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The revolt was regarded in its origins & development as wholly evil, yet Mau Mau insurgents became heroes & the day on which the state of emergency was declared is commemorated with pride. This text offers a balanced assessment of the implications.
Kwani? is arguably Africa's most exciting and varied literary initiative of recent years. Describing itself as ?a magazine of ideas, [that] seeks to entertain, provoke and create?, Kwani? commissions and publishes stories, poetry, art and photography ?from all around the African continent and the diaspora'. Rejecting artificial divisions of high and low art and literary snobbery, it is dedicated to the flourishing of literature in Kenya and the of African cultural values. Kwami? 01 is widely available outside Africa for the first time. The volume features the writings of numerous prize-winners. It includes the short story, ?The Weight of Whispers?, by Yvonne Adhiambo Owuor, which won The Caine Prize for African Writing in 2003. Yvonne Owuor is also a screenplay writer, and Executive Director of the Zanzibar International Film Festival. Other contributions are from Parsilelo Kantai, who was short-listed for the Caine Prize in 2004;drawings from Gaddo, one of East Africa's foremost political cartoonists; photographs from the photo-journalist Marion Kaplan; and interviews with ?ghetto youths? conducted by the editor.
"In 1963, Kenya gained independence from Britain, ending nearly seventy years of white colonial rule. While tens of thousands of whites relocated outside Kenya for what they hoped would be better prospects, many stayed. Over the past decade, however, protests, scandals, and upheavals have unsettled families with colonial origins, reminding them of the tenuousness of their Kenyan identity. In this book, Janet McIntosh looks at the lives and dilemmas of settler descendants living in postindependence Kenya. From clinging to a lost colonial identity to embracing a new Kenyan nationality, the public face of white Kenyans has undergone changes fraught with ambiguity. Drawing on fieldwork and interviews, McIntosh focuses on their discourses and narratives, asking: What stories do settler descendants tell about their claims to belong in Kenya? How do they situate themselves vis-a-vis the colonial past and anticolonial sentiment, phrasing and rephrasing their memories and judgments as they seek a position they feel is ethically acceptable? With her respondents straining to defend their entitlements in the face of mounting Kenyan rhetorics of ancestry and autochthony, McIntosh explores their contradictory and diverse responses: moral double consciousness, aspirations to uplift the nation, ideological blind spots, denial, and self-doubt. Ranging from land rights to language, from romantic intimacy to the African occult, Unsettled offers a unique perspective on whiteness in a postcolonial context and a groundbreaking theory of elite subjectivity"--Provided by publisher.
“[An] informative and readable account of the growth of the politically motivated and extremely violent Mau Mau in Kenya.” —Military Historical Society The Second World War forever altered the complexion of the British Empire. From Cyprus to Malaya, from Borneo to Suez, the dominoes began to fall within a decade of peace in Europe. Africa in the late 1940s and 1950s was energized by the grant of independence to India, and the emergence of a credible indigenous intellectual and political caste that was poised to inherit control from the waning European imperial powers. In Kenya, however, matters were different. A vociferous local settler lobby had accrued significant economic and political authority under a local legislature, coupled with the fact that much familial pressure could be brought to bear in Whitehall by British settlers of wealth and influence, most of whom were utterly irreconciled to the notion of any kind of political hand over. Mau Mau was less than a liberation movement, but much more than a mere civil disturbance. This book covers the emergence and growth of Mau Mau, and the strategies applied by the British to confront and nullify what was in reality a tactically inexpert, but nonetheless powerfully symbolic black expression of political violence. That Mau Mau set the tone for Kenyan independence somewhat blurred the clean line of victory and defeat. The revolt was suppressed and peace restored, but events in the colony were nevertheless swept along by the greater movement of Africa toward independences, resulting in the eventual establishment of majority rule in Kenya in 1964.
Based on over two hundred and fifty psychiatric case files, this book offers a radical new departure from existing historical accounts of what is still commonly thought of as the most picturesque of Britain’s colonies overseas. By tracing the life histories of Kenya’s ‘white insane’, the book allows for a new account of settler society: one that moves attention away from the ‘great white hunters’ and heroic pioneer farmers to all those Europeans who did not manage to emulate the colonial ideal. In doing so, it raises important new questions around deviance, transgression and social control. Sitting at the intersection of a number of fields, the book will appeal to students and teachers of imperial history, colonial medicine, African history and postcolonial theory and will prove a valuable addition to both undergraduate and postgraduate courses.
How representations of land and landscape perform important metaphorical labor in African literatures
Human Rights in the Shadow of Colonial Violence explores the relationship between the human rights movement emerging after 1945 and the increasing violence of decolonization. Based on material previously inaccessible in the archives of the International Committee of the Red Cross and the United Nations Human Rights Commission, this comparative study uses the Mau Mau War (1952-1956) and the Algerian War (1954-1962) to examine the policies of two major imperial powers, Britain and France. Historian Fabian Klose considers the significance of declared states of emergency, counterinsurgency strategy, and the significance of humanitarian international law in both conflicts. Klose's findings from these previously confidential archives reveal the escalating violence and oppressive tactics used by the British and French military during these anticolonial conflicts in North and East Africa, where Western powers that promoted human rights in other areas of the world were opposed to the growing global acceptance of freedom, equality, self-determination, and other postwar ideals. Practices such as collective punishment, torture, and extrajudicial killings did lasting damage to international human rights efforts until the end of decolonization. Clearly argued and meticulously researched, Human Rights in the Shadow of Colonial Violence demonstrates the mutually impacting histories of international human rights and decolonization, expanding our understanding of political violence in human rights discourse.
Kenya supplies more than 35 percent of the fresh-cut roses and other flowers sold annually in the European Union. This industry—which employs at least 90,000 workers, most of whom are women—is lucrative but enduringly controversial. More than half the flowers are grown near the shores of Lake Naivasha, a freshwater lake northwest of Nairobi recognized as a Ramsar site, a wetland of international importance. Critics decry the environmental side effects of floriculture, and human rights activists demand better wages and living conditions for workers. In this rich portrait of Kenyan floriculture, Megan Styles presents the point of view of local workers and investigates how the industry shapes Kenyan livelihoods, landscapes, and politics. She investigates the experiences and perspectives of low-wage farmworkers and the more elite actors whose lives revolve around floriculture, including farm managers and owners, Kenyan officials, and the human rights and environmental activists advocating for reform. By exploring these perspectives together, Styles reveals the complex and contradictory ways that rose farming shapes contemporary Kenya. She also shows how the rose industry connects Kenya to the world, and how Kenyan actors perceive these connections. As a key space of encounter, Lake Naivasha is a synergistic center where many actors seek to solve broader Kenyan social and environmental problems using the global flows of people, information, and money generated by floriculture.
In the first years of Kenyan independence, three young women return to the East African highlands where they shared a carefree childhood. Hannah is struggling to preserve her heritage at Langani Farm, where a series of unexplained and violent attacks threaten her security and recent marriage. Sarah is studying wildlife, using her work as a salve for the death of her childhood sweetheart. Camilla, the international fashion icon, abandons her career in London and is drawn back to Kenya by her love for a charismatic hunter and safari guide. But a secret hangs over Langani, overshadowing the friends' efforts to establish themselves in the volatile circumstances of a new African nation... This superb sequel to Blood Sisters is a breathtaking saga of friendship, soaring hope and redemption.