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While Kant is commonly regarded as one of the most austere philosophers of all time, this book provides quite a different perspective of the founder of transcendental philosophy. Kant is often thought of as being boring, methodical, and humorless. Yet the thirty jokes and anecdotes collected and illustrated here for the first time reveal a man and a thinker who was deeply interested in how humor and laughter shape how we think, feel, and communicate with fellow human beings. In addition to a foreword on Kant's theory of humor by Noël Carroll as well as Clewis's informative chapters, Kant's Humorous Writings contains new translations of Kant's jokes, quips, and anecdotes. Each of the thirty excerpts is illustrated and supplemented by historical commentaries which explain their significance.
Containing new translations of Kant's bon mots, quips, and anecdotes, this book affords a different perspective on one of the most influential philosophers of all time. Commonly regarded as one of the most serious philosophers (this is a man who took his daily walk at precisely the same time each day), we in fact know little about the events of Kant's very quiet life. We know he lived in a remote Prussian province, was a lifelong bachelor, and taught the same courses at the same university for over forty years. Yet the 30 jokes and anecdotes collected together here for the first time, reveal a man and a thinker who was deeply interested in how humour, laughter and the art of the story shaped how we think. The Humourous Kant explores a dimension of Kant's writing that has hitherto been almost entirely ignored but which casts his philosophy into a new light. And contains entirely new translations of Kant's bon mots, quips, and anecdotes, supplemented by historical commentary which outlines why these pieces were important to both the man and his work. A Foreword on Kant's theory of humour by philosopher Noël Carroll as well as the editor's Afterword explain Kant's theory of humour and why he was so humorous and provide a fresh way in to the work of this enduringly important thinker.
"Commonly regarded as one of the most serious philosophers of all time (this is a man who took his daily walk at precisely the same time each day), Kant's Humorous Writings explores a dimension of Kant's work that has hitherto been almost entirely ignored but which casts his philosophy into a new light. With entirely new translations of Kant's bon mots, quips, and anecdotes, supplemented by historical commentary and numerous illustrations, this guide outlines just why these pieces were important to both the man and his work"--
Drawing on the writings of the great philosophers, You Kant Make it Up sends the reader on thrilling, non-stop tour of their most outrageous and counter-intuitive conclusions. Harry Potter is real. Matter doesn't exist. Dan Brown is better than Shakespeare. All these statements stem from philosophy's greatest minds, from Plato to Nietzsche. What were they thinking? Overflowing with compelling arguments for the downright strange - many of which are hugely influential today - popular philosopher Gary Hayden shows that just because something is odd, doesn't mean that someone hasn't argued for it. Spanning ethics, logic, politics, sex and religion, this unconventional introduction to philosophy will challenge your assumptions, expand your horizons, infuriate, entertain and amuse you.
Organized around eight themes central to aesthetic theory today, this book examines the sources and development of Kant's aesthetics by mining his publications, correspondence, handwritten notes, and university lectures. Each chapter explores one of eight themes: aesthetic judgment and normativity, formal beauty, partly conceptual beauty, artistic creativity or genius, the fine arts, the sublime, ugliness and disgust, and humor. Robert R. Clewis considers how Kant's thought was shaped by authors such as Christian Wolff, Alexander Baumgarten, Georg Meier, Moses Mendelssohn, Johann Sulzer, Johann Herder, Francis Hutcheson, David Hume, Edmund Burke, Henry Home, Charles Batteux, Jean-Jacques Rousseau, and Voltaire. His resulting study uncovers and illuminates the complex development of Kant's aesthetic theory and will be useful to advanced students and scholars in fields across the humanities and studies of the arts.
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When originally published in 1960, this was the first complete English translation since 1799 of Kant's early work on aesthetics. More literary than philosophical, Observations shows Kant as a man of feeling rather than the dry thinker he often seemed to readers of the three Critiques.
A glimpse into a beloved novelist’s inner world, shaped by family, art, and literature. In her fiction, Claire Messud "has specialized in creating unusual female characters with ferocious, imaginative inner lives" (Ruth Franklin, New York Times Magazine). Kant’s Little Prussian Head and Other Reasons Why I Write opens a window on Messud’s own life: a peripatetic upbringing; a warm, complicated family; and, throughout it all, her devotion to art and literature. In twenty-six intimate, brilliant, and funny essays, Messud reflects on a childhood move from her Connecticut home to Australia; the complex relationship between her modern Canadian mother and a fiercely single French Catholic aunt; and a trip to Beirut, where her pied-noir father had once lived, while he was dying. She meditates on contemporary classics from Kazuo Ishiguro, Teju Cole, Rachel Cusk, and Valeria Luiselli; examines three facets of Albert Camus and The Stranger; and tours her favorite paintings at Boston’s Museum of Fine Arts. In the luminous title essay, she explores her drive to write, born of the magic of sharing language and the transformative powers of “a single successful sentence.” Together, these essays show the inner workings of a dazzling literary mind. Crafting a vivid portrait of a life in celebration of the power of literature, Messud proves once again "an absolute master storyteller" (Rebecca Carroll, Los Angeles Times).
All humans laugh. However, there is little agreement about what is appropriate to laugh at. While laughter can unite people by showing how they share values and perspectives, it also has the power to separate and divide. Humor that "crosses the line" can make people feel excluded and humiliated. This collection of new essays addresses possible ways that moral and ethical lines can be drawn around humor and laughter. What would a Kantian approach to humor look like? Do games create a safe space for profanity and offense? Contributors to this volume work to establish and explain guidelines for thinking about the moral questions that arise when humor and laughter intersect with medicine, gender, race, and politics. Drawing from the work of stand-up comedians, television shows, and ethicists, this volume asserts that we are never just joking.
Providing both theory and praxis, this insightful and creative textbook explains how to write humor, comedy, satire, parody, nonsense, and both the literary and the joke monologue. Through its close analyses of short stories, sketches, essays, and scripts, it is a must-read for serious and not-so-serious writers of every genre. Guiding aspiring writers through the many techniques for creating humor, it illustrates and analyzes what works and what doesn't, suggests ways to energize passages that fall flat, and offers insights into brainstorming, team writing, and revision. This book includes the history and cultural background of each major genre, followed by a rich array of writing exercises. Readers will find an inventive selection of examples to learn from, including a script from M*A*S*H and pieces by such humorists as Woody Allen, Ogden Nash, and Art Buchwald-and by students as well.