old leather pouch that contains a parchment scroll with a note three students wrote in 1791. The students call themselves the Keepers of the School, and it turns out they’re not the only secret group to have existed at Duncan Oakes.
In the disastrous years before and during the Second World War, when confidence in a harmonious future was as difficult as it was crucial for spiritual survival, two German artists in exile wrote what would become their late masterpieces. The composer Paul Hindemith conceived an opera on the famous astronomer Johannes Kepler's mature life and theories, The Harmony of the World; the poet and novelist Hermann Hesse wrote a complex literary collage, i>The Glass Bead Game. Both works address the topic of universal harmony in the fabric of creation and culture, as well as the urgent problem of how such harmony can heal the spiritual, mental, and emotional developments of individuals and of society at large. The two quests are mirrored into circumstances that are almost equidistant from the mid-20th-century period in which their stories are being told. Hindemith's opera centers on an outstanding intellectual in the late 16th and early 17th centuries, while Hesse's work focuses on this intellectual's counterpart projected into a fictional world of the early 23rd century. In both cases, the quest for harmony and truthful proportion manifests at all levels of the stories told and of the works telling them. Siglind Bruhn's thought-provoking interdisciplinary study is organized along the lines of the seven areas in which scholars of the Pythagorean tradition from Plato to Kepler and beyond found universal harmony paradigmatically realized music, arithmetic, geometry and astronomy (the quadrivium of the medieval liberal arts) complemented by metaphysics, psychology, and art.