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This is a collection of Eskimo folk tales.
Just about everyone is familiar with folk and fairy tales. Children learn about them from parents, teachers, and other adults, while researchers study these tales at colleges and universities. At the same time, folk and fairy tales are inseparable from everyday life and popular culture. Movies, music, art, and literature offer imaginative retellings and interpretations of fairy and folk tales. But despite the pervasiveness of this folklore type, most people have only a vague understanding of these tales. This reference is a convenient introduction to folk and fairy tales for students and general readers. Written by a leading authority, this handbook offers a broad examination of folk and fairy tales as a folklore type. It looks at tales from around the world and from diverse cultures. The volume defines and classifies folk and fairy tales and analyzes a number of examples. It studies the varied manifestations of fairy and folk tales in literature and culture and reviews critical and scholarly approaches to this folklore genre. The volume also includes a glossary and extensive list of works for further reading.
Siberia. From this strange and beautiful land comes an oral tradition that has altered little in two thousand years. Here is a true spiritual democracy and purity of folk art rarely found in traditional tales.
Popular Hopi kachina dolls and awesome totem poles are but two of the aspects of the sophisticated, seldom-examined network of mythologies explored in this fascinating volume. This revealing work introduces readers to the mythologies of Native Americans from the United States to the Arctic Circle—a rich, complex, and diverse body of lore, which remains less widely known than mythologies of other peoples and places. In thematic chapters and encyclopedia-style entries, Handbook of Native American Mythology examines the characters and deities, rituals, sacred locations and objects, concepts, and stories that define and distinguish mythological cultures of various indigenous peoples. By tracing the traditions as far back as possible and following their evolution from generation to generation, Handbook of Native American Mythology offers a unique perspective on Native American history, culture, and values. It also shows how central these traditions are to contemporary Native American life, including the continuing struggle for land rights, economic parity, and repatriation of cultural property.
The story of the Blind Man and the Loon is a living Native folktale about a blind man who is betrayed by his mother or wife but whose vision is magically restored by a kind loon. Variations of this tale are told by Native storytellers all across Alaska, arctic Canada, Greenland, the Northwest Coast, and even into the Great Basin and the Great Plains. As the story has traveled through cultures and ecosystems over many centuries, individual storytellers have added cultural and local ecological details to the tale, creating countless variations. In The Blind Man and the Loon: The Story of a Tale, folklorist Craig Mishler goes back to 1827, tracing the story's emergence across Greenland and North America in manuscripts, books, and in the visual arts and other media such as film, music, and dance theater. Examining and comparing the story's variants and permutations across cultures in detail, Mishler brings the individual storyteller into his analysis of how the tale changed over time, considering how storytellers and the oral tradition function within various societies. Two maps unequivocally demonstrate the routes the story has traveled. The result is a masterful compilation and analysis of Native oral traditions that sheds light on how folktales spread and are adapted by widely diverse cultures.
A true story from the great age of Arctic exploration of an Inuit boy's struggle for dignity against Robert Peary and the American Museum of Natural History in turn-of-the-century New York City. Sailing aboard a ship called Hope in 1897, celebrated Arctic explorer Robert Peary entered New York Harbor with peculiar "cargo": Six Polar Inuit intended to serve as live "specimens" at the American Museum of Natural History. Four died within a year. One managed to gain passage back to Greenland. Only the sixth, a boy of six or seven with a precociously solemn smile, remained. His name was Minik. Although Harper's unflinching narrative provides a much needed corrective to history's understanding of Peary, who was known among the Polar Inuit as "the great tormenter", it is primarily a story about a boy, Minik Wallace, known to the American public as "The New York Eskimo." Orphaned when his father died of pneumonia, Minik never surrendered the hope of going "home," never stopped fighting for the dignity of his father's memory, and never gave up his belief that people would come to his aid if only he could get them to understand.
Help create peaceful children and a peaceful world with this book that teaches the universal wisdom of yoga philosophy using multicultural, interfaith stories to bring peace and character education to children and families.
The riveting story of one of the greatest but least-known sagas in the history of exploration from David Roberts, the “dean of adventure writing.” By 1930, no place in the world was less well explored than Greenland. The native Inuit had occupied the relatively accessible west coast for centuries. The east coast, however, was another story. In August 1930, Henry George Watkins (nicknamed “Gino”), a twenty-three-year-old British explorer, led thirteen scientists and explorers on an ambitious expedition to the east coast of Greenland and into its vast and forbidding interior to set up a permanent meteorological base on the icecap, 8,200 feet above sea level. The Ice Cap Station was to be the anchor of a transpolar route of air travel from Europe to North America. The weather on the ice cap was appalling. Fierce storms. Temperatures plunging lower than –50° Fahrenheit in the winter. Watkins’s scheme called for rotating teams of two men each to monitor the station for two months at a time. No one had ever tried to winter over in that hostile landscape, let alone manage a weather station through twelve continuous months. Watkins was younger than anyone under his command. But he had several daring trips to the Arctic under his belt and no one doubted his judgement. The first crisis came in the fall when a snowstorm stranded a resupply mission halfway to the top for many weeks. When they arrived at the ice cap, there were not enough provisions and fuel for another two-man shift, so the station would have to be abandoned. Then team member August Courtauld made an astonishing offer. To enable the mission to go forward, he would monitor the station solo through the winter. When a team went up in March to relieve Courtauld, after weeks of brutal effort to make the 130-mile journey, they could find no trace of him or the station. By the end of March, Courtauld’s situation was desperate. He was buried under an immovable load of frozen snow and was disastrously short on supplies. On April 21, four months after Courtauld began his solitary vigil, Gino Watkins set out inland with two companions to find and rescue him. David Roberts, “veteran mountain climber and chronicler of adventures” (Washington Post), draws on firsthand accounts and archival materials to tell the story of this daring expedition and of the epic survival ordeal that ensued.
This is an authoritative presentation and discussion of the most basic thematic elements universally found in folklore and literature. The reference provides a detailed analysis of the most common archetypes or motifs found in the folklore of selected communities around the world. Each entry is written by a noted authority in the field, and includes accompanying reference citations. Entries are keyed to the Motif-Index of Folk Literature by Stith Thompson and grouped according to that Index's scheme. The reference also includes an introductory essay on the concepts of archetypes and motifs and the scholarship associated with them. This is the only book in English on motifs and themes that is completely folklore oriented, deals with motif numbers, and is tied to the Thompson Motif-Index. It includes in-depth examination of such motifs as: Bewitching; Chance and Fate; Choice of Roads; Death or Departure of the Gods; the Double; Ghosts and Other Revenants; the Hero Cycle; Journey to the Otherworld; Magic Invulnerability; Soothsayer; Transformation; Tricksters.
Longlisted for the 2018 Scotiabank Giller Prize Shortlisted for the 2019 Amazon First Novel Award Shortlisted for the 2019 Kobo Emerging Writer Prize Winner of the 2019 Indigenous Voices Award for Published Prose in English Winner of the 2018 Alcuin Society Awards for Excellence in Book Design – Prose Fiction Longlisted for the 2019 Sunburst Award From the internationally acclaimed Inuit throat singer who has dazzled and enthralled the world with music it had never heard before, a fierce, tender, heartbreaking story unlike anything you've ever read. Fact can be as strange as fiction. It can also be as dark, as violent, as rapturous. In the end, there may be no difference between them. A girl grows up in Nunavut in the 1970s. She knows joy, and friendship, and parents' love. She knows boredom, and listlessness, and bullying. She knows the tedium of the everyday world, and the raw, amoral power of the ice and sky, the seductive energy of the animal world. She knows the ravages of alcohol, and violence at the hands of those she should be able to trust. She sees the spirits that surround her, and the immense power that dwarfs all of us. When she becomes pregnant, she must navigate all this. Veering back and forth between the grittiest features of a small arctic town, the electrifying proximity of the world of animals, and ravishing world of myth, Tanya Tagaq explores a world where the distinctions between good and evil, animal and human, victim and transgressor, real and imagined lose their meaning, but the guiding power of love remains. Haunting, brooding, exhilarating, and tender all at once, Tagaq moves effortlessly between fiction and memoir, myth and reality, poetry and prose, and conjures a world and a heroine readers will never forget.