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Kaytek is surprised to learn that he can perform magic and change reality, but when his magic results in chaos, he roams the world searching for a higher purpose for his abilities.
Reprint. Originally published: New York: Holocaust Library, c1978.
"This moving fable follows the adventures of Matt who becomes king when just a child and decides to reform his country according to his own priorities. Ignoring his grown-up ministers, he decrees that children should be given chocolate every day and builds the best zoo in the world. He fights in battles, braves the jungle, and crosses the desert, but perhaps the most life-altering thing of all is that the lonely boy king finds true friends. This timeless book shows us not only what children's literature can be, but what children can be. "
The children of the Israeli town of Keshet are born with the ability to bend nature to their will and 13-year-old Jordan has just discovered his gift of the power to transform into water. All of Jordan’s friends have unique powers: Noam can alter cloud formations, Ellah can spin webs, and little Eden can create the strange animals she sees in her dreams. No one knows the source of these powers except, perhaps, Miss Sara, the mysterious town matriarch who helps the children find and control their talents using Kabbalah and other mystical teachings from Israel’s forgotten past. However, someone has discovered the secret of the children of Keshet, and wants to use their powers for his own sinister purposes. To prevent such a disaster, Jordan and his friends must use their gifts to defeat an enemy who wields the power to erase the line between the living and the dead. Incorporating Jewish mythology and referencing various practices of Judaism, this book is a tale of friendship and the power of teamwork in the face of adversity.
As stirring as "Schindler's List", this classic biography focuses on the first advocate of children's rights--the man known as the savior of hundreds of orphans in the Warsaw Ghetto. A "New York Times" Notable Book. photos.
November 1940. A circus parade walks through the streets of Warsaw, waving a flag and singing. They are 160 Jewish children, forced by the Nazis to leave their beloved orphanage. It's a sad occasion, but led by Doctor Korczak, their inspirational director, the children are defiantly joyful.
A student pedals an old Ukraina bicycle between striking factories, delivering bulletins, in the tumultuous first days of the Solidarity movement... A shepherd watches, unseen, as a strange figure disembarks from a pirate ship anchored in the cove below, to bury a chest on the beach that later proves empty... A prisoner in a Berber dungeon recounts his life s story the failed pursuit of the world s very first language by scrawling in the sand on his cell floor... The characters in Pawel Huelle's mesmerising stories find themselves, willingly or not, at the heart of epic narratives; legends and histories that stretch far beyond the limits of their own lives. Against the backdrop of the Baltic coast, mythology and meteorology mix with the inexorable tide of political change: Kashubian folklore, Chinese mysticism and mediaeval scholarship butt up against the war in Chechnya, 9-11, and the struggle for Polish independence. Central to Huelle s imagery is the vision of the refugee be it the Chechen woman carrying her newborn child across the Polish border (her face emblazoned on every TV screen), the survivor of the Gulag re-appearing on his friends doorstep, years after being presumed dead, or the stranger who befriends the sole resident of a ghostly Mennonite village in the final days of the Second World War. Each refugee carries a clue, it seems, or is in possession or pursuit of some mysterious text or book, knowing that only it like the Chinese Book of Changes can decode their story. What we do with this text, this clue, Huelle seems to say, is up to us.
"Originally published in Hebrew as HaKelev HaYehudi by Yedioth Ahronoth in 2007; translated by Michal Kessler; edited by Shari Dash Greenspan"--Title page verso.
This book investigates major linguistic transformations in the translation of children’s literature, focusing on the English-language translations of Janusz Korczak, a Polish-Jewish children’s writer known for his innovative pedagogical methods as the head of a Warsaw orphanage for Jewish children in pre-war Poland. The author outlines fourteen tendencies in translated children’s literature, including mitigation, simplification, stylization, hyperbolization, cultural assimilation and fairytalization, in order to analyse various translations of King Matt the First, Big Business Billy and Kaytek the Wizard. The author then addresses the translators’ treatment of racial issues based on the socio-cultural context. The book will be of use to students and researchers in the field of translation studies, and researchers interested in children’s literature or Janusz Korczak.