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The first biography of Katherine Mansfields early years since 1933Focusing on the first nineteen years of Katherine Mansfields life, from her birth in 1888 to her arrival in London in 1908 to be a writer, this new biography sheds new light on Mansfields childhood and teenage years as well as on her development as a writer.The biography draws extensively on previously unused archive material, including the research papers assembled by Ruth Elvish Mantz for her 1933 biography of Mansfield, detailed reminiscences of former school friends and acquaintances, Mansfields autograph book, birthday book, her early letters, notebooks and family papers. Using this rich seam of material, Gerri Kimber explores Mansfields home life and school days, her friendships, first infatuations and sexual experimentation both with young men and young women and her travels through the volcanic North Island of New Zealand and examines her earliest published stories which appeared in school magazines. What emerges is a picture of a feisty, mischievous, young girl and an expressive, non-conformist teenager: the unruly Kass Beauchamp who became Katherine Mansfield, the famous modernist writer.Key Features Brings to light a period of Mansfields life previously of little interest to biographersPresents a new image of Mansfield as a child and young womanReveals how her youthful experiences fashioned both her later personality and the content of much of her acclaimed adult writingDiscussion of the biographical elements present in Mansfields New Zealand stories
'Journal of Katherine Mansfield' is one of the great classics of 20th century literature. Compiled by her husband John Middleton Murry soon after she died and published in 1927, it consists of fragments of diary entries, unposted letters, and scraps of writing.
Reveals diverse notions of distributed cognition in the early Greek and Roman worlds
Reconsiders of Arendt's philosophy of natality in terms of biopolitical theory and feminism to defend women's reproductive choices
Through her formally innovative and psychologically insightful short stories, Katherine Mansfield is increasingly recognised as one of the central figures in early 20th-century modernism. Bringing together leading and emerging scholars and covering her complete body of work, this is the most comprehensive volume to Mansfield scholarship available today. The Bloomsbury Handbook to Katherine Mansfield covers the full range of contemporary scholarly themes and approaches to the author's work, including: · New biographical insights, including into the early New Zealand years · Responses to the historical crises: the Great War, empire and orientalism · Mansfield's fiction, poetry, criticism and private writing · Mansfield and modernist culture – from Bloomsbury to the little magazines · Mansfield and her contemporaries – Woolf, Lawrence and von Arnim · Mansfield and the arts – visual culture, cinema and music The book also includes a substantial annotated bibliography of key works of Mansfield scholarship from the last 30 years.
Pursuing art and adventure across Europe, Katherine Mansfield lived and wrote with the Furies at her heels. Dying at the age of only 34, she became posthumously one of the most influential writers of the last century. Sexually ambiguous, craving love yet quarrelsome and capricious, she glittered in the brilliant circles of DH Lawrence and Virginia Woolf, her beauty and recklessness inspiring admiration, jealousy, rage and devotion. Claire Tomalin's biography brings her nearer than we have ever been to this haunted and haunting writer.
Katherine Mansfield (1888-1923) was one of the leading figures in the development of the modernist short story and her writings were a profound influence on writers such as Virginia Woolf and D.H. Lawrence. Presenting for the first time draft manuscripts of some of her most important stories, this book gives scholars and students alike vivid new insight into Mansfield's creative process. With manuscripts for each text presented in facsimile and transcript, detailed notes throughout compare early drafts with later revisions and the final published work. In the final section of the book leading scholars offer vivid new critical readings exploring the manuscript history of these stories. A detailed descriptive listing of the major Mansfield archives is also included to help researchers explore the work further. The stories included are: 'Je ne parle pas francais'; 'Sun and Moon'; 'Revelations'; 'The Stranger'; 'The Daughters of the Late Colonel'; 'Mr and Mrs Dove'; 'Marriage à la Mode'; 'The Voyage'; 'Six Years After'; 'The Fly'.
Katherine Mansfield's arrival in London in 1908 marked the start of her professional career as a writer and this study marks a revival of her reputation as one of the foremost practitioners of the short story. The international line-up of contributors attests to Mansfield's global appeal. By discussing her fiction in relation to her life, the contributors to this critical work present reinterpretations and readings. Enhanced by new transcriptions of manuscripts and access to her diaries and letters, these readings combine biographical approaches with critical-theoretical ones and focus not only on philosophy and fiction, but class and gender, biography/autobiography. The historical and aesthetic studies of Mansfield's work all take place within a framework of modernist literature, criticism and theory, thereby expanding our understanding of what it means to be a Modernist while allocating Mansfield a firm place in any current study of Modernism.
Includes a literary reflection on Mansfield's work by award-winning novelist Ali Smith. Katherine Mansfield: New Directions brings together leading international scholars to explore and celebrate the modernist short fiction writer, Katherine Mansfield. Reassessing Mansfield's life, work and reputation in the light of new research in literary modernism the book maps new directions for future Mansfield studies in the twenty-first century. Drawing on current work from postcolonial studies, eco-criticism, affect studies, book, periodical and manuscript studies, and auto/biographical and critical-theoretical approaches to her life and art as well as new archival discoveries, this is an essential contribution to our deepening understanding of a central modernist figure.