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Ivory is fourteen years old and is madly in love with fifteen-year-old Blake. She hangs out with a tough older crowd, drinks, smokes, and even has a pregnancy scare. One night Ivory doesn't come home. Her body is found a few months later, brutally stabbed to death. Blake stands accused of her murder, but the evidence is inconclusive. Who murdered Ivory Towle? Will the truth ever be known?
"A group of notable writers ... celebrate our fascination with the houses of famous literary figures, artists, composers, and politicians of the past"--Provided by publisher.
"Kennedy is not only a romantic but an anarchist." —Anita Brookner Summer, 1947. A bizarre catastrophe rocks a seaside village in Cornwall when a cliff tumbles down on the Pendizack Manor Hotel. The hotel is obliterated, and seven guests are killed in the disaster. Everyone else makes a narrow escape. As the survivors tell their stories, the events of the previous week are revealed, and a parade of sins exposed. Gluttony, Lecherousness, Sloth, Pride, Covetousness, Envy and Wrath: all are in residence at Pendizack Manor, and as the day of the disaster creeps closer, it becomes clear that who’s spared and who’s lost might not be as arbitrary as first assumed. A modern upstairs-downstairs comedy with an old-fashioned morality play tucked away inside, The Feast is sly, kaleidoscopic, and utterly ingenious, a novel that only Margaret Kennedy could have written.
When Uncle Weatherwise moves into the Ocean Vista Leisure Adult Condominiums and incorrectly predicts the path of a hurricane, Kate Kennedy, during an evacuation, stumbles upon his dead body and employs her keen skills of detection to blow the cover of a resident killer.
Maine's Remarkable Women tells the stories of fifteen strong and determined women who broke through social, cultural, or political barriers. Through their passions for art, exploration, literature, politics, music, and nature, these women made contributions to society that still resonate today. Meet Marguerite "Tante Blanche" Thibodeau Cyr, "The Mother of Madawaska," whose bravery and kindness during one brutal winter saved her frontier settlement; botanist-artist Kate Furbish, who explored Maine's wilderness, collecting, classifying, and painting all of its flowering plants; and Florence Nicolar Shay, a Native-American basketmaker who demanded and succeeded in gaining rights for her tribe, the Penobscots. Each of these women demonstrated courage, compassion, and an independence of spirit that is as inspiring now as it was then. Read about their extraordinary lives in this collection of brief and absorbing biographies.
The revelatory, poignant story of Rosemary Kennedy, the eldest and eventually secreted-away Kennedy daughter, and how her life transformed her family, its women especially, and an entire nation. "[Larson] succeeds in providing a well-rounded portrait of a woman who, until now, has never been viewed in full."—The Boston Globe “A biography that chronicles her life with fresh details . . . By making Rosemary the central character, [Larson] has produced a valuable account of a mental health tragedy and an influential family’s belated efforts to make amends.”—The New York Times Book Review Joe and Rose Kennedy’s strikingly beautiful daughter Rosemary was intellectually disabled, a secret fiercely guarded by her powerful and glamorous family. In Rosemary, Kate Clifford Larson uses newly uncovered sources to bring Rosemary Kennedy’s story to light. Young Rosemary comes alive as a sweet, lively girl adored by her siblings. But Larson also reveals the often desperate and duplicitous arrangements the Kennedys made to keep her away from home as she became increasingly difficult in her early twenties, culminating in Joe’s decision to have Rosemary lobotomized at age twenty-three and the family’s complicity in keeping the secret. Only years later did the Kennedy siblings begin to understand what had happened to Rosemary, which inspired them to direct government attention and resources to the plight of the developmentally and mentally disabled, transforming the lives of millions. One of People’s Top Ten Books of 2015
***2018 RELIT AWARD: LONG SHORTLIST*** In The End of Music, Jamie Fitzpatrick's two mesmerizing, interwoven narratives circle the lives of Joyce, a modern young woman navigating the fraught social mores of a small town in its post-war heyday, and her son, Carter, more than fifty years later, whose days as an aspiring rock star are over. As Joyce's memories of the past begin to escape her, her son's past returns to haunt him. Brilliantly and unflinchingly revealing the inner lives of his characters, Fitzpatrick offers an extraordinary novel, with two startling twists, about women, men, and reckoning with the past.
Memoir of a writer's experience of cancer, writing, and the natural world.
Set on the shores of modern-day Nova Scotia, two women are stagnated by grief and their own flawed versions of the past. Can the truth set them free? When Emily and her family move back to Nova Scotia from Calgary, it is a return to the coastal landscape that already haunts her--and the waters where her father died. She meets her neighbour Linda, a gruff but loving widow and Linda's grown son, Tom, who struggles to stay on an even keel. As they settle in, Emily and her husband, Daniel, learn more about the short but turbulent history of the house they've just bought. With Daniel away for work, Emily becomes caught up in the lives of her neighbours, relying on Linda's friendship and growing closer to Tom, despite his unsettling knack for appearing when she least expects him. As the tension in each family builds, both Emily and Linda must confront long-unanswered questions. With its nuanced depictions of marriage, parenting, grief and mental illness, and humorous, understated dialogue, Davison's debut is at once suspenseful and subtle.