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Labour leader Harold Wilson was once asked how difficult he found being prime minister of the United Kingdom. ‘Not half as difficult as being Leader of the Opposition’, he replied. Sadly for the Labour Party, much of the last century has been spent in shadow government. But were these wasted years in the Party’s history? Or did they offer vital opportunities for creation and improvement? In Keeping the Red Flag Flying political historians Mark Garnett, Gavin Hyman and Richard Johnson offer the first in-depth account of Labour’s periods out of office since becoming the Official Opposition in 1922. They argue that, far from being barren periods in the Party’s history, Labour’s opposition years from MacDonald to Starmer have been undervalued and misunderstood. Across the book’s eight chapters they scrutinise Labour’s approach to reforming the party machinery, its development of policy proposals, its success in appealing to the wider electorate and its skill in opposing the government to identify the key hallmarks of successful opposition, as well as common mistakes. As the Labour Party prepares for a long-awaited return to government, this insightful book on Labour’s past has vital lessons for the Party’s future.
Since the October Revolution of 1917 there has been considerable debate among both socialists and enemies of socialism on the class nature of the Soviet Union. This debate waxed and waned over time in good measure as a function of the international policies of the Soviet Union and its enemies. We have seen a great revival of interest in the question among sympathizers of Cultural Revolution era of the People's Republic of China, which in 1967 had claimed that capitalism has been restored in the Soviet Union. Many of the issues and arguments raised by various branches of the Trotskyist movement in the 1930s and 1940s are once again being discussed and supported by the Maoist camp in response to this debate. On the other hand defenders of the Soviet Union continue to claim that the country was socialist, and this book expounds in detail just why socialism was indeed still prevailing in the Soviet Union at the time of it's publication in the late 1970's and early 80's.
Preliminary Material -- Index of Authors -- Authors and Their Works -- Index of Titles -- Subject Index of Selected Topics -- Harvard East Asian Monographs.
A collection of Courtney's columns from the Texas Monthly, curing the curious, exorcizing bedevilment, and orienting the disoriented, advising "on such things as: Is it wrong to wear your football team's jersey to church? When out at a dancehall, do you need to stick with the one that brung ya? Is it real Tex-Mex if it's served with a side of black beans? Can one have too many Texas-themed tattoos?"--Amazon.com.
Set in the northern Chinese provincial town of Dismount Fort, these 12 stories offer a fascinating glimpse of the lives of peasants, soldiers, workers, and party officials during the Great Cultural Revolution.
Musical Life in Guyana is the first in-depth study of Guyanese musical life. It is also a richly detailed description of the social, economic, and political conditions that have encouraged and sometimes discouraged musical and cultural creativity in Guyana. The book contributes to the study of the interactions between the policies and practices by national governments and musical communities in the Caribbean. Vibert C. Cambridge explores these interactions in Guyana during the three political eras that the society experienced as it moved from being a British colony to an independent nation. The first era to be considered is the period of mature colonial governance, guided by the dictates of “new imperialism,” which extended from 1900 to 1953. The second era, the period of internal self-government and the preparation for independence, extends from 1953, the year of the first general elections under universal adult suffrage, to 1966, the year when the colony gained its political independence. The third phase, 1966 to 2000, describes the early postcolonial era. Cambridge reveals how the issues of race, class, gender, and ideology deeply influenced who in Guyanese multicultural society obtained access to musical instruction and media outlets and thus who received recognition. He also describes the close connections between Guyanese musicians and Caribbean artists from throughout the region and traces the exodus of Guyanese musicians to the great cities of the world, a theme often neglected in Caribbean studies. The book concludes that the practices of governance across the twentieth century exerted disproportionate influence in the creation, production, distribution, and consumption of music.
Covering over 10,000 idioms and collocations characterized by similarity in their wording or metaphorical idea which do not show corresponding similarity in their meanings, this dictionary presents a unique cross-section of the English language. Though it is designed specifically to assist readers in avoiding the use of inappropriate or erroneous phrases, the book can also be used as a regular phraseological dictionary providing definitions to individual idioms, cliches, and set expressions. Most phrases included in the dictionary are in active current use, making information about their meanings and usage essential to language learners at all levels of proficiency.