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What does it mean to live a life in pursuit of art?In 1906, Kathleen O'Connor left conservative Perth, where her famous father's life had ended in tragedy. She had her sights set on a career in thrilling, bohemian Paris. More than a century later, novelist Amanda Curtin faces her own questions, of life and of art, as she embarks on a journey in Kate's footsteps.Part biography, part travel narrative, this is the story of an artist in a foreign land who, with limited resources and despite the impacts of war and loss, worked and exhibited in Paris for over forty years. Kate's distinctive figure paintings, portraits and still lifes, highly prized today, form an inseparable part of the telling.
"In 1906, Kathleen O'Connor left conservative Perth, where her famous father's life had ended in tragedy. She had her sights set on a career in thrilling, bohemian Paris. More than a century later, novelist Amanda Curtin faces her own questions, of life and of art, as she embarks on a journey in Kate's footsteps. Part biography, part travel narrative, this is the story of an artist in a foreign land who, with limited resources and despite the impacts of war and loss, worked and exhibited in Paris for over forty years. Kate's distinctive figure paintings, portraits and still lifes, highly prized today, form an inseparable part of the telling."--Publisher's description
In 1882 human remains were discovered at the Sinkings, a lonely campsite near Albany, Western Australia. The surgeon conducting the autopsy claimed they were those of a woman. Why, then, was the victim later identified as Little Jock, a former convict? And why was the murder so brutal, so gruesome? More than a hundred years later, Willa Samson embarks on a long and lonely search to find out. The Sinkings is a story within a story, the tragic historical account of Little Jock’s life embedded within a contemporary narrative of a mother’s guilt and grief. Beautifully crafted, the novel deals with the dilemma confronting parents of an intersexed child and the issue of gender. While a work of fiction, the discovery of Little Jock’s remains and the controversy surrounding their identification are actual events.
Kathleen O'Connor (1876-1968) was born in New Zealand, brought up in Perth, Western Australia, and established her professional career in Paris where she settled in 1908, embracing the bohemian lifestyle of the intellectuals and creative people who gravitated to the city from all corners of the world. She lived in the artists' quarter on the Left Bank, breakfasted at the Cafe du Dome, went to artists' balls and exhibited successfully at the Autumn Salon and the Union des Femmes Peintres. Although she made infrequent visits to her family in Australia and two World Wars forced her to flee France, Paris remained her home until she was almost eighty when she returned to live in Perth. Nevertheless her influence in Australia was considerable, particularly in the 1920s when she wrote a regular column about Parisian fashion and society for a Western Australian magazine. In the early years in Paris she embraced an impressionistic style and her paintings of Parisians at leisure in the Luxembourg Gardens charmingly capture the flavour of the period. During the First World War she lived in Bloomsbury, London, where the art world was dominated by Post-Impressionism. Her palette and style changed dramatically and the rich colours and varied textures demonstrated her commitment to the new aesthetic. At the conclusion of the war she quickly re-immersed herself in Parisian life. Still-life, often incorporating autobiographical aspects, became her favoured subject and the site for her explorations of modernism. She became involved in the decorative arts and fashion world, providing designs for leading fashion designers Paul Poiret and Maurice Dufrene. The influence of Art Deco can be seen in some of hermajor tempera paintings and hand-painted textiles from this period. During the thirties her work was constantly mentioned in Parisian reviews and in 1936 she exhibited alongside Bonnard, de Chirico and Dufy. However, the Second World War put an end to her aspirations and Paris a
Winner of the 2015 Melbourne Prize Best Writing Award. A novel about memory, music, friendship, family rifts and reconciliation, this is a beautiful, intelligent read. Nina Jameson, an international consultant on memorial projects based in London, has been happily married to Daniel for twelve years. When her life falls apart she accepts a job in her hometown of Melbourne. There she joins her sister, Zoe, embroiled in her own problems with Elliot, an American biographer of literary women. And she finds herself caught up in age-old conflicts of two friends from her past: the celebrated pianist Ramsay Blake and his younger brother, Sean. All these people have been treading thin ice for far too long. Nina arrives home to find work, loves and entrenched obsessions under threat. A rich and compelling story of marriage, music, the illusions of love and the deceits of memory, THE MEMORY TRAP's characters are real, flawed and touchingly human.
Her artistic life, influence on French impressionists.
One of Australia’s most celebrated novels: one woman’s journey from Australia to London Nora Porteous, a witty, ambitious woman from Brisbane, returns to her childhood home at age seventy. Her life has taken her from a failed marriage in Sydney to freedom in London; she forged a modest career as a seamstress and lived with two dear friends through the happiest years of her adult life. At home, the neighborhood children she remembers have grown into compassionate adults. They help to nurse her back from pneumonia, and slowly let her in on the dark secrets of the neighborhood in the years that have lapsed. With grace and humor, Nora recounts her desire to escape, the way her marriage went wrong, the vanity that drove her to get a facelift, and one romantic sea voyage that has kept her afloat during her dark years. Her memory is imperfect, but the strength and resilience she shows over the years is nothing short of extraordinary. A book about the sweetness of escape, and the mix of pain and acceptance that comes with returning home.