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A refreshingly honest memoir about politics and private life Few Canadians have served their nation as well and as widely as the Honourable Darcy McKeough. He was elected Member of Provincial Parliament for Chatham–Kent, Ontario, five times between 1963 and 1977. In 1967 he was mockingly dubbed the Duke of Kent by an opposition MPP, a title he has worn as a badge of honour ever since. As Treasurer of Ontario, Minister of Municipal Affairs, and Minister of Energy during his time in office, McKeough fought to achieve budget surpluses long before it was fashionable, created regional governments that brought more efficient services to citizens, and attempted to tame Ontario Hydro. In The Duke of Kent, McKeough takes readers behind the scenes and into the Cabinet rooms of government, putting on full display the thrust and parry of legislative sittings where he almost always gave better than he got. He brings to life the political and constitutional issues of the day as led, litigated, and legislated by an array of provincial and federal politicians, including Charles MacNaughton, John Robarts, William Davis, John Diefenbaker, Robert Stanfield, Lester B. Pearson, Pierre Trudeau, Joe Clark, Brian Mulroney, Jean Chrétien, Jacques Parizeau, and Peter Lougheed.
An expansive collection catalogue that offers a multiplicity of fresh perspectives on recent modern and contemporary art acquisitions in The Phillips Collection
Spotlights some 120 structures with photographs, maps, and descriptive details about each building's architectural significance, construction, architect(s), location, and congregation. Preserving these landmarks for their architectural merit and their role as social centers in the city's ethnic neig
This award-winning amply illustrated volume of informative essays and vibrant prints by the current members of the California Society of Printmakers was published to commemorate its 2013 centennial year. Readers interested in knowing more about how a small group of prominent artist-etchers in Northern California formulated an aspirational society near the turn of the 20th century and transformed itself over the course of one hundred years—welcoming artists, working in all printmaking media, into its company from around the United States and abroad—will find the ideal source in this lush book.