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The personal artist to King Henry Tudor, Susanna Horenbout is sought by the queen and ladies of the court for her delicate, skilled portraits. But now someone from her past is pulling her into a duplicitous game where the consequence of failure is war. Soon, Susanna and her betrothed, the Kings most dangerous courtier, are unraveling a plot that would shatter Europe. And at the heart of it is a magnificent missing diamond. ...
A cloth bag containing ten copies of the title.
"The most promising and original writer of fantasy to come along since Robin McKinley."—Peter S. Beagle, best-selling author of The Last Unicorm Damiana is safe-keeper in the small village of Tambleham. Neighbors and strangers alike come one by one, in secret, to tell her things they dare not share with anyone else, knowing that Damiana will keep then to herself. One late night, a mysterious visitor from the city arrives with an unusual secret for the Safe-Keeper—a newborn baby. Damiana, who is expecting her own child, agrees to take the foundling. She names him Reed and raises him side by side with her daughter, Fiona. Ad the years pass and the two children grow into teenagers, they must come to terms with who they are—and who they may be.
An 18th-century portrait of the palace most recognized as an official home of several British royal family members focuses on the Hanover family during the reigns of George I and II, describing the intrigue, ostentatious fashions and politicking that marked court life. By the author of Cavalier.
Hugh Corbett is on the trail of a deadly killer in the fetid streets of medieval London... Paul Doherty writes an unputdownable mystery in Murder Wears a Cowl, the sixth novel to feature medieval sleuth Hugh Corbett. Perfect for fans of Susanna Gregory and Michael Jecks. In early 1302 a violent serial killer lurks in the city of London, slitting the throats of prostitutes. And when Lady Somerville, one of the Sisters of St Martha, is murdered in the same barbaric fashion, her death is closely followed by that of Father Benedict in suspicious circumstances. Edward of England turns to his trusted master clerk, Hugh Corbett, to reveal the identity of the bloodthirsty assassin. Joining Corbett on his mission are his devious manservant Ranulf and his faithful horseman Maltote. In the dark, fetid streets of the city and in the desolate abbey grounds, they encounter danger and deceit at every turn. Only Ragwort, the mad beggar, has seen the killer strike, and the one clue that Corbett has to help him is Lady Somerville's cryptic message: 'Calcullus non facit monachum ' - the cowl does not make the monk. What readers are saying about Murder Wears a Cowl: 'Doherty's books are an absolute delight. The pages just seem to race by and the sights and sounds of medieval England leap out of the pages' 'Murder Wears a Cowl makes medieval London appear vivid and alive... while meanwhile enthralling you with a gripping mystery' 'The twists and turns of the plot are well-thought out and the identity of the killer comes as a complete surprise'
INSTANT NEW YORK TIMES BESTSELLER A dramatically new understanding of human history, challenging our most fundamental assumptions about social evolution—from the development of agriculture and cities to the origins of the state, democracy, and inequality—and revealing new possibilities for human emancipation. For generations, our remote ancestors have been cast as primitive and childlike—either free and equal innocents, or thuggish and warlike. Civilization, we are told, could be achieved only by sacrificing those original freedoms or, alternatively, by taming our baser instincts. David Graeber and David Wengrow show how such theories first emerged in the eighteenth century as a conservative reaction to powerful critiques of European society posed by Indigenous observers and intellectuals. Revisiting this encounter has startling implications for how we make sense of human history today, including the origins of farming, property, cities, democracy, slavery, and civilization itself. Drawing on pathbreaking research in archaeology and anthropology, the authors show how history becomes a far more interesting place once we learn to throw off our conceptual shackles and perceive what’s really there. If humans did not spend 95 percent of their evolutionary past in tiny bands of hunter-gatherers, what were they doing all that time? If agriculture, and cities, did not mean a plunge into hierarchy and domination, then what kinds of social and economic organization did they lead to? The answers are often unexpected, and suggest that the course of human history may be less set in stone, and more full of playful, hopeful possibilities, than we tend to assume. The Dawn of Everything fundamentally transforms our understanding of the human past and offers a path toward imagining new forms of freedom, new ways of organizing society. This is a monumental book of formidable intellectual range, animated by curiosity, moral vision, and a faith in the power of direct action. Includes Black-and-White Illustrations