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In Kathy Fiscus: A Tragedy that Transfixed the Nation historian William Deverell tells the heartbreaking story of a young girl trapped in a well--a story that transfixed the nation in what would become the first live, breaking-news TV spectacle in history. Kathy Fiscus tells the story of the first live, breaking-news TV spectacle in American history. At dusk on a spring evening in 1949, a three-year old girl fell down an abandoned well shaft in the backyard of her family's home in Southern California. Across more than two full days of a fevered rescue attempt, the fate of Kathy Fiscus remained unknown. Thousands of concerned Southern Californians rushed to the scene. Jockeys hurried over from the nearby racetracks, offering to be sent down the well after Kathy. 20th Century Fox sent over the studio's klieg lights to illuminate the scene. Rescue workers-ditch diggers, miners, cesspool laborers, World War II veterans-dug and bored holes deep into the aquifer below, hoping to tunnel across to the old well shaft that the little girl had somehow tumbled down. The region, the nation, and the world watched and listened to every moment of the rescue attempt by way of radio, newsreel footage, and wire service reporting. They also watched live television. Because of the well's proximity to the radio towers on nearby Mount Wilson, the rescue attempt because the first breaking-news event to be broadcast live on television. The Kathy Fiscus event invented reality television and proved that real-time television news broadcasting could work and could transfix the public. William Deverell is professor of history and director of the Huntington-USC Institute on California and the West at the University of Southern California. He is the author of numerous studies of the nineteenth- and twentieth-century American West, including Whitewashed Adobe: The Rise of Los Angeles and the Remaking of Its Mexican Past.
A breathtaking free fall into the long-buried (and fictional) history of a utopian era in American lighter-than-air travel, as told by its death-defying, aero-acrobatic heroes. "Foster and Romo's 'real fake dream' of the future-past history of the East Los Angeles Dirigible Air Transport Lines is a superb and loving phantasmagoria that gobbles up real histories for breakfast and spits out the seeds."—Jonathan Lethem, author of Motherless Brooklyn In the early years of the twentieth-century, the use of airships known as dirigibles—some as large as one thousand feet long—was being promulgated in Southern California by a semi-clandestine lighter-than-air movement. Groups like the East LA Balloon Club and the Bessie Coleman Aero Club were hard at work to revolutionize travel, with an aim to literally lift oppressed people out of racism and poverty. ELADATL tells the story of this little-known period of American air travel in a series of overlapping narratives told by key figures, accompanied by a number of historic photographs and recently discovered artifacts, with appendices provided to fill in the missing links. The story of the rise and fall of this ill-fated airship movement investigates its long-buried history, replete with heroes, villains, and moments of astonishing derring-do and terrifying disaster. Written and presented as an “actual history of a fictional company,” this surrealist, experimental novel is a tour de force of politicized fantastic fiction, a work of hybrid art-making distilled into a truly original literary form. Developed over a ten-year period of collaborations, community interventions, and staged performances, ELADATL is a furiously hilarious send-up of academic histories, mainstream narratives, and any traditional notions of the time-space continuum. "Poet Foster (Atomik Aztex) and artist Romo deliver a maddeningly accomplished inquiry into the secret history of East Los Angeles. . . . This is as much fun to read as it must have been to make."—Publishers Weekly, Starred Review "One of the wildest, most creative and deeply-cutting novels I’ve read in years, a genuine piece of newness in both content and form. To wade through this surreal narrative archeology is to experience, in the finest sense, literature as fever dream."—Omar El Akkad, author of American War: A Novel "Visionary, hilarious, anarchic, this assemblage of breakneck dialog, blisteringly brilliant film criticism, bureaucratic documents, revolutionary chatter, mass transit, and fake dreams of the secret police, is the counterfactual novel to beat all counterfactual novels."—Mark Doten, author of Trump Sky Alpha "Hilarious and prophetic and profound, truer than truth, and realer than all realities currently available for purchase, ELADATL is strong medicine against the erasures of history, a mega-vitamin for struggles yet to come. This book combats despair."—Ben Ehrenreich, author of Desert Notebooks: A Road Map for the End of Time
New and Noteworthy —New York Times Book Review Must-Read Book of March —Entertainment Weekly Best Books of March —HelloGiggles “Leaps at the throat of television history and takes down the patriarchy with its fervent, inspired prose. When Women Invented Television offers proof that what we watch is a reflection of who we are as a people.” —Nathalia Holt, New York Times–bestselling author of Rise of the Rocket Girls New York Times–bestselling author of Seinfeldia Jennifer Keishin Armstrong tells the little-known story of four trailblazing women in the early days of television who laid the foundation of the industry we know today. It was the Golden Age of Radio and powerful men were making millions in advertising dollars reaching thousands of listeners every day. When television arrived, few radio moguls were interested in the upstart industry and its tiny production budgets, and expensive television sets were out of reach for most families. But four women—each an independent visionary—saw an opportunity and carved their own paths, and in so doing invented the way we watch tv today. Irna Phillips turned real-life tragedy into daytime serials featuring female dominated casts. Gertrude Berg turned her radio show into a Jewish family comedy that spawned a play, a musical, an advice column, a line of house dresses, and other products. Hazel Scott, already a renowned musician, was the first African American to host a national evening variety program. Betty White became a daytime talk show fan favorite and one of the first women to produce, write, and star in her own show. Together, their stories chronicle a forgotten chapter in the history of television and popular culture. But as the medium became more popular—and lucrative—in the wake of World War II, the House Un-American Activities Committee arose to threaten entertainers, blacklisting many as communist sympathizers. As politics, sexism, racism, anti-Semitism, and money collided, the women who invented television found themselves fighting from the margins, as men took control. But these women were true survivors who never gave up—and thus their legacies remain with us in our television-dominated era. It's time we reclaimed their forgotten histories and the work they did to pioneer the medium that now rules our lives. This amazing and heartbreaking history, illustrated with photos, tells it all for the first time.
Over sixty years at KTLA News and twenty-two thousand stories, Stan Chambers, the godfather of Los Angeles newsies, has the unique distinction of being the first to break many nation-rocking stories. Stan steps out from behind the microphone to tell his side of the story and chronicles the evolution of the televised news world.
High among the upper rafters of Rupp Arena hang the jerseys of forty-two jerseys from the University of Kentucky Wildcats men's basketball team. These jerseys represent the select few players, coaches, and broadcasters who deserve special recognition for their outstanding contributions to the Kentucky basketball program. Beginning in 2017, UK Wildcat legend (and distinguished Rafters' member) Kyle Macy hosted "From the Rafters of Rupp", a series of video interviews with many of these players of yesteryear. This special series of interviews has now been packaged in an all-new, full-color "coffee-table" book containing firsthand accounts of what is was like to play for UK in the players' own words, complete with vintage photographs. The book includes first-person interviews with the following distinguished members - Cliff Hagan (1950-54) Frank Ramsey (1950-54) Billy Evans (1952-55) Vernon Hatton (1956-58) Johnny Cox (1956-59) Cotton Nash (1962-64) Louie Dampier (1963-67) Dan Issel (1967-70) Kevin Grevey (1971-75) Jack Givens (1975-78) Rick Robey (1975-78) Sam Bowie (1980-84) Kenny Walker (1982-86) Richie Farmer (1989-92) Deron Feldhaus (1989-92) John Pelphrey (1989-92) Sean Woods (1989-92) Tony Delk (1992-96) Joe B. Hall (1972-85) Kyle Macy (1977-80) This is the perfect gift for UK men's basketball fans of all ages. Through this book, veteran fans will not only reflect on the storied history of the Wildcats in action, but they will also be able to share the pageantry and passion of this great program
"A book for any of us, gay or straight, who have had to find our family. Maupin is one of America’s finest storytellers."—Neil Gaiman "I fell in love with Maupin’s effervescent Tales of the City decades ago, and his genius turn at memoir is no less compelling. Logical Family is a must read."—Mary Karr In this long-awaited memoir, the beloved author of the bestselling Tales of the City series chronicles his odyssey from the old South to freewheeling San Francisco, and his evolution from curious youth to ground-breaking writer and gay rights pioneer. Born in the mid-twentieth century and raised in the heart of conservative North Carolina, Armistead Maupin lost his virginity to another man "on the very spot where the first shots of the Civil War were fired." Realizing that the South was too small for him, this son of a traditional lawyer packed his earthly belongings into his Opel GT (including a beloved portrait of a Confederate ancestor), and took to the road in search of adventure. It was a journey that would lead him from a homoerotic Navy initiation ceremony in the jungles of Vietnam to that strangest of strange lands: San Francisco in the early 1970s. Reflecting on the profound impact those closest to him have had on his life, Maupin shares his candid search for his "logical family," the people he could call his own. "Sooner or later, we have to venture beyond our biological family to find our logical one, the one that actually makes sense for us," he writes. "We have to, if we are to live without squandering our lives." From his loving relationship with his palm-reading Grannie who insisted Maupin was the reincarnation of her artistic bachelor cousin, Curtis, to an awkward conversation about girls with President Richard Nixon in the Oval Office, Maupin tells of the extraordinary individuals and situations that shaped him into one of the most influential writers of the last century. Maupin recalls his losses and life-changing experiences with humor and unflinching honesty, and brings to life flesh-and-blood characters as endearing and unforgettable as the vivid, fraught men and women who populate his enchanting novels. What emerges is an illuminating portrait of the man who depicted the liberation and evolution of America’s queer community over the last four decades with honesty and compassion—and inspired millions to claim their own lives. Logical Family includes black-and-white photographs.
New York Post Best Book of 2016 We often think of our capacity to experience the suffering of others as the ultimate source of goodness. Many of our wisest policy-makers, activists, scientists, and philosophers agree that the only problem with empathy is that we don’t have enough of it. Nothing could be farther from the truth, argues Yale researcher Paul Bloom. In AGAINST EMPATHY, Bloom reveals empathy to be one of the leading motivators of inequality and immorality in society. Far from helping us to improve the lives of others, empathy is a capricious and irrational emotion that appeals to our narrow prejudices. It muddles our judgment and, ironically, often leads to cruelty. We are at our best when we are smart enough not to rely on it, but to draw instead upon a more distanced compassion. Basing his argument on groundbreaking scientific findings, Bloom makes the case that some of the worst decisions made by individuals and nations—who to give money to, when to go to war, how to respond to climate change, and who to imprison—are too often motivated by honest, yet misplaced, emotions. With precision and wit, he demonstrates how empathy distorts our judgment in every aspect of our lives, from philanthropy and charity to the justice system; from medical care and education to parenting and marriage. Without empathy, Bloom insists, our decisions would be clearer, fairer, and—yes—ultimately more moral. Brilliantly argued, urgent and humane, AGAINST EMPATHY shows us that, when it comes to both major policy decisions and the choices we make in our everyday lives, limiting our impulse toward empathy is often the most compassionate choice we can make.
On August 29-30, 1862, the Confederate Army of Kentucky under the command of General Edmund Kirby Smith battled Union forces guarding the town of Richmond, Kentucky, led by Union General William Bull Nelson. In The Battle of Richmond, Kentucky, author Paul Rominger outlines not only the battle itself, but also the participants, methods, and equipment used in that war. More than just an account of this one Kentucky engagement, this book presents what life was life for combatants throughout the Civil War, how it impacted the nearby communities of Richmond and Berea, and weather conditions in central Kentucky for the year. Approximately 20,000 visitors come to Battlefield Park in Richmond each year to walk its hallowed grounds, visit the museum, or even participate in the annual battlefield re-enactment. The Battle of Richmond, Kentucky is the perfect souvenir for visitors to the area, and a wonderful educational resource about Kentucky's role in the Civil War.
On January 13, 1975, the enterprising community of Elizabethtown, Kentucky (a few miles from Fort Knox and the gold vault) was rocked with the news that one of their own, Peggy Rhodes--beloved housewife, mother, and grandmother--was killed when a bomb exploded in the family barn. An hour south along I-65 lies Bowling Green, a city known for small town values, a burgeoning industrial complex, the expanding Western Kentucky University campus, and as "Home of the Corvette". However, the city was also just one generation removed from earning the nickname "Little Chicago," a regional hotbed for car thefts, bootlegging, gambling, prostitution--and worse still--bombings and horrific murders. Murder on Youngers Creek Road is the true story of a murder-for-hire gone wrong that involves a well-known automobile dealer, two hit men hired to kill him, and a pair of high-profile business partners. The product of more than two years of research and interviews and writing, this book details one of the most complex murders of the decade and how it brought together two Kentucky towns in an unflattering way. It is a "tale of two cities" mired in the muck of greed, violence and murder, and of local efforts to bring the guilty parties to justice. In the end, both the innocent and the guilty would lose their lives. In the beginning investigators were baffled. Why would anyone want to kill a 57-year-old woman, who by all appearances did her part in community activities, loved her family and enjoyed her time playing bridge with friends? Two weeks into the New Year of 1975, a horrific explosion ripped through the body of Peggy Rhodes and her pet horse, Tony. Who could possibly have wanted her dead? On a cold dark January night, a sudden blast interrupted the stillness of freshly fallen snow and with it, the lives of several Kentucky families were changed forever....
This book investigates the mystery and legend of Jonathan Swift of Alexandria, Virginia, a merchant with legendary silver mines, and the probable connection between the Swift silver mine legend and Robert Louis Stevenson's Treasure Island.