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In Book Three of the Keltian Trilogy, the group realizes that they are somehow being detected and must leave the security of the mine. With the ship completely repaired, they seek a new sanctuary where the Reficulians have difficulties tolerating the temperature extremes. Derrick's dreams with the Keltians become more frequent as the group struggles to understand how they alone can drive the Reficulians from Earth. Their abilities have enabled them to help other survivors, yet the "fight," the "war" on the Reficulians, has hardly begun. They quickly realize that in other parts of the world, complete eradication of cities has begun. It's only a matter of time before the Reficulians discover where they are hiding.
The survivors on Earth of an alien invasion, in Book Three of the Keltian’s Warriors Series, realize that they are being tracked and are forced to explore from the safety of the mine where they have been hiding. Their ship repaired, they find a new sanctuary, where the Reficulians have difficulty tolerating the temperature extremes. Derrick finds himself dreaming more often about the Keltians, while his fellow young survivors are puzzled by the idea that they are the only ones capable of expelling the Reficulians from Earth. Their gifted skills have allowed them to aid other survivors, but their battle against the Reficulians is far from over. They soon discover that in various regions worldwide, cities are being completely wiped out. It is only a matter of time before the group of young survivors is discovered by the Reficulians.
A guide to the modes and methods of Creative Writing research, designed to be invaluable to university staff and students in formulating research ideas, and in selecting appropriate strategies. Creative writing researchers from around the globe offer a selection of models that readers can explore and on which they can build.
The late 1990s and early 2000s witnessed a surge in the publication and popularity of autobiographical writings about childhood. Linking literary and cultural studies, Contesting Childhood draws on a varied selection of works from a diverse range of authorsùfrom first-time to experienced writers. Kate Douglas explores Australian accounts of the Stolen Generation, contemporary American and British narratives of abuse, the bestselling memoirs of Andrea Ashworth, Augusten Burroughs, Robert Drewe, Mary Karr, Frank McCourt, Dave Pelzer, and Lorna Sage, among many others. Drawing on trauma and memory studies and theories of authorship and readership, Contesting Childhood offers commentary on the triumphs, trials, and tribulations that have shaped this genre. Douglas examines the content of the narratives and the limits of their representations, as well as some of the ways in which autobiographies of youth have become politically important and influential. This study enables readers to discover how stories configure childhood within cultural memory and the public sphere.
In Book Three of the Keltian Trilogy, the group realizes that they are somehow being detected and must leave the security of the mine. With the ship completely repaired, they seek a new sanctuary where the Reficulians have difficulties tolerating the temperature extremes. Derrick's dreams with the Keltians become more frequent as the group struggles to understand how they alone can drive the Reficulians from Earth. Their abilities have enabled them to help other survivors, yet the "fight," the "war" on the Reficulians, has hardly begun. They quickly realize that in other parts of the world, complete eradication of cities has begun. It's only a matter of time before the Reficulians discover where they are hiding.
"Solveig Hisdal is not only aware of the knowledge housed in Norway's museums, she has also learned how to use it. She has visited museums throughout the country, searching eagerly for the treasures that her ancestors left behind. She has found textiles, chests, cabinets and old folk costumes that have later become her greatest source of inspiration. This book is a result of her quest, and it shows how the creativity of the past has inspired her to make beautiful knitted designs. It contains wonderful knitting ideas for almost all occasions, from a child's christening outfit to an exquisite, knitted bridal cardigan with beads and silk. Whether you wish to be inspired by the beautiful pictures, or knit some of the outfits -- enjoy the book!"--P. [4] of cover.
This lighthearted, philosophical look at the current knitting craze views its popularity as third-wave feminism in action. Part how-to, part social criticism, it addresses such issues as the appropriateness of knitting in public, sharing needles, and the use of natural versus synthetic yarns. A dozen knitting patterns for hot water bottle covers, scarves, baby clothes, and doggie sweaters are also included.
Available for the first time in paperback, The Knitting Sutra reveals how women can learn to knit their way to nirvana. When Susan Gordon Lydon was coping with a broken arm, her craft took on new significance. While knitting was essential to strengthening her hands, it also provided her with a newfound sense of peace and creativity. Immersed in brilliant colors, textures, and images of beautiful sweaters, Lydon found healing and enlightenment in a way she had never imagined. Capturing this journey of discovery, The Knitting Sutra recounts her remarkable membership in a community of craftswomen around the world, from sweater makers in Scotland to Navajo weavers, and the adventures that her craft led her on. As she masters new techniques and conquers old obstacles, Lydon’s story conveys how the lessons she learned from knitting, such as stillness and interdependence, later sustained her through a cancer diagnosis and even the incapacitation of her hands. The Knitting Sutra is both a meditation on craft and an affirmation for anyone seeking heartfelt comfort.
“Rarely do memoirs of grief combine anguish, love, and fury with such elegance.” — Entertainment Weekly In 2002, Ann Hood’s five-year-old daughter Grace died suddenly from a virulent form of strep throat. Stunned and devastated, the family searched for comfort in a time when none seemed possible. Hood—an accomplished novelist—was unable to read or write. She could only reflect on her lost daughter—“the way she looked splashing in the bathtub ... the way we sang ‘Eight Days a Week.’” One day, a friend suggested she learn to knit. Knitting soothed her and gave her something to do. Eventually, she began to read and write again. A semblance of normalcy returned, but grief, in ever new and different forms, still held the family. What they could not know was that comfort would come, and in surprising ways. Hood traces her descent into grief and reveals how she found comfort and hope again—a journey to recovery that culminates with a newly adopted daughter.
Novel Craft explores an intriguing and under-studied aspect of cultural life in Victorian England: domestic handicrafts, the decorative pursuit that predated the Arts and Crafts movement. Talia Schaffer argues that the handicraft movement served as a way to critique the modern mass-produced commodity and the rapidly emerging industrial capitalism of the nineteenth century. Her argument is illustrated with the four pivotal novels that form her study's core-Gaskell's Cranford, Yonge's The Daisy Chain, Dickens's Our Mutual Friend, and Oliphant's Phoebe Junior. Each features various handicrafts that subtly aim to subvert the socioeconomic changes being wrought by industrialization. Schaffer goes beyond straightforward textual analysis by shaping each chapter around the individual craft at the center of each novel (paper for Cranford, flowers and related arts in The Daisy Chain, rubbish and salvage in Our Mutual Friend, and the contrasting ethos of arts and crafts connoisseurship in Phoebe Junior). The domestic handicraft also allows for self-referential analysis of the text itself; in scenes of craft production (and destruction), the authors articulate the work they hope their own fictions perform. The handicraft also becomes a locus for critiquing contemporary aesthetic trends, with the novels putting forward an alternative vision of making value and understanding art. A work that combines cultural history and literary studies, Novel Craft highlights how attention to the handicraft movement's radically alternative views of materiality, consumption, production, representation, and subjectivity provides a fresh perspective on the major changes that shaped the Victorian novel as a whole.