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This is the first book-length study in English of Kant's legal metaphors, whose philosophical importance has so far been overlooked. It will appeal to academic researchers and advanced students of Kant, early modern philosophy, legal philosophy, and intellectual history.
In den vergangenen Jahrzehnten hat die Metapher in der Philosophie zunehmend Beachtung gefunden und wurde zu einem zentralen Thema, mit dem Kant sich in seiner kritischen Philosophie in Begriffen von Analogie und Symbolisierung beschäftigt. Sein Beitrag zur Entwicklung unseres Verständnisses der Rolle, die Bilder, Metaphern und Symbole in theoretischer und praktischer Hinsicht leisten, ist bedeutend; zudem ist Kant selber auch als Schöpfer von Metaphern weithin bekannt. Symbole, Analogien und ästhetische Ideen sind unleugbar metaphorische Verfahren, die eine ebenso grundlegende wie systematische Funktion in Kants philosophischer Sprache einnehmen. – Dieser Sammelband ist das Ergebnis einer neueren Initiative seitens einer internationalen Gruppe von mit Kant befassten Philosophen und Kant-Spezialisten, um die Erforschung von Themen zu befördern, die noch nicht umfassend bearbeitet sind. Das trifft mit Sicherheit auf die „Metapher“-Thematik in Kants Philosophie zu, der der vorliegende Band gewidmet ist. In recent decades, metaphor has become a respectable and central theme in philosophy. In his critical philosophy, Kant treats this theme in terms of the notions of analogy and symbolization. In addition to contributing significantly to the development of our understanding of the role played by images, metaphors and symbols in both theoretical and practical issues, Kant is also widely recognized as a great creator of metaphors in his own right. Symbols, analogies and aesthetic ideas are undeniably metaphorical processes, which fulfill a function in Kant’s philosophical language that is as fundamental as it is systematic. This collected volume is the result of a recent initiative on the part of an international group of Kantian philosophers and scholars to promote research on topics that have yet to be thoroughly explored in academic research. This is certainly true of the topic of metaphor in Kant’s philosophy, to which the present volume is devoted.
In den vergangenen Jahrzehnten hat die Metapher in der Philosophie zunehmend Beachtung gefunden und wurde zu einem zentralen Thema, mit dem Kant sich in seiner kritischen Philosophie in Begriffen von Analogie und Symbolisierung beschäftigt. Sein Beitrag zur Entwicklung unseres Verständnisses der Rolle, die Bilder, Metaphern und Symbole in theoretischer und praktischer Hinsicht leisten, ist bedeutend; zudem ist Kant selber auch als Schöpfer von Metaphern weithin bekannt. Symbole, Analogien und ästhetische Ideen sind unleugbar metaphorische Verfahren, die eine ebenso grundlegende wie systematische Funktion in Kants philosophischer Sprache einnehmen. – Dieser Sammelband ist das Ergebnis einer neueren Initiative seitens einer internationalen Gruppe von mit Kant befassten Philosophen und Kant-Spezialisten, um die Erforschung von Themen zu befördern, die noch nicht umfassend bearbeitet sind. Das trifft mit Sicherheit auf die „Metapher“-Thematik in Kants Philosophie zu, der der vorliegende Band gewidmet ist. In recent decades, metaphor has become a respectable and central theme in philosophy. In his critical philosophy, Kant treats this theme in terms of the notions of analogy and symbolization. In addition to contributing significantly to the development of our understanding of the role played by images, metaphors and symbols in both theoretical and practical issues, Kant is also widely recognized as a great creator of metaphors in his own right. Symbols, analogies and aesthetic ideas are undeniably metaphorical processes, which fulfill a function in Kant’s philosophical language that is as fundamental as it is systematic. This collected volume is the result of a recent initiative on the part of an international group of Kantian philosophers and scholars to promote research on topics that have yet to be thoroughly explored in academic research. This is certainly true of the topic of metaphor in Kant’s philosophy, to which the present volume is devoted.
The goal of the present book is nothing less than to correct what Alfredo Ferrarin calls the standard reading of Kant s. Ferrarin argues that this widespread form of interpretation has failed to do justice to Kant s philosophy primarily because it is rooted in several uncritical and unjustified assumptions. Two are particularly egregious: a compartmentalization of the First Critique, and an isolation of each Critique from the others. Ultimately these two assumptions cause one to lose sight of the fact that the cognitive/epistemological functions laid out in the Transcendental Aesthetic and Analytic are functions of an overarching pure reason of which the constitution of experience (and of a science of nature) is only one problem among others. This book, by contrast, argues that the main problem, which pervades the entire first critique, is the power that reason has to reach beyond itself and legislate over the world. Ferrarin pays close attention to both the Transcendental Dialectic and the Doctrine of Method where Kant lays out his conception of cosmic philosophy as embodied in the ideal philosopher."
Kant’s "Critique of Pure Reason" is so outstanding among modern philosophical works, that it can be termed "the" foundation of modern philosophy. Schopenhauer termed it "the most important book ever to have been written in Europe." Otfried Höffe guides the reader through the "Critique" one step at a time, expounding Kant’s thoughts, submitting them to an interpretation and drawing a summary conclusion, placing the work and its topics within the context of its modern successors. A "critical" interpretation of Kant’s text reveals that he had something to say on many discussions that are said to have originated after his death. Reducing his argumentation to its central tenets, it can be made stronger and applicable to current problems. Kant’s eventual concern, however, even when writing theoretical philosophy, lay with the practical. Elaborating this concern and its connection to Kant’s theoretical philosophy is a prime tenet of this book.
This book traces a complex of issues surrounding moral agency from Kant through Schelling to Kierkegaard.
This collection of essays brings together the central lines of thought in Onora O'Neill's work on Kant's philosophy, developed over many years. Challenging the claim that Kant's attempt to provide a critique of reason fails because it collapses into a dogmatic argument from authority, O'Neill shows why Kant held that we must construct, rather than assume, the authority of reason, and how this can be done by ensuring that anything we offer as reasons can be followed by others, including others with whom we disagree. She argues that this constructivist view of reasoning is the clue to Kant's claims about knowledge, ethics and politics, as well as to his distinctive accounts of autonomy, the social contract, cosmopolitan justice and scriptural interpretation. Her essays are a distinctive and illuminating commentary on Kant's fundamental philosophical strategy and its implications, and will be a vital resource for scholars of Kant, ethics and philosophy of law.
This book reconstructs, using the tools of propositional logic, thirty-six of the central arguments from Immanuel Kant's landmark work, the Critique of Pure Reason. Although there are many excellent companions to and commentaries on the Critique, none of these books straightforwardly reconstructs so many of Kant's arguments premise by premise, using the tools of propositional logic.
The eighteenth century struggled to define architecture as either an art or a science—the image of the architect as a grand figure who synthesizes all other disciplines within a single master plan emerged from this discourse. Immanuel Kant and Johann Wolfgang Goethe described the architect as their equal, a genius with godlike creativity. For writers from Descartes to Freud, architectural reasoning provided a method for critically examining consciousness. The architect, as philosophers liked to think of him, was obligated by the design and construction process to mediate between the abstract and the actual. In On the Ruins of Babel, Daniel Purdy traces this notion back to its wellspring. He surveys the volatile state of architectural theory in the Enlightenment, brought on by the newly emerged scientific critiques of Renaissance cosmology, then shows how German writers redeployed Renaissance terminology so that "harmony," "unity," "synthesis," "foundation," and "orderliness" became states of consciousness, rather than terms used to describe the built world. Purdy's distinctly new interpretation of German theory reveals how metaphors constitute interior life as an architectural space to be designed, constructed, renovated, or demolished. He elucidates the close affinity between Hegel's Romantic aesthetic of space and Daniel Libeskind's deconstruction of monumental architecture in Berlin's Jewish Museum. Through a careful reading of Walter Benjamin's writing on architecture as myth, Purdy details how classical architecture shaped Benjamin's modernist interpretations of urban life, particularly his elaboration on Freud's archaeology of the unconscious. Benjamin's essays on dreams and architecture turn the individualist sensibility of the Enlightenment into a collective and mythic identification between humans and buildings.
Marcel Proust's In Search of Lost Time has long fascinated philosophers for its complex accounts of time, personal identity and narrative, amongst many other themes. Proust as Philosopher is the first book to properly explore Proust from a philosophical angle and argues that the key to understanding Proust is the concept of experience.