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Situated on the left bank of the Ganges, in the state of Uttar Pradash, Varanasi is one of the oldest continually inhabited cities in the world. For Hindus there is nowhere more sacred; for Buddhists, it is revered as a place where the Buddha preached his first sermon; for Jains it is the birthplace of their two patriarchs. Over the last four thousand years, perhaps no city in the world has stood witness to such a flux of history, from the development of Aryan culture along the Ganges, to invasions that would leave the city in Muslim hands for three centuries, to an independent Brahmin kingdom, British colonial rule, and ultimately independence. But what is the city like today? Home to 2.5 million people, it is visited by twice that number every year. Polluted, overpopulated, religiously divided, but utterly sublime, Varanasi is a living expression of Indian life like no other. Each day 60,000 people bathe in the Ganges. Elderly people come to die here. Widows pushed out by their families arrive to find livelihood. In the city center, the silk trade remains the most important industry, along with textiles and the processing of betel leaf. Behind this facade lurk more sinister industries. Varanasi is a major player in the international drug scene. There's a thriving flesh trade, and a corrupt police force that turns a blind eye. As with Suketu Mehta's Maximimum City Piers Moore Ede tells the city's story by allowing inhabitants to relate their own tales. Whether portraying a Dom Raja whose role it is to cremate bodies by the Ganghes or a khoa maker, who carefully converts cow's milk into the ricotta like substance that forms the base of most sweets, Ede explores the city's most important themes through its people, creating a vibrant portrait of modern, multicultural India.
A lone man navigates the streets of Kaleidoscope City in the aftermath of a broken romance. Buoyed by his curiosity and a search for meaning, with sketchbook in hand, he finds inspiration in unexpected places, from far-flung neighborhoods to fleeting glimpses of a mysterious woman. In this deftly constructed series of postcards to an unknown reader, Marcellus Hall lays bare our universal yearning for experience.
How did colonial influences change the urban form of the Arab capitals? The author here poses - and answers - many questions on globalisation and the Middle East.
There is one star in the sky that shines brighter than the rest. It's where our wishes go when we send them out into the universe... and it's called Starland. This is where the Star Darlings live -- twelve girls who are chosen as an elite, secret circle of Wish-Granters. They collect, nurture and help us make wishes come true. A Wisher's Guide to Starland introduces us to the Starlings and the incredible, sparkling, positive-energy-powered world they live in. Filled with facts on Starland and it's inhabitants, this 128-page book is filled with amazing full-color art and sure to be on every tween's "wish" list!
Dan Webb explores an undervalued topic in the formal discipline of Political Theory (and political science, more broadly): the urban as a level of political analysis and political struggles in urban space. Because the city and urban space is so prominent in other critical disciplines, most notably, geography and sociology, a driving question of the book is: what kind of distinct contribution can political theory make to the already existing critical urban literature? The answer is to be found in what Webb calls the "properly political" approach to understanding political conflict as developed in the work of thinkers like Chantal Mouffe, Jodi Dean, and Slavoj Žižek. This "properly political" analysis is contrasted with and a curative to the predominant "ethical" or "post-political" understanding of the urban found in so much of the geographical and sociological critical urban theory literature. In order to illustrate this primary theoretical argument of the book, Webb suggests that "common property" is the most useful category for conceiving the city as a site of the "properly political." When the city and urban space are framed within this theoretical framework, critical urbanists are provided a powerful tool for understanding urban political struggles, in particular, anti-gentrification movements in the inner city.
This innovative study of the Montreal novel in French looks at how imaginary and material landscapes come together to produce a city of neighbourhoods.
Maybe we've had enough of studies of gay men and urban centers, tracing out the similarities from one place to the next. Japonica Brown-Saracino bucks the trend, giving us the first in-depth study of lesbians (and bisexual/queer women more generally), showing how four contrasting communal cultures have shaped their identity. Individual lesbian residents shape the culture of sexual identity they embrace, based at the same time on the prevailing culture in the city they inhabit. And the consequence is that the same woman will develop a different version of lesbian identity depending on which of the four cities she moves into. Those cities are: Ithaca, New York; San Luis Obispo, California; Greenfield, Massachusetts; and Portland, Maine. She identifies them in the book (a rare move for ethnographers), thus insuring a coast-to-coast readership, with lots of debate. This book advances, in almost equal measure, sexuality and gender studies, theories of identity, theories of place, and urban sociology. Each city has its own loose bundles or connections between residents, whether it's the taste-based ties in Ithaca, or the ties in San Luis Obispo that cut across demographics, or the conversations about identity that prevail in Portland, or the emphasis Greenfield on other dimensions of the self (e.g., profession, politics, or life stage, such as motherhood). Along the way, Brown-Saracino poses a set of questions from urban sociology about migration, residential choice, and community change processes that students of cities rarely apply to sexual minority populations.
All around us there are details that sometimes escape the eye.By capturing a photo it allows us to sit and stare, take in those details we normally don't take the time to see. In this book we take those details and give them a different point of view by turning them into kaleidoscopic images, adding detail and wonder to the beauty of things around us.Enjoy a City in a Kaleidoscope