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In this sparkling collection, award-winning writer Rishi Reddi weaves a multigenerational tapestry of interconnected lives, depicting members of an Indian American community struggling to balance the demands of tradition with the allure of Western life. In "Lord Krishna," a teenager is offended when his evangelical history teacher likens the Hindu deity to Satan, but ultimately forgives the teacher against his father's wishes. In the title story, "Karma," an unemployed professor rescues birds in downtown Boston after his wealthy brother kicks him out of his home. In "Justice Shiva Ram Murthy," which appeared in The Best American Short Stories 2005, an irascible retired judge reconnects with a childhood friend while adjusting to a new life with his daughter and her American husband. In "Devadasi," a beautiful young woman raised in the United States travels back to India and challenges the sexual confines of her culture. And in "Bangles," a widow decides to return to her native village to flee her son's off-putting American ways. Set mostly in the Boston area, with side trips to an isolated immigrant community in Wichita, Kansas, and the characters' hometown of Hyderabad, India, Karma and Other Stories introduces a luminous new voice.
In this sparkling collection, award-winning writer Rishi Reddi weaves a multigenerational tapestry of interconnected lives, depicting members of an Indian American community struggling to balance the demands of tradition with the allure of Western life. In "Lord Krishna," a teenager is offended when his evangelical history teacher likens the Hindu deity to Satan, but ultimately forgives the teacher against his father's wishes. In the title story, "Karma," an unemployed professor rescues birds in downtown Boston after his wealthy brother kicks him out of his home. In "Justice Shiva Ram Murthy," which appeared in The Best American Short Stories 2005, an irascible retired judge reconnects with a childhood friend while adjusting to a new life with his daughter and her American husband. In "Devadasi," a beautiful young woman raised in the United States travels back to India and challenges the sexual confines of her culture. And in "Bangles," a widow decides to return to her native village to flee her son's off-putting American ways. Set mostly in the Boston area, with side trips to an isolated immigrant community in Wichita, Kansas, and the characters' hometown of Hyderabad, India, Karma and Other Stories introduces a luminous new voice.
"Audacious . . . Reddi has produced a social novel in the broadest sense, leading us to make connections beyond the page. Such connections stretch beyond California, requiring us to think about—to reimagine—the history of immigration in the United States." — David L. Ulin, Alta “Reddi is a talented writer with a gift for pacing — she knows how to employ suspense to keep readers turning pages.” — Los Angeles Times “In Passage West, Reddi expertly navigates decades of rich history through the eyes of multiple characters. . . Passage West lays out the foundation for American society today.” — WBUR “Rishi Reddi takes ‘epic’ to the next level with this untold PoC history of California. Passage West is a novel of California, of the U.S.-Mexico border, and of America, that you probably had no idea you needed in your life. . . . Reddi’s prose, measured and with exquisite attention to sonics of accents and multiple languages, [is] a pleasure.” — Electric Literature “Reddi takes up the lives of Punjabi farmers in California . . . Passage West is also a story of the pull of old ties; the urgency and desperation to seek love, make connections and prove oneself, so as to belong in this different world that has, inadvertently or otherwise, become home. . . . Reddi's novel is visual and resounds with vibrant pulsating drama.” — PopMatters "Vibrant. . . . This wise and wonderfully written novel, reminiscent of John Steinbeck’s best, shines a light on a little-known facet of American history. . . . It speaks to the question of what it means to be American, of who belongs, and, most importantly, how we can do better as a nation at guaranteeing the basic human rights and dignities of everyone who lives and works on this soil. . . . Ms. Reddi is a tremendous talent." — Criminal Element “Riveting . . . . An enthralling and dramatic story . . . Passage West informs the reader at great depth about the history of Indian, Japanese, and Mexican immigrants in California without breaking the spell of the narrative.” — High Country News “A richly layered historical novel that tells the stories of ordinary people living in extraordinary times . . . Reddi is a meticulous researcher, history buff and, like her character Ram, a fascinating storyteller. She skillfully embeds the ubiquitous bigotry of the time in her narrative. Although the novel provides readers with a detailed view of our nation’s past indignities, the book’s themes of racism, discrimination and anti-immigration, disconcertingly resemble the divisiveness of the United States today.” — BookTrib "Reddi’s engrossing first novel (after the collection Karma) explores the immigrant experience of Indian-Americans in early 20th-century California.... Reddi vividly evokes the landscape and the characters’ place in it, making the conclusion all the more wrenching. Reddi’s Steinbeck-ian tale adds a valuable contribution to the stories of immigrants in California." — Publishers Weekly “A debut novel recounts the struggles and triumphs of immigrants in California's Imperial Valley a century ago…. The sweeping narrative is deeply researched and offers a fascinating look at a historic era from a fresh perspective…. The lives of two Indian immigrants are scarred by forces still alive a century later.” — Kirkus Reviews “Reddi’s richly imagined, character-driven novel sheds light on a little-known history of Indians in the U.S. and surprisingly echoes current events. A wonderful historical saga for fans of Jane Smiley’s Some Luck.” — Booklist
In New York Times bestselling author Marissa Meyer's young adult contemporary romance, a girl is suddenly gifted with the ability to cast instant karma on those around her – both good and bad. Chronic overachiever Prudence Barnett is always quick to cast judgment on the lazy, rude, and arrogant residents of her coastal town. Her dreams of karmic justice are fulfilled when, after a night out with her friends, she wakes up with the sudden ability to cast instant karma on those around her. Pru giddily makes use of the power, punishing everyone from public vandals to mean gossips, but there is one person on whom her powers consistently backfire: Quint Erickson, her slacker of a lab partner. Quint is annoyingly cute and impressively noble, especially when it comes to his work with the rescue center for local sea animals. When Pru resigns herself to working at the rescue center for extra credit, she begins to uncover truths about baby otters, environmental upheaval, and romantic crossed signals—not necessarily in that order. Her newfound karmic insights reveal how thin the line is between virtue and vanity, generosity and greed . . . love and hate... and fate.
Tienan is a warlock and a lawman determined to solve a series of diabolical murders. An incident in his youth gave him a terror of death and made him fear his birthright soul-an energy symbiote called a veed-which gives Tienan extraordinary skills. Hosting that veed has also contributed to Tienan's failed relationships with women and convinced him true love doesn't exist. Janay is an ex-militia woman down on her luck who is haunted by personal demons, and real ones. When she rescues Tienan's brother, Tienan considers her a gutsy but semi-deranged commando. She's audacious and unconventional but, with all she's been through in her life, it rankles him that she still believes in true love. So can Tienan accept and trust in his love for Janay, embrace the power needed to wield an Executioner's Katana, and defeat a triad of murderous witches intent on immortality?
This acclaimed post-apocalyptic novel of hope and terror from an award-winning author "pairs well with 1984 or The Handmaid's Tale" and includes a foreword by N. K. Jemisin (John Green, New York Times). When global climate change and economic crises lead to social chaos in the early 2020s, California becomes full of dangers, from pervasive water shortage to masses of vagabonds who will do anything to live to see another day. Fifteen-year-old Lauren Olamina lives inside a gated community with her preacher father, family, and neighbors, sheltered from the surrounding anarchy. In a society where any vulnerability is a risk, she suffers from hyperempathy, a debilitating sensitivity to others' emotions. Precocious and clear-eyed, Lauren must make her voice heard in order to protect her loved ones from the imminent disasters her small community stubbornly ignores. But what begins as a fight for survival soon leads to something much more: the birth of a new faith . . . and a startling vision of human destiny.
The first collection of short stories are deeply personal in nature, all located in Mumbai- its folds and seams- which the writer has explored all his life. Familial bond or the lack of them, an intimate dekko at a media group's machinations, a close study of the Irani community which is fast vanishing in the metropolis, the underworld and the staggeringly bold new world of sexual relationships sparked by websites are just some of the narratives, with a twist in the tale. KHALID MOHAMED started as reviewer and co-editor, during his teenage years for close-up, a film society magazine. He reviewed television for The Economic Times basides contributing articles to The Illustrated Weekly of India and Femina. His writing has writing has also featured in India Today,The Indian Express, The Telegraph, the international film weekly Variety and in Sunday Observer, London. He was film critic for Mid-day, Senior Editor of DNA newspaper, and National Culture Editor and film critic for Hindustan Times. Currently, he is Consulting Editor to the Deccan Chronicle media group. He wrote the original stories and screenplays and also directed the films Fiza, Tehzeeb and Silsilaay . He debuted recently as a playwright and director of the stageplay Kennedy Bridge. His documentary The Last Irani Chai has been screened widely. His second documentary Smiles and Tears on Mumbai's street children is under post-production. Presently, he is writing his second stageplay and his first novel.
“[A] sharply observed study . . . richly detailed portraits.”—Economist Somini Sengupta emigrated from Calcutta to California as a young child in 1975. Returning thirty years later as the bureau chief for The New York Times, she found a vastly different country: one defined as much by aspiration and possibility—at least by the illusion of possibility—as it is by the structures of sex and caste. The End of Karma is an exploration of this new India through the lens of young people from different worlds: a woman who becomes a Maoist rebel; a brother charged for the murder of his sister, who had married the “wrong” man; a woman who opposes her family and hopes to become a police officer. Driven by aspiration—and thwarted at every step by state and society—they are making new demands on India’s democracy for equality of opportunity, dignity for girls, and civil liberties. Sengupta spotlights these stories of ordinary men and women, weaving together a groundbreaking portrait of a country in turmoil.
It is 1984, and fifteen-year-old Maya is on her way to India with her father. She carries with her the ashes of her mother, who recently committed suicide, and arrives in Delhi on the eve of Prime Minister Indira Gandhi's assassination. Maya is separated from her father and must rely upon the mysterious, kindhearted Sandeep to safely reunite them. As her love for Sandeep begins to blossom, Maya must face the truth about her painful adolescence...if she's ever to imagine her future.