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The Kentucky Encyclopedia's 2,000-plus entries are the work of more than five hundred writers. Their subjects reflect all areas of the commonwealth and span the time from prehistoric settlement to today's headlines, recording Kentuckians' achievements in art, architecture, business, education, politics, religion, science, and sports. Biographical sketches portray all of Kentucky's governors and U.S. senators, as well as note congressmen and state and local politicians. Kentucky's impact on the national scene is registered in the lives of such figures as Carry Nation, Henry Clay, Louis Brandeis, and Alben Barkley. The commonwealth's high range from writers Harriette Arnow and Jesse Stuart, reformers Laura Clay and Mary Breckinridge, and civil rights leaders Whitney Young, Jr., and Georgia Powers, to sports figures Muhammad Ali and Adolph Rupp and entertainers Loretta Lynn, Merle Travis, and the Everly Brothers. Entries describe each county and county seat and each community with a population above 2,500. Broad overview articles examine such topics as agriculture, segregation, transportation, literature, and folklife. Frequently misunderstood aspects of Kentucky's history and culture are clarified and popular misconceptions corrected. The facts on such subjects as mint juleps, Fort Knox, Boone's coonskin cap, the Kentucky hot brown, and Morgan's Raiders will settle many an argument. For both the researcher and the more casual reader, this collection of facts and fancies about Kentucky and Kentuckians will be an invaluable resource.
The first comprehensive history of Kentucky during the first half of the twentieth century, presenting a sweeping view of these crucial years when the forces of continuity and change competed for primacy in the state.
By the flip of a coin, Thomas Dionysius Clark became intertwined in the vast history of Kentucky. In 1928, Clark received scholarships to both the University of Cincinnati and to the University of Kentucky. Kentucky won the coin toss and the claim to one of the South's eminent historians. In 1990, when the Kentucky General Assembly honored Clark by declaring him Kentucky's Historian Laureate for life, Governor Brereton Jones described Clark as "Kentucky's greatest treasure." Historian, advocate, educator, preservationist, publisher, writer, mentor, friend, Kentuckian—Dr. Clark has filled all these roles and more. Thomas D. Clark of Kentucky is a celebration of his life and careerby just a few of those who have felt his influence and shared his enthusiasm for his adopted home state of Kentucky.
Born in 1815, archivist Lyman Draper was a tireless collector of oral history and is responsible for much of what we know about Daniel Boone. In an 1851 visit with Boone's youngest son, Nathan, and Nathan's wife, Olive, Draper produced over three hundred pages of notes that became the most important source of information about Daniel. The interviews provide a wealth of accurate, first-hand information concerning Boone's years in Kentucky, his capture by Indians, his defense of Fort Boonesboro, his lengthy hunting expeditions, and his final years in Missouri.
""My Best for the Kingdom provides a valuable history of several little-known events in early Mormon history--the Church in Tennessee and Kentucky in the 1830s, the Danites in Missouri, Mormon resistance to Missouri persecutions, ... the James Emmett expedition, [and] pioneer Spanish Fork, Utah...John L. Butler's autobiography, given here in full, rivals and adds to the accounts of Hosea Stout and John D. Lee in telling the Mormon story of the 1830s, '40s, and '50s. Butler was a valiant militiaman, missionary, frontiersman, and bishop. A fast-moving, informative, well-researched and well-told account of Mormonism on the frontier...and pioneer Utah.""--Leonard J. Arrington quoted on the back outside jacket. This is the 3rd printing of My Best for the Kingdom (ISBN 978-1-365-73968-2) and is the same as the 2nd printing (ISBN 978-0-9843965-2-8) and 1st printing (ISBN 1-56236-212-7) versions except that the front & end papers (family chart and map) on the previous versions are now included as the final two pages.
"The sun shines bright in the old Kentucky home." So begins an American standard, first published as a minstrel song, that became dear to the hearts of millions and ultimately was enshrined as the Kentucky Derby's sonic centerpiece—a popular selling point for Kentucky tourism. Emily Bingham's masterful decoding of Stephen Foster's 1853 ballad reveals that the song was always about slavery and how white Americans wanted to remember it. Acknowledging her own entanglement in this legacy, Bingham takes readers on the journey of a melody, from its inception by a white northerner, to its enormous success on the blackface circuit, in recordings by Al Jolson and Bing Crosby, and on the pages of Margaret Mitchell's Gone with the Wind, to its countless screen appearances, including Shirley Temple movies, The Simpsons, and Mad Men. For almost two centuries, "My Old Kentucky Home" has never been just a song—it continues to be a resonant, changing emblem of America's original sin, whose blood-drenched shadow haunts us still. My Old Kentucky Home: The Astonishing Life and Reckoning of an Iconic American Song investigates the tune's hidden history, lodged in the nation's cultural DNA, and ends with a startling solution for what to do with this artifact of race and slavery.
A research center for Thoroughbred racing, breeding, and related subjects, the Keeneland Association Library is located at Keeneland Race Course near Lexington, Kentucky. Amelia King Buckley, who became librarian in 1953, has compiled an alphabetical author listing of the titles in this unique collection as of June 1, 1958. Begun in 1939 with a gift of 2,000 volumes from William Arnold Hanger, the library has grown with the addition of other gifts and purchases, and now comprises one of the finest collections in its field. The published catalog includes more than 900 monograph titles, more than 100 serial titles, selected sales catalogs, private studbooks, bound pamphlets, and a small amount of manuscript material. The volume is illustrated with photographs from the library's remarkable collection of 15,000 negatives taken by the late Charles Christian Cook, one of the first American photographers to specialize in racing scenes.