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In the 9th century BC, a powerful kingdom arose in northern Sudan (Kush). Conquering Egypt, its kings ruled the Nile Valley, from the Mediterranean as far as Khartoum, for half a century. This was a period of dramatic historical events, dominated by the expansion of the Assyrian Empire into Syria and Palestine. The Nubians supported the kings of Israel against Assyria, but even Egypt itself was invaded. Allied with the Assyrians, the Libyan princes of Sais succeeded in ousting the Nubians and reuniting Egypt under their own rule. Despite these constant wars, this was also a period of artistic renaissance, attested by many building works in Egypt and Sudan, by a striking series of portrait sculptures, and the splendid burial treasures of the royal family. Withdrawal from Egypt did not mark the end of the Kushite state, which continued for nearly 1000 years.
In a masterful and unique manner, Dr. Ben uses Black Man of the Nile to challenge and expose "Europeanized" African history. Order Black Man of the Nile here.
The Middle Kingdom (ca. 2030–1650 B.C.) was a transformational period in ancient Egypt, during which older artistic conventions, cultural principles, religious beliefs, and political systems were revived and reimagined. Ancient Egypt Transformed presents a comprehensive picture of the art of the Middle Kingdom, arguably the least known of Egypt’s three kingdoms and yet one that saw the creation of powerful, compelling works rendered with great subtlety and sensitivity. The book brings together nearly 300 diverse works— including sculpture, relief decoration, stelae, jewelry, coffins, funerary objects, and personal possessions from the world’s leading collections of Egyptian art. Essays on architecture, statuary, tomb and temple relief decoration, and stele explore how Middle Kingdom artists adapted forms and iconography of the Old Kingdom, using existing conventions to create strikingly original works. Twelve lavishly illustrated chapters, each with a scholarly essay and entries on related objects, begin with discussions of the distinctive art that arose in the south during the early Middle Kingdom, the artistic developments that followed the return to Egypt’s traditional capital in the north, and the renewed construction of pyramid complexes. Thematic chapters devoted to the pharaoh, royal women, the court, and the vital role of family explore art created for different strata of Egyptian society, while others provide insight into Egypt’s expanding relations with foreign lands and the themes of Middle Kingdom literature. The era’s religious beliefs and practices, such as the pilgrimage to Abydos, are revealed through magnificent objects created for tombs, chapels, and temples. Finally, the book discusses Middle Kingdom archaeological sites, including excavations undertaken by the Metropolitan Museum over a number of decades. Written by an international team of respected Egyptologists and Middle Kingdom specialists, the text provides recent scholarship and fresh insights, making the book an authoritative resource.
A bibliography of Black Kemet.
From the Publisher: Edited and translated by Mercer Cook. Laymen and scholars alike will welcome the publication of this one-volume translation of the major sections of C.A. Diop's two books, Nations negres et culture and Anteriorite des civilizations negres, which have profoundly influenced thinking about Africa around the world. It was largely because of these works that, at the World Festival of the Arts held in Dakar in 1966, Dr. Diop shared with the late W.E.B. DuBois an award as the writer who had exerted the greatest influence on Negro thought in the 20th century.
In lecture/essay format, Dr. Ben identifies and corrects myths about the inferiority and primitiveness of the indigenous African peoples and their descendants. Order Africa Mother of Western Civilization here.
The History of African Civilizations is a textbook and course reader based on the original primary research of Prof. Ampim, and it is complete with lesson plans and unit resources. This textbook follows the History 110 course outline at Contra Costa College in San Pablo, California, and it focuses on human origins and African civilizations at the apex of Africa's contributions to humanity. This course, taught exclusively by Ampim, is one of the few in the U.S. that examines ancient African civilizations without dealing with the modern derailment of Africa, when it descended into slavery and colonialism several centuries ago.
Ashby explains the Tree of Life metaphysical teachings, disciplines, and techniques from the hieroglyphic texts.
Selected by Choice Magazine as an Outstanding Academic Title In From Slave to Pharaoh, noted Egyptologist Donald B. Redford examines over two millennia of complex social and cultural interactions between Egypt and the Nubian and Sudanese civilizations that lay to the south of Egypt. These interactions resulted in the expulsion of the black Kushite pharaohs of the Twenty-fifth Dynasty in 671 B.C. by an invading Assyrian army. Redford traces the development of Egyptian perceptions of race as their dominance over the darker-skinned peoples of Nubia and the Sudan grew, exploring the cultural construction of spatial and spiritual boundaries between Egypt and other African peoples. Redford focuses on the role of racial identity in the formulation of imperial power in Egypt and the legitimization of its sphere of influence, and he highlights the dichotomy between the Egyptians' treatment of the black Africans it deemed enemies and of those living within Egyptian society. He also describes the range of responses—from resistance to assimilation—of subjugated Nubians and Sudanese to their loss of self-determination. Indeed, by the time of the Twenty-fifth Dynasty, the culture of the Kushite kings who conquered Egypt in the late eighth century B.C. was thoroughly Egyptian itself. Moving beyond recent debates between Afrocentrists and their critics over the racial characteristics of Egyptian civilization, From Slave to Pharaoh reveals the true complexity of race, identity, and power in Egypt as documented through surviving texts and artifacts, while at the same time providing a compelling account of war, conquest, and culture in the ancient world.