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Uses a creative approach to teach the basic skills and concepts of programming quickly. This edition offers excellent insights into problem solving and program design processes. It will also improve comprehension of such computer science considerations as loop invariants and recursion. Includes 60 color line drawings.
SUMMARY: Introduces programming concepts, plus an overview of PASCAL. It is designed to be covered at the beginning of an introductory programming course, prior to the study of a computer programming language.
Czech-born refugee Karel Reisz (1926-2002) is widely regarded as one of the seminal figures in post-war British cinema. Along with Lindsay Anderson and Tony Richardson, Reisz was a founder member of the independent Free Cinema ‘movement’ which attacked the parochial middle-class values of home-grown studio product with a vigorous commitment to everyday working-class subject matter and a poetically-charged film style. This was immediately recognisable in the aesthetic of the international success of Reisz’s first feature, Saturday Night and Sunday Morning (1960). As the import of Free Cinema rapidly dissipated during the ‘Swinging London’ era, Reisz confronted the changing cultural mores of the 1960s and ‘70s with a series of ambivalent films that critique the anarchic free spirit of the times, including Morgan (1966), Isadora (1968), The Gambler (1974) and Dog Soldiers (1978). Drawing on Reisz’s early film criticism for Sequence and Sight and Sound, as well as interdisciplinary methodologies, this first career-length study explores Reisz’s personal brand of character-based realism, offering the spectator a privileged insight into an artist’s developing response to subjective and historical dislocation. The book should thus prove invaluable to film scholars, cultural historians and the Reisz aficionado.
And although originally written in Czech, the book was commissioned by Catbird Press and was therefore written with foreign readers in mind; in other words, no prior knowledge of Capek's writings or his milieu is required."--BOOK JACKET.
The eighteen articles in this book present fresh looks at the meaning of politics, praxis, labour, dialectics and modernity in the work of Czech philosopher Karel Kosík, best known for his book Dialectics of the Concrete.
"Karel Appel. A gesture of colour is the first of a series of five volumes, bringing together the most important writings of Jean-François Lyotard (1924-1998) on contemporary art and artists. The book he devoted to the art of Karel Appel (1921-2006) is without doubt one of the most complete and inspired texts of all the writing included in the series. Neither the original French manuscript nor the English translation has ever been published before, and their presentation face to face should constitute a considerable plus. In this book, Lyotard presents Karel Appel's "matterism" as an offer of presence, presence deferred -- it is the visual where every predicate is suspended, the visual touched, "gesture" of colour more than property of colour, appearance at the edge of the abyss. Christine Buci-Glucksmann's epilogue situates Karel Appel. A gesture of colour within the whole of Lyotard's writings on art and his subsequent work."--P. [4] of cover.
Winner of the 2023 Roland H. Bainton Prize for Art History Written by the poet-painter Karel van Mander, who finished it in June 1603, the Grondt der edel, vry schilderconst (Foundation of the Noble, Free Art of Painting) was the first systematic treatise on schilderconst (the art of painting / picturing) to be published in Dutch (Haarlem: Paschier van Wes[t]busch, 1604). This English-language edition of the Grondt, accompanied by an introductory monograph and a full critical apparatus, provides unprecedented access to Van Mander’s crucially important art treatise. The book sheds light on key terms and critical categories such as schilder, manier, uyt zijn selven doen, welstandt, leven and gheest, and wel schilderen, and both exemplifies and explicates the author’s distinctive views on the complementary forms and functions of history and landscape.
"Two stage plays, translated from the Czech, both originally published in 1920. R.U.R is an early science fiction play about the Robots, created by scientists, revolting and taking over the world. The word Robot first appeared in this work and was since adopted universally. The robber is a romantic comedy/drama, about a young adventurer infatuating an elderly professor's daughter and taking over all his possessions. The play is set in a small Bohemian village."--Provided by publisher.
Welcome to the Essential Novelists book series, were we present to you the best works of remarkable authors. For this book, the literary critic August Nemo has chosen the two most important and meaningful novels of Karel Capek which are The Absolute at Large and The War with the Newts. Karel Čapek was a Czech writer, playwright and critic. He has become best known for his science fiction, including his novel War with the Newts and play R.U.R., which introduced the word robot. He also wrote many politically charged works dealing with the social turmoil of his time. Influenced by American pragmatic liberalism, he campaigned in favor of free expression and strongly opposed the rise of both fascism and communism in Europe. Novels selected for this book: - The Absolute at Large - The War with the NewtsThis is one ofmany books in the series Essential Novelists. If you liked this book, look for the other titles in the series, we are sure you will like some of the authors.
A collection of traditional, native South African folktales about animals and the natural world, including 'How the Jackal Got His Stripe, ' 'Why the Hare's Nose Is Slit, ' 'Why the Hyena Is Lame.'