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Kannagi and Silappatikaram are important parts of the cultural landscape of Tamil Nadu-the story has been told in many genres of literature and continues to be told. Every narrative, however, carries the imprint of the times it was released in. Kannagi through the Ages: From the Epic to the Dravidian Movement aims to understand the ways in which representations of Kannagi in the epic Silappatikaram differ in every new narrative. Looking at the portrayals of Kannagi in plays, commentaries and folk narratives, the book examines how representations of gender and culture have evolved over time. Focusing on the interrelationships between a text and a society as well as between society and the way it moulds the category of 'woman' at different times through symbols and icon, the author analyses the social, cultural and political processes that contributed to the emergence of Kannagi as an icon of Tamil culture and epitome of Tamil womanhood.
Life is unfair: the virtuous Kannagi deserves a loving husband, but selfish beauties and foolish kings combine to rob her of happiness. Her patience snaps, eventually. Pure in her love, this gentle woman is transformed into an avenging angel, raining death and doom on all her foes, until the gods are forced to intervene. Ilango Adigal's Tamil classic, Shilappadikaram presents life with all its flaws but also with hope.
Prose rendering of Cilappatikāram, ancient Tamil epic, by Iḷaṅkōvatikaḷ.
Prose rendering of Cilappatikāram, ancient Tamil epic, by Iḷaṅkōvatikaḷ.
The peerless young Kovalan leaves his loyal wife Kannaki for the courtesan Madhavi, and though he returns to her, he still meets his death because of her ill-omened ankle bracelet. The Shilappadikaram has been called an epic and even a novel, but it is also a book of general education. Adigal packed his story with information: history merging into myth, religious rites, caste customs, military lore, descriptions of city and country life. And four Cantos are little anthologies of the poetry of the period (seashore and mountain songs, hunters and milkmaid s song). Thus the story gives us a vivid picture of early Indian life in all its aspects.
The Man Who Was a Woman and Other Queer Tales from Hindu Lore is a compilation of traditional Hindu stories with a common thread: sexual transformation and gender metamorphosis. As the author states, Every culture has sacred narratives that capture its worldview. Among them, one occasionally finds stories that seem to rupture the traditional discourse. This book compiles such 'subversive' stories related to sex and gender from Hindu lore. To view an excerpt online, find the book in our QuickSearch catalog at www.HaworthPress.com.
Men And Women Of Maturai Of The Four Temples! I Curse This City. Its King Erred In Killing The Man I Loved One Of The World'S Masterpieces, The Cilappatikaram (5Th Century Ce) By Ilanko Atikal Is India'S Finest Epic In A Language Other Than Sanskrit. It Spells Out In Unforgettable Verse The Problems That Humanity Has Been Wrestling With For A Long Time: Love, War, Evil, Fate And Death. The Tale Of An Anklet Is The Love Story Of Kovalan And Kannaki. Originating In Tamil Mythology, The Compelling Tale Of Kannaki Her Love, Her Feats And Triumphs, And Her Ultimate Transformation To Goddess Follows The Conventions Of Tamil Poetry And Is Told In Three Phases: The Erotic, The Heroic And The Mythic. This Epic Ranks With The Ramayana And The Mahabharata As One Of The Great Classics Of Indian Literature And Is Presented For The First Time In A Landmark English Verse Translation By The Eminent Poet R. Parthasarathy, Making It Accessible To A Wider Audience. Winner Of The 1995 Sahitya Akademi Prize For Translation (English), The 1994 Pen/ Book-Of-The-Month Club Translation Citation Of The Pen American Centre, And The 1996 Association For Asian Studies A.K. Ramanujan Book Prize For Translation.