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Photographs and words illuminate Butoh dance.
Part of the "Routledge Performance Practitioners" series, this book deals with the contribution of two of modern theatre's most charismatic innovators. Including a glossary of English and Japanese terms, it presents an account of the founding of Japanese butoh through the partnership of Hijikata and Ohno.
Drawing on avant garde and classical Japanese dance traditions, the Alishina Method offers a systematized approach to Butoh dance training for the first time in its history. With practical instruction and fully illustrated exercises, this book teaches readers: · basic body training and expression exercises · exercises to cultivate Qi (energy) and to aid improvisation · about katas (forms) and how to develop your own · the importance of voice, sound and music in Butoh · to collaborate and be in harmony with others · techniques to manipulate time and space · how to develop the imagination and refine the senses to enrich performance. This authentic approach to Japanese dance will be compelling reading for anyone interested in contemporary dance, performance arts, Japanese culture or personal development techniques.
Butoh, also known as "dance of darkness," is a postmodern dance form that began in Japan as an effort to recover the primal body or "the body that has not been robbed," as butoh founder Tatsumi Hijikata put it. Butoh has become increasingly popular in the United States and throughout the world, diversifying its aesthetic while at the same time asserting the power of its spiritual foundations. Dancing into Darkness is Sondra Horton Fraleigh's chronological diary of her deepening understanding of and appreciation for this art form as she moves from a position of aesthetic response as an audience member to that of assimilation as a student of Zen and butoh. Fraleigh witnesses her own artistic and personal transformation through essays, poems, interviews, and reflections spanning twelve years of study, much of it in Japan. Numerous performance photographs and original calligraphy by Fraleigh's Zen teacher, Shodo Akane, illuminate her words.
In Butoh Ethan Hoffman creates virtually a new genre of photographic theater and gives us an invaluable contribution to the literature of contemporary dance and theater. 100 full-color photographs.
The Routledge Companion to Butoh Performance provides a comprehensive introduction to and analysis of the global art form butoh. Originating in Japan in the 1960s, butoh was a major innovation in twentieth century dance and performance, and it continues to shape-shift around the world. Taking inspiration from the Japanese avant-garde, Surrealism, Happenings, and authors such as Genet and Artaud, its influence can be seen throughout contemporary performing arts, music, and visual art practices. This Companion places the form in historical context, documents its development in Japan and its spread around the world, and brings together the theory and the practice of this compelling dance. The interdisciplinarity evident in the volume reflects the depth and the breadth of butoh, and the editors bring specially commissioned essays by leading scholars and dancers together with translations of important early texts.
This collection of essays is the outcome of an international symposium, jointly organised by the International Research Center for Japanese Studies, Kyoto, and the Section of Japanese Studies of the Katholieke Universiteit Leuven in October 1998. It was the second in a series of three international symposia that the International Resaerch Center for Japanese Studies organised in Europe in conjunction with a European partner.The Leuven Symposium, which went under the general title of Translations of Culture, Culture of Translation, actually consisted of two parallel sessions. The first one was a workshop on Gender and Modernity in Japan. The second one was devoted to a reflection on Translation and Adaptation in the Formulation of Modern Episteme: A Reappraisal of Dodoens. The essays in the present volume are the reworked and elaborated versions of the presentations made at the latter symposium.It was clear that many of the issues one had to tackle had to do with translation, and that translation was not a phenomenon limited to Japan, but equally prominent in European cultural history, nor limited to texts as such, but involving broader cultural contexts as well. The result was an investigation of Dodoens's (Dodonaeus) importance in Europe as well as in Japan through the prism of translation, transposition adaptation etc., defined as a moving force in cultural and social development and an indispensable lubricant in the process of functional differentiation. The main concern was evidently Japan, but the organisers deliberately opted for a perspective that kept a certain distance from boundaries. Therefore experts in the field of Western herbals and botany were confronted with historians of early modern Japan.
This book sheds light on Japanese intelligence and propaganda activities in the United States prior to Pearl Harbor, Japanese attempts to use American isolationists and pacifists in 1941, and Japanese and American efforts to save Emperor Hirohito from being tried as a war crim...
Approaching the avant-garde Japanese performance art form of butoh from a cross-cultural, gender studies, and scientific perspective, award-winning artist and teacher Vangeline brings a fresh look at this postmodern dance form.Butoh, a performance art form that grew out of the Japanese avant-garde scene of the 1950s, has traveled from east to west over the last 60 years, growing in popularity as it evolves. With origins in modern dance, French mime, and the surrealist movement, this fascinating postmodern dance genre is often thought of as mysterious and is frequently misunderstood. Through twenty years of research, interviews with some of the world's top practitioners, historical documents, and rare photographs, Vangeline shines light on this "dance of darkness." New revelations include the under-represented role of women in the development of the form, the connection between butoh and neuroscience, and the cross-cultural perspective of international influences on the evolution of the dance. Butoh: Cradling Empty Space will appeal to dance students, teachers, performance art scholars, somatic healers, and anyone interested in choreography, theater, and Japanese history, culture and art.The book includes rare photographs, helpful graphics, a detailed bibliography and footnotes, and resources for additional information."[A] handbook for the butoh practitioner, the (art) historian, the dance critic, and the curious reader. Encompassing, and reconciling, problems of movement, gender, race and universality, Cradling Empty Space guides the reader through the many possibilities of butoh."-Alice Baldock, Faculty of History, University of Oxford, from the ForewordPraise for Vangeline's choreography and dance work:"Captivating." -New York Times "[She] moves with the clockwork deliberation of a practiced Japanese Butoh artist."-Los Angeles Times