Download Free Kamby Bolongo Mean River Book in PDF and EPUB Free Download. You can read online Kamby Bolongo Mean River and write the review.

What love and telephones do to the heart. Lopez dazzles, a novel that exposes the core.
The unforgettable stories in Robert Lopez's Asunder vary in length and style, but all of them devastate, all constantly cross the boundaries between poetry and prose. Here we have characters who are uncertain of themselves, of the people surrounding them. Here people are in trouble and need help. The compressed lyricism of these stories seems driven by the silence of what is not said, what lies beneath the lines and between them. As in his novels Part of the World and Kamby Bolongo Mean River, this elliptical tension of the language gives way to moments of grace and savage humor, leaving the reader startled, as though the world were a complete surprise.
An original and comic voice from contemporary Brazil - Souza Leão orchestrates a carnival among the mad.
Fiction. PART OF THE WORLD is a fugue in both a musical and psychological sense. It is a canonical juggernaut of lyrical language--ever dissolving, devolving, shifting, then reconstituting itself into a new knowledge of reality. This language comes straight from a compulsive mind in a Quixotic state--ceaselessly harping on the everyday perturbations and peculiarities of our humdrum lives--our cars, apartments, health, finances. But if you relax your focus as if staring at some sort of holographic fractal, with each part containing the whole, the superficial meaning is purged, layer by layer, peeling back and revealing the subtext of what the mind is capable of under the burden of trauma and accountability. "Robert Lopez has written a darkly hilarious exploration of the trickery of memory, the unreliability of personal history, and the strangeness, even uncanniness, of our daily transactions"--Dawn Raffel. "Literary pleasures like this are all too uncommon"--Laird Hunt
Arranged in five thematic parts, "The Oral History Reader" covers key debates in the post-war development of oral history.
2018 NATIONAL BOOK FOUNDATION'S 5 UNDER 35 HONOREE A fevered, lyrical debut about two young women drawn into an ever-intensifying friendship set against the stark, haunted landscape of the Sonoran desert and the ecstatic frenzy of New York City. Ahlam, the daughter of a Palestinian refugee and his Israeli wife, grows up in the arid lands of desert suburbia outside of Phoenix. In a stark landscape where coyotes prowl and mysterious lights occasionally pass through the nighttime sky, Ahlam’s imagination reigns. She battles chronic fever dreams and isolation. When she meets her tempestuous counterpart Laura, the two fall into infatuated partnership, experimenting with drugs and sex and boys, and watching helplessly as a series of mysterious deaths claim high school classmates. The girls flee their pasts for New York City, but as their emotional bond heightens, the intensity of their lives becomes unbearable. In search of love, ecstasy, oblivion, and belonging, Ahlam and Laura’s drive to outrun the ghosts of home threatens to undo them altogether.
100 EXTRAORDINARY STORIES ABOUT ORDINARY THINGS SIGNIFICANT OBJECTS: A Literary and Economic Experiment Can a great story transform a worthless trinket into a significant object? The Significant Objects project set out to answer that question once and for all, by recruiting a highly impressive crew of creative writers to invent stories about an unimpressive menagerie of items rescued from thrift stores and yard sales. That secondhand flotsam definitely becomes more valuable: sold on eBay, objects originally picked up for a buck or so sold for thousands of dollars in total — making the project a sensation in the literary blogosphere along the way. But something else happened, too: The stories created were astonishing, a cavalcade of surprising responses to the challenge of manufacturing significance. Who would have believed that random junk could inspire so much imagination? The founders of the Significant Objects project, that’s who. This book collects 100 of the finest tales from this unprecedented creative experiment; you’ll never look at a thrift-store curiosity the same way again. FEATURING ORIGINAL STORIES BY: Chris Adrian • Rob Agredo • Kurt Andersen • Rachel Axler • Rob Baedeker • Nicholson Baker • Rosecrans Baldwin • Matthew Battles • Charles Baxter • Kate Bernheimer • Susanna Breslin • Kevin Brockmeier • Matt Brown • Blake Butler • Meg Cabot • Tim Carvell • Patrick Cates • Dan Chaon • Susanna Daniel • Adam Davies • Kathryn Davis • Matthew De Abaitua • Stacey • D'Erasmo • Helen DeWitt • Doug Dorst • Mark Doty • Ben Ehrenreich • Mark Frauenfelder • Amy Fusselman • William Gibson • Myla Goldberg • Ben Greenman • Jason Grote • Jim Hanas • Jennifer Michael Hecht • Sheila Heti • Christine Hill • Dara Horn • Shelley Jackson • Heidi Julavits • Ben Katchor • Matt Klam • Wayne Koestenbaum • Josh Kramer • Kathryn Kuitenbrouwer • Neil LaBute • Victor LaValle • J. Robert Lennon • Jonathan Lethem • Todd Levin • Laura Lippman • Mimi Lipson • Robert Lopez • Joe Lyons • Sarah Manguso • Merrill Markoe • Tom McCarthy • Miranda Mellis • Lydia Millet • Maud Newton • Annie Nocenti • Stephen O’Connor • Stewart O’Nan • Jenny Offill • Gary Panter • Ed Park • James Parker • Benjamin Percy • Mark Jude Poirier • Padgett Powell • Bob Powers • Todd Pruzan • Dan Reines • Nathaniel Rich • Peter Rock • Lucinda Rosenfeld • Greg Rowland • Luc Sante • R.K. Scher • Toni Schlesinger • Matthew Sharpe • Jim Shepard • David Shields • Marisa Silver • Curtis Sittenfeld • Bruce Sterling • Scarlett Thomas • Jeff Turrentine • Deb Olin Unferth • Tom Vanderbilt • Matthew J. Wells • Joe Wenderoth • Margaret Wertheim • Colleen Werthmann • Colson Whitehead • Carl Wilson • Cintra Wilson • Sari Wilson • Douglas Wolk • John Wray
"That I was born Puerto Rican was happenstance, but that I have no connection to what it means is no accident. My grandparents made conscious decisions and so did my father as part of the first generation born here in the States. And none of it bothered me until recently, which is probably why I can’t quite put my finger on any of this. I’m still grappling with what I’ve lost and how I can miss something I’ve never had." Robert Lopez’s grandfather Sixto was born in Mayaguez, Puerto Rico, in 1904, immigrating to the United States in the 1920s, where he lived in a racially proportioned apartment complex in East New York, Brooklyn, until his death in 1987. The family’s efforts to assimilate within their new homeland led to the near complete erasure of their heritage, culture, and language within two generations. Little is known of Sixto—he may have been a longshoreman, a painter, or a boxer, but was most likely a longshoreman—or why he originally decided to leave Puerto Rico, other than that he was a meticulously slow eater who played the standup keyboard and guitar, and enjoyed watching baseball. Through family recollection, the constant banter volleyed across nets within Brooklyn’s diverse tennis community, as well as an imagined fabulist history drawn from Sixto’s remembered traits, in Dispatches From Puerto Nowhere: An American Story of Assimilation and Erasure, Robert Lopez paints a compassionate portrait of family that attempts to bridge the past to the present, and re-claim a heritage threatened by assimilation and erasure.
The Oral History Reader, now in its third edition, is a comprehensive, international anthology combining major, ‘classic’ articles with cutting-edge pieces on the theory, method and use of oral history. Twenty-seven new chapters introduce the most significant developments in oral history in the last decade to bring this invaluable text up to date, with new pieces on emotions and the senses, on crisis oral history, current thinking around traumatic memory, the impact of digital mobile technologies, and how oral history is being used in public contexts, with more international examples to draw in work from North and South America, Britain and Europe, Australasia, Asia and Africa. Arranged in five thematic sections, each with an introduction by the editors to contextualise the selection and review relevant literature, articles in this collection draw upon diverse oral history experiences to examine issues including: Key debates in the development of oral history over the past seventy years First hand reflections on interview practice, and issues posed by the interview relationship The nature of memory and its significance in oral history The practical and ethical issues surrounding the interpretation, presentation and public use of oral testimonies how oral history projects contribute to the study of the past and involve the wider community. The challenges and contributions of oral history projects committed to advocacy and empowerment With a revised and updated bibliography and useful contacts list, as well as a dedicated online resources page, this third edition of The Oral History Reader is the perfect tool for those encountering oral history for the first time, as well as for seasoned practitioners.