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"This story will have readers not only rooting for Ginny and Lucy, but thinking about them long after the last page is turned." -- Lisa Wingate, New York Times Bestselling Author of Before We Were Yours PopSugar's 30 Must-Read Books of 2019 Good Housekeeping's 25 Best New Books for Summer 2019 Better Homes & Gardens 13 New Books We Can't Wait to Read This Summer The heartbreaking and uplifting story, inspired by incredible true events, of how far one mother must go to protect her daughter. Dover, Massachusetts, 1969. Ginny Richardson's heart was torn open when her baby girl, Lucy, born with Down Syndrome, was taken from her. Under pressure from his powerful family, her husband, Ab, sent Lucy away to Willowridge, a special school for the “feeble-minded." Ab tried to convince Ginny it was for the best. That they should grieve for their daughter as though she were dead. That they should try to move on. But two years later, when Ginny's best friend, Marsha, shows her a series of articles exposing Willowridge as a hell-on-earth--its squalid hallways filled with neglected children--she knows she can't leave her daughter there. With Ginny's six-year-old son in tow, Ginny and Marsha drive to the school to see Lucy for themselves. What they find sets their course on a heart-racing journey across state lines—turning Ginny into a fugitive. For the first time, Ginny must test her own strength and face the world head-on as she fights Ab and his domineering father for the right to keep Lucy. Racing from Massachusetts to the beaches of Atlantic City, through the Blue Ridge Mountains of Virginia to a roadside mermaid show in Florida, Keeping Lucy is a searing portrait of just how far a mother’s love can take her. "A heartrending yet inspiring novel that kept me reading late into the night.” —Kristina McMorris, New York Times bestselling author of Sold on a Monday and The Edge of Lost
"Living peacefully in Vermont, Ryan Flannigan is shocked when a text from her oldest friend alerts her to a devastating news item. A controversial photo of her as a pre-teen has been found in the possession of a wealthy investor recently revealed as a pedophile and a sex trafficker--with an inscription to him from Ryan's mother on the back. Memories crowd in, providing their own distinctive pictures of her mother Fiona, an aspiring actress, and their move to the West Village in 1976. Amid the city's gritty kaleidoscope of wealth and poverty, high art, and sleazy strip clubs, Ryan is discovered and thrust into the spotlight as a promising young actress with a woman's face and a child's body. Suddenly, the safety and comfort Ryan longs for is replaced by auditions, paparazzi, and the hungry eyes of men of all ages. Forced to reexamine her childhood, Ryan begins to untangle her young fears and her mother's ambitions, and the role each played in the fraught blackout summer of 1977"--
A compelling and evocative novel with an unsettling question at its heart, The Golden Hour from acclaimed author T. Greenwood explores the power of art to connect, to heal, and to reveal... On a spring afternoon long ago, thirteen-year-old Wyn Davies took a shortcut through the woods in her New Hampshire hometown and became a cautionary tale. Now, twenty years later, she lives in New York, on the opposite side of a duplex from her ex, with their four-year-old daughter shuttling between them. Wyn makes her living painting commissioned canvases of birch trees to match her clients’ furnishings. But the nagging sense that she has sold her artistic soul is soon eclipsed by a greater fear. Robby Rousseau, who has spent the past two decades in prison for a terrible crime against her, may be released based on new DNA evidence—unless Wyn breaks her silence about that afternoon. To clear her head, refocus her painting, and escape an even more present threat, Wyn agrees to be temporary caretaker for a friend’s new property on a remote Maine island. The house has been empty for years, and in the basement Wyn discovers a box of film canisters labeled “Epitaphs and Prophecies.” Like time capsules, the photographs help her piece together the life of the house’s former owner, an artistic young mother, much like Wyn. But there is a mystery behind the images too, and unraveling it will force Wyn to finally confront what happened in those woods—and perhaps escape them at last.
Includes discussion questions (p. [397]-398) and short excerpts from the author's other books.
Be one of the first to read this sneak preview sample edition! Against the nostalgic grit of 1970s New York City, the precarious lines between girl and woman, art and obscenity, fetish and fame flicker and ignite for a young girl on the brink of stardom and a mother on the verge of collapse in this vividly lyrical drama from the award-winning author T. Greenwood. In 1970s New York, her innocence is seductive. Four decades later, it’s a crime. Living peacefully in Vermont, Ryan Flannigan is shocked when a text from her oldest friend alerts her to a devastating news item. A controversial photo of her as a pre-teen has been found in the possession of a wealthy investor recently revealed as a pedophile and a sex trafficker—with an inscription to him from Ryan’s mother on the back. Memories crowd in, providing their own distinctive pictures of her mother Fiona, an aspiring actress, and their move to the West Village in 1976. Amid the city’s gritty kaleidoscope of wealth and poverty, high art, and sleazy strip clubs, Ryan is discovered and thrust into the spotlight as a promising young actress with a woman’s face and a child’s body. Suddenly, the safety and comfort Ryan longs for is replaced by auditions, paparazzi, and the hungry eyes of men of all ages. Forced to reexamine her childhood, Ryan begins to untangle her young fears and her mother’s ambitions, and the role each played in the fraught blackout summer of 1977. Even with her movie career long behind her, Ryan and Fiona are suddenly the object of uncomfortable speculation—and Fiona demands Ryan’s support. To put the past to rest, Ryan will need to face the painful truth of their relationship, and the night when everything changed. “Rarely has a writer rendered such highly charged topics . . . to so wrenching, yet so beautifully understated, an effect.” —The Los Angeles Times “Rich with vivid details . . . [and] beautifully crafted characters . . . Stayed with me long after turning the last page.” —Jillian Cantor, USA Today bestselling author of In Another Time
This book argues that the source of Gothic terror is anxiety about the boundaries of the self: a double fear of separateness and unity that has had a special significance for women writers and readers. Exploring the psychological, religious, and epistemological context of this anxiety, DeLamotte argues that the Gothic vision focuses simultaneously on the private demons of the psyche and the social realities that helped to shape them. Her analysis includes works of English and American authors, among them Henry James, Mary Shelley, Herman Melville, Nathaniel Hawthorne, Emily Brontë, Charlotte Brontë, and a number of often neglected popular women Gothicists.
Charlotte Brontë's final novel Villette (1853) is associated with ambiguity because of its open ending: Does M. Paul return to narrator-protagonist Lucy Snowe or is he killed in a storm raging on the Atlantic? Taking its famous ending as a starting point, this study explores Villette as a text in which ambiguity is all-pervasive in various ways. Among these is the narrator's ambivalent attitude toward herself and others, epitomised in her stylistic idiosyncrasies. The links between ambiguity and doubt are explored through an analysis of Lucy's signature phrase, "I know not," expressive of her existential doubts and questioning attitude toward the world. The analysis moreover focuses on the motif of the oracle as a traditionally ambiguous utterance, and explores its relevance in the context of the generic tradition of Villette as a fictional autobiography. Another focus is the interplay of figurative and literal levels of meaning in the allegorical episodes, creating ambiguity.
★ ★ ★ ★ ★ THERE IS A TRAITOR WAITING. ★ ★ ★ ★ ★ Someone has targeted the PAVAD Division of the FBI. It's Sin's job to catch him. Sinclair Lorcan came to St. Louis temporarily for two reasons--find a deadly traitor in the division where both his brothers work, and reconnect with those brothers for his young son's sake. Connections aren't easy for the eldest Lorcan brother. And never have been. But he has to try. ​ ​★ FIRST, THOUGH, HE HAS A TRAITOR TO FIND... ★ ​ He wasn't stopping until he had the traitor in custody. Signs point to someone in the Automotive Forensics department. The department his brother's ex-wife runs. ★ THE WOMAN SIN JUST CAN'T FORGET. ★ ​ Merrick Cody has her hands full running the AF department at PAVAD and juggling the needs of her newly adopted five-year-old daughter. She barely has time to sleep now, as it is. She doesn't have time to help her ex-husband's jerk of a brother with anything. Finding a traitor is the last thing Cody wants to be involved in now. She's dealt with one before--and almost died because of it. Sin makes it clear she doesn't have much choice. A traitor in her department means danger for everyone she cares about. She may not be able to stand Sin--but isn't it better to deal with the devil she knows, rather than the demon she doesn't? She'll survive the fire. And then Sin will go back to wherever he came from...  ◆ ◆ ◆ ◆ ◆Don't miss other PAVAD titles: Beginning, Waiting, Watching, Wanting, Second Chances, Hunting, Redeeming, Running, Revealing, Stalking, Ghosting, Burning, Gathering, Falling, Hiding & Seeking. ◆ ◆ ◆ ◆ ◆