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In 1947, when India achieved independence, Britain portrayed the transfer of power as the outcome of decades, even centuries, of responsible planning – the honourable discharge of an historic responsibility. That view has never been seriously challenged in Britain. But this book shows that the official narrative is a travesty of what really happened. Drawing on the documentary evidence – letters, diaries, state papers – Walter Reid reveals how Britain selfishly deceived and prevaricated in order to arrest political progress in India for as long as possible – a shameful passage in British imperial policy which led to tragedy and untold suffering when independence finally became inevitable.
At the end of the First World War Britain and to a much lesser extent France created the modern Middle East. The possessions of the former Ottoman Empire were carved up with scant regard for the wishes of those who lived there. Frontiers were devised and alien dynasties imposed on the populations as arbitrarily as in medieval times. From the outset the project was destined to failure. Conflicting and ambiguous promises had been made to the Arabs during the war but were not honoured. Brief hopes for Arab unity were dashed, and a harsh belief in western perfidy persists to the present day. Britain was quick to see the riches promised by the black pools of oil that lay on the ground around Baghdad. When France too grasped their importance, bitter differences opened up and the area became the focus of a return to traditional enmity. The war-time allies came close to blows and then drifted apart, leaving a vacuum of which Hitler took advantage. Working from both primary and secondary sources, Walter Reid explores Britain's role in the creation of the modern Middle East and the rise of Zionism from the early years of the twentieth century to 1948, when Britain handed over Palestine to UN control. From the decisions that Britain made has flowed much of the instability of the region and of the world-wide tensions that threaten the twenty-first century. How far was Britain to blame?
In the second instalment of a charming mystery series, a Mumbai-based investigator and his elephant partner are on the hunt for the Queen of England's stolen Crown Jewels. For centuries, the Koh-i-Noor diamond has set man against man and king against king. Now part of the British Crown Jewels, the priceless gem is a prize that many have killed to possess. So when the Crown Jewels go on display in Mumbai, security is everyone's principal concern. And yet, on the very day Inspector Chopra visits the exhibition, the diamond is stolen from under his nose. The heist was daring and seemingly impossible. The hunt is on for the culprits. But it soon becomes clear that only one man -- and his elephant -- can possibly crack this case. . . Featuring the most charming crime-solving duo ever to grace the pages of a book, the Baby Ganesh Detective Agency series is a must-read for fans of Alexander McCall Smith.
【A story by USA Today bestselling author becomes a comic!】Ruby works as a receptionist in the English countryside. One day a prince named Raja from the Middle Eastern country of Najar appears in front of her, seeking a political marriage. Her mother is the former wife of the King of Ashur, a neighboring country. In order to fulfill the conditions of a newly established peace treaty, Raja has come to retrieve Ruby, the sole heir of Ashur. But she flatly denies his offer, not wanting to become like her mother, who suffered through so much. Sure this would incur Raja's wrath, she is surprised that responds with a devilish, enigmatic smile…
___________________ NOW A BBC RADIO 4 EXTRA DRAMATISATION STARRING ANNA MAXWELL MARTIN AND PRASANNA PUWANARAJAH ___________________ BOOK ONE OF THE RAJ QUARTET India 1942: everything is in flux. World War II has shown that the British are not invincible and the self-rule lobby is gaining many supporters. Against this background, Daphne Manners, a young English girl, is brutally raped in the Bibighat Gardens. The racism, brutality and hatred launched upon the head of her young Indian lover echo the dreadful violence perpetrated on Daphne and reveal the desperate state of Anglo-Indian relations. The rift that will eventually prise India - the jewel in the Imperial Crown - from colonial rule is beginning to gape wide. ___________________ 'A major work, a glittering combination of brilliant craftsmanship, psychological perception and objective reporting... Rarely have the sounds and smells and total atmosphere been so evocatively suggested' - New York Times 'Absorbing and brilliant... A triumph' - Evening Standard 'One of the most important landmarks of post-war fiction... A mighty literary experience' - The Times 'Quite simply, monumental' - Washington Post
The Booker Prize winner. “[One of] the top 10 books about the British in India . . . the book is a joy and makes an elegiac farewell to the Raj.” —Ferdinand Mount, The Guardian In this sequel to The Raj Quartet, Colonel Tusker and Lucy Smalley stay on in the hills of Pankot after Indian independence deprives them of their colonial status. Finally fed up with accommodating her husband, Lucy claims a degree of independence herself. Eloquent and hilarious, she and Tusker act out class tensions among the British of the Raj and give voice to the loneliness, rage, and stubborn affection in their marriage. Staying On won the Booker Prize in 1977 and was made into a motion picture starring Trevor Howard and Celia Johnson in 1979. “Staying On far transcends the events of its central action . . . [The work] should help win for Scott . . . the reputation he deserves—as one of the best novelists to emerge from Britain’s silver age.” —Robert Towers, Newsweek “Scott’s vision is both precise and painterly. Like an engraver cross-hatching in the illusion of fullness, he selects nuances that will make his characters take on depth and poignancy.” —Jean G. Zorn, The New York Times Book Review “A graceful comic coda to the earlier song of India . . . No one writing knows or can evoke an Anglo-Indian setting better than Scott.” —Paul Gray, Time “Staying On provides a sort of postscript to [Scott’s] deservedly acclaimed The Raj Quartet . . . It is, on any showing, a creditable achievement.” —Malcolm Muggeridge, The New York Times Book Review
From the internationally acclaimed and bestselling historians William Dalrymple and Anita Anand, the first comprehensive and authoritative history of the Koh-i-Noor diamond, arguably the most celebrated jewel in the world. On March 29, 1849, the ten-year-old leader of the Sikh kingdom of the Punjab was ushered into the magnificent Mirrored Hall at the center of the British fort in Lahore, India. There, in a formal Act of Submission, the frightened but dignified child handed over to the British East India Company swathes of the richest land in India and the single most valuable object in the subcontinent: the celebrated Koh-i-Noor diamond, otherwise known as the Mountain of Light. To celebrate the acquisition, the British East India Company commissioned a history of the diamond woven together from the gossip of the Delhi Bazaars. From that moment forward, the Koh-i-Noor became the most famous and mythological diamond in history, with thousands of people coming to see it at the 1851 Great Exhibition and still more thousands repeating the largely fictitious account of its passage through history. Using original eyewitness accounts and chronicles never before translated into English, Dalrymple and Anand trace the true history of the diamond and disperse the myths and fantastic tales that have long surrounded this awe-inspiring jewel. The resulting history of south and central Asia tells a true tale of greed, conquest, murder, torture, colonialism, and appropriation that shaped a continent and the Koh-i-Noor itself.
From the author of The Raj Quartet, a coming-of-age tale about a boy and his childhood friendships with a British diplomat’s daughter and the son of a Raj. The Birds of Paradise is set in India when the British Raj still seemed a paradise, but a paradise that boy comes to recognize as already lost. As Scott weaves together themes of political and personal history, he makes us feel how the protagonist identifies with the beautiful, mysterious India of the Raj. With a keen eye for character and graceful prose, Scott captures the reverie of a youth complete with parades of elephants, garden parties, and the titular birds of paradise, who are stuffed trophies of an Indian prince, kept as decoration in a gilded cage. When the boy is sent away to England, he experiences his exile as both the personal wound of abandonment and the foreshadowing of the Partition. Winner of the Booker Prize Praise for The Birds of Paradise “A rare literary bird, a novel that in a short space recreates a man’s lifetime. Using exotic backgrounds, it manages to say something useful about growing up—a process that only children believe takes place mainly in childhood.” —Time “Scott’s vision is both precise and painterly. Like an engraver crosshatching the illusion of fullness, he selects nuances that will make his characters take on depth and poignancy.” —Jean G. Zorn, New York Times Book Review “One of the best novelists to emerge from Britain’s silver age.” —Robert Towers, Newsweek “Far more even than E. M. Forester, in whose long literary shadow he has to work, Paull Scott is successful in exploring the provinces of the human heart.” —Life
In this second fanciful novel which follows The Bridge, Jeri Massi continues the history of the tiny island country of Bracken. Rosewyn is the young princess, daughter of Rosalynn and Herron. Unlike her quiet and gentle mother, Rosewyn is forever climbing trees and drainspouts, knocking down boys who bully her, and getting into trouble. Ready for adventure of any kind, she stumbles into a secret plot against her father's crown. With help from her beautiful, powerful grandmother, she escapes from the castle and begins her adventures in exile. After she and her grandmother are chased by their enemy, the young princess finds refuge in a village of miners. While among these new friends, she seeks to join her grandmother in a last attempt to save the real King and Queen. But a new threat from assassins forces the princess to flee again. All of her courage is put to the test as she fights to save her family and her kingdom. - Back cover.
From New York Times and Wall Street Journal bestseller M.J. Rose comes a provocative and moving story of a young female architect in post-World War II Manhattan, who stumbles upon a hidden treasure and begins a journey to discovering her mother’s life during the fall of the Romanovs. Sophia Moon had always been reticent about her life in Russia and when she dies, suspiciously, on a wintry New York evening, Isobelle despairs that her mother’s secrets have died with her. But while renovating the apartment they shared, Isobelle discovers something among her mother’s effects—a stunning silver tiara, stripped of its jewels. Isobelle’s research into the tiara’s provenance draws her closer to her mother’s past—including the story of what became of her father back in Russia, a man she has never known. The facts elude her until she meets a young jeweler, who wants to help her but is conflicted by his loyalty to the Midas Society, a covert international organization whose mission is to return lost and stolen antiques, jewels, and artwork to their original owners. Told in alternating points of view, the stories of the two young women unfurl as each struggles to find their way during two separate wars. In 1915, young Sofiya Petrovitch, favorite of the royal household and best friend of Grand Duchess Olga Nikolaevna, tends to wounded soldiers in a makeshift hospital within the grounds of the Winter Palace in St. Petersburg and finds the love of her life. In 1948 New York, Isobelle Moon works to break through the rampant sexism of the age as one of very few women working in a male-dominated profession and discovers far more about love and family than she ever hoped for. In M.J. Rose’s deftly constructed narrative, the secrets of Sofiya’s early life are revealed incrementally, even as Isobelle herself works to solve the mystery of the historic Romanov tiara (which is based on an actual Romanov artifact that is, to this day, still missing)—and how it is that her mother came to possess it. The two strands play off each other in finely-tuned counterpoint, building to a series of surprising and deeply satisfying revelations.