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This book provides a novel treatment of Immanuel Kant’s views on proper natural science and biology. The status of biology in Kant’s system of science is often taken to be problematic. By analyzing Kant’s philosophy of biology in relation to his conception of proper science, the present book determines Kant’s views on the scientific status of biology. Combining a broad ideengeschichtlich approach with a detailed historical reconstruction of philosophical and scientific texts, the book establishes important interconnections between Kant’s philosophy of science, his views on biology, and his reception of late 18th century biological theories. It discusses Kant’s views on science and biology as articulated in his published writings and in the Opus postumum. The book shows that although biology is a non-mathematical science and the relation between biology and other natural sciences is not specified, Kant did allow for the possibility of providing scientific explanations in biology and assigned biology a specific domain of investigation.
There has been an increasing interest in Kant and philosophy of science in the past twenty years. Through reconstructing Kantian legacies in the development of nineteenth and twentieth century physics and mathematics, this volume explores what relevance Kant's philosophy has in current debates in philosophy of science, mathematics and physics.
Brings together work by Kant never before available in English, along with new translations of his most important publications in natural science. The volume is rich in material for the student and the scholar, with extensive linguistic and explanatory notes, editorial introductions and a glossary of key terms.
This book develops a new reading of the Metaphysical Foundations and articulates an original perspective of Kant's critical philosophy as a whole.
Kant sought throughout his life to provide a philosophy adequate to the sciences of his time--especially Euclidean geometry and Newtonian physics. In this new book, Michael Friedman argues that Kant's continuing efforts to find a metaphysics that could provide a foundation for the sciences is of the utmost importance in understanding the development of his philosophical thought from its earliest beginnings in the thesis of 1747, through the Critique of Pure Reason, to his last unpublished writings in the Opus postumum. Previous commentators on Kant have typically minimized these efforts because the sciences in question have since been outmoded. Friedman argues that, on the contrary, Kant's philosophy is shaped by extraordinarily deep insight into the foundations of the exact sciences as he found them, and that this represents one of the greatest strengths of his philosophy. Friedman examines Kant's engagement with geometry, arithmetic and algebra, the foundations of mechanics, and the law of gravitation in Part One. He then devotes Part Two to the Opus postumum, showing how Kant's need to come to terms with developments in the physics of heat and in chemistry formed a primary motive for his projected Transition from the Metaphysical Foundations of Natural Science to Physics. Kant and the Exact Sciences is a book of high scholarly achievement, argued with impressive power. It represents a great advance in our understanding of Kant's philosophy of science.
Kant and the Sciences aims to reveal the deep unity of Kant's conception of science as it bears on the particular sciences of his day and on his conception of philosophy's function with respect to these sciences. It brings together for the first time twelve essays by leading Kant scholars that take into account Kant's conception of a wide variety of scientific disciplines, including physics, chemistry, biology, psychology, and anthropology.
The idea of a final end of human conduct – the highest good – plays an important role in Kant’s philosophy. Unlike his predecessors Kant defines the highest good as a combination of two heterogeneous elements, namely virtue and happiness. This conception lies at the centre of some of the most influential Kantian doctrines such as his famous “moral argument” for the rationality of faith, his conception of the unity of reason and his views concerning the final end of nature as well as the historical progress of mankind. To be sure, the different treatments of the highest good in Kant’s work have led to a great deal of discussion among his readers. Besides Kant’s arguments for moral faith, recent debate has focused on the place of the highest good within Kant’s moral theory, on the antinomy of pure practical reason, and on the idea of the primacy of practical reason. This collection of new essays attempts to re-evaluate Kant’s doctrine of the highest good and to determine its relevance for contemporary philosophy.
In the Critique of Pure Reason, Kant famously criticizes traditional metaphysics and its proofs of immortality, free will and God's existence. What is often overlooked is that Kant also explains why rational beings must ask metaphysical questions about 'unconditioned' objects such as souls, uncaused causes or God, and why answers to these questions will appear rationally compelling to them. In this book, Marcus Willaschek reconstructs and defends Kant's account of the rational sources of metaphysics. After carefully explaining Kant's conceptions of reason and metaphysics, he offers detailed interpretations of the relevant passages from the Critique of Pure Reason (in particular, the 'Transcendental Dialectic') in which Kant explains why reason seeks 'the unconditioned'. Willaschek offers a novel interpretation of the Transcendental Dialectic, pointing up its 'positive' side, while at the same time it uncovers a highly original account of metaphysical thinking that will be relevant to contemporary philosophical debates.
A Deleuzian reading of Whitehead and a Whiteheadian reading of Deleuze open the possibility of a critical aesthetics of contemporary culture. In Without Criteria, Steven Shaviro proposes and explores a philosophical fantasy: imagine a world in which Alfred North Whitehead takes the place of Martin Heidegger. What if Whitehead, instead of Heidegger, had set the agenda for postmodern thought? Heidegger asks, “Why is there something, rather than nothing?” Whitehead asks, “How is it that there is always something new?” In a world where everything from popular music to DNA is being sampled and recombined, argues Shaviro, Whitehead's question is the truly urgent one. Without Criteria is Shaviro's experiment in rethinking postmodern theory, especially the theory of aesthetics, from a point of view that hearkens back to Whitehead rather than Heidegger. In working through the ideas of Whitehead and Deleuze, Shaviro also appeals to Kant, arguing that certain aspects of Kant's thought pave the way for the philosophical “constructivism” embraced by both Whitehead and Deleuze. Kant, Whitehead, and Deleuze are not commonly grouped together, but the juxtaposition of them in Without Criteria helps to shed light on a variety of issues that are of concern to contemporary art and media practices.
In this book, Bryan Wesley Hall breaks new ground in Kant scholarship, exploring the gap in Kant’s Critical philosophy in relation to his post-Critical work by turning to Kant’s final, unpublished work, the so-called Opus Postumum. Although Kant considered this project to be the "keystone" of his philosophical efforts, it has been largely neglected by scholars. Hall argues that only by understanding the Opus Postumum can we fully comprehend both Kant’s mature view as well as his Critical project. In letters from 1798, Kant claims to have discovered a "gap" in the Critical philosophy that requires effecting a "transition from the metaphysical foundations of natural science to physics"; unfortunately, Kant does not make clear exactly what this gap is or how the transition is supposed to fill the gap. To resolve these issues, Hall draws on the Opus Postumum, arguing that Kant’s transition project can solve certain perennial problems with the Critical philosophy. This volume provides a powerful alternative to all current interpretations of the Opus Postumum, arguing that Kant’s transition project is best seen as the post-Critical culmination of his Critical philosophy. Hall carefully examines the deep connections between the Opus Postumum and the view Kant develops in the Critique of Pure Reason, to suggest that properly understanding the post-Critical Kant will significantly revise our view of Kant’s Critical period.