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Kenneth Grange: Making Britain Modern celebrates the career of one of the truly great figures of modern British design; featuring previously unpublished interviews and specially commissioned photography of his work. The book features essays by renowned commentators on Modern British design including Deyan Sudjic, Director of the Design Museum, London, and cultural historian and widely published writer on design, Fiona MacCarthy. Spanning more than half a century, Grange's career began in 1947 and establishing a private practice in 1956, initially as an interior and architectural designer, Grange eventually became known for his work in product design. Working with a range of high-profile clients including British Rail, Wilkinson Sword, and Manganese Bronze, Grange has since designed products as varied as the Anglepoise lamp, the black cab and high-speed inner city trains. In 1976 Grange became one of the founding partners of the famous design consultancy Pentagram, along with Theo Crosby, Colin Forbes and Mervyn Kultansky, where he worked with a number of high-profile clients including Kodak and Kenwood. More recently, Grange has collaborated with British fashion designer Margaret Howell to produce a collarless shirt, which combines Grange's practical design experience with Howell's quality and make.
Eleanor Herring's unique study of street furniture in post-war Britain considers how objects which are now familiar parts of our urban environment were designed to populate public spaces. Herring explores the design of lampposts, post boxes, parking meters, and signage in the context of a government backed by various bodies keen to propagate 'good' modern design, in a Britain whose towns and cities had been laid waste by bombing and the privations of war. She also considers the innate conservatism of local communities and councils, wary of a standardised street design imposed from above. She traces how the design of street furniture became the site of a fierce struggle which exposed deep-seated anxieties about class, taste and power. Herring's original research draws on archival material and on interviews with leading figures in urban design, including graphic designer Margaret Calvert and industrial designer Kenneth Grange.
What do designers do during the activity of 'designing'? How are creative thinking skills employed? What is design ability and how is it developed? Nigel Cross, one of design's foremost scholars, explores through observation, analysis and reflection the often enigmatic elements of design thinking. Detailed case studies provide commentary on specific examples of design innovation and development, with interspersed chapters providing research-based overviews of design cognition. This new edition expands on the previous book with more emphasis on teamwork and co-design, and updated and expanded case studies and examples - including the development of a Formula One car and a backpack for mountain biking - as well as a new glossary of key terms. Written for all those wanting to understand more about how good designers work, regardless of discipline.
Scher reveals her thoughts on design practice, drawing on her experiences as a leading designer in the USA. The book includes a survey of Scher's work, from her designs as art director at Columbia Records, to her identity for New York's Public Theater.
This illustrated study explores the life and work of Sir Edmund (Ted) Happold. It acknowledges the role he played during a professional life spanning some 30 years, and examines the relationship between engineering, architecture and design.
The more complex a human action is, the greater the need to formulate a plan of action, devise a method of implementation, and evaluate its execution. Such preparation is called design or planning, and can be defined as a conceptual preparation for action. Design and planning by themselves are so complex and important that they need informed preparation, which calls for systematic designological studies. This volume brings together original contributions of researchers and practitioners in design theory, design research, and design studies. Its main purpose is to highlight the possibilities of the discipline of designology. Doing and thinking, or thinking and doing, whatever the order, are intertwined. That is why praxiology, the science of action, defines design as a conceptual preparation of action. Included here are contributions from Jack Brzezinski, Eduardo Corte-Real, Nigel Cross, Michel Faucheux, Joelle Forest, Wojciech W. Gasparski, Ioannes B. Kapelouzos, Thorbjoern Mann, Tom Maver, Tarkko Oksala, Tufan Orel, Sevil Saryldz, and Ladislav Tondl. Designology is the latest volume in Transaction's highly regarded Praxiology series.
Computer technology has completely revolutionized the work of graphic designers, printers, and print production professionals. To keep pace with these far-reaching changes, Production for Graphic Designers is set firmly in the digital age. This revised fourth edition embraces all the new and emerging technologies in graphics and print production, comprehensibly explaining the prepress and printing processes from traditional letterpress to the latest on-press CtP (computer-to-plate) digital offset and on-demand colour printing. It also covers new workflows and spells out the many acronyms encountered by today's designers. As well as covering print, it provides an authoritative guide to working in digital media, particularly the internet. There are also additional feature spreads on key graphic designers Bruce Mau, Paul Rand, Chris Ware and Pentagram.