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"When things don't go right, Kanga the Kangaroo can become very angry! Sometimes he can be destructive. Kanga's mother gives him helpful anger management strategies and then Kanga is able to help his friend, Joey, with his anger. Social and emotional learning concepts include controlling anger and being friends. Book includes a note to caregivers and story coaching. A Reader's Theater version is available online so that children can benefit from dramatic interpretation."
Brit Kotwal Breaks His Legs Eleven Times Before He Is Five Years Old. His Teeth Crumble And Chip If He Tries To Bite Into Anything. It Was His Sister Dolly S Idea To Call Him Brit, Short For Brittle, Because Of His Bones. Besides, Parsees Don T Really Like Long First-Names, And It Pleased His Mother Sera Because It Sounded So English. It Was Fun Sometimes, Being Different. None Of The Other Children Drank Powdered Pearls In Their Milk, Or Had Almond Oil Rubbed Into Their Legs Until It Gleamed Like Bangalore Silk. And Brit Knew He Could Always Get His Own Way With Dolly Even If It Took A Little Blackmail. But When You Reach Eighteen And Are Still The Size Of An Eight Year Old, It Is Not Much Fun, And Brit Has To Begin To Try And Grow In His Own Way& Trying To Grow Is A Many-Splendoured Work Built Around The Experiences Of A Physically Handicapped Boy Turning Into Manhood, A Deeply Moving Story Told With A Remarkable Blend Of Directness, Humour And Irreverence.
Pooh, Rabbit and Piglet plan to capture the strange new arrival Baby Roo, as a joke, but when Piglet pretends to be Roo, Kanga plans a little joke of her own.
Even Wonder Woman needs a loyal steed. But how did_Jumpa become her high-hopping pet? Discover the origin of this superpowered Super-Pet in this action-packed, POW!-WHAM!-BOOM! chapter book for early readers.
One day the king's men are out hunting and find Igreka, starving and neglected to such a degree that they are unsure whether he is human or animal. Igeraka soon falls in love with the king's daughter, Nyangunga, who according to some, marries a beast. The author's concern is how to present the story telling it from three different perspectives. First Nyangunga's father, the king, gives an account; the middle part of the story is told by Bubi, a second daughter who lets events speak for themselves, concealing herself, her age and gender, as narrator. Finally Nyangunga's mother describes her daughter's fate from a less compromising, feminist perspective.