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The V&A has the world's most important collection of nineteenth-century temple hangings from South India, but only one of the smaller pieces has ever been published. For the first time these amazing objects are documented and made public here. The hangings are of two main types: large narrative pieces from Andhra Pradesh which tell stories from the Ramayana, the exploits of Krishna or tales connected with South Indian deities, and smaller pieces from Tamil Nadu. A single extraordinary Ramayana hanging from Sri Lanka is also included. All of the pieces are illustrated in their entirety, along with copious details that highlight the remarkable skill and regional styles of the narrative artists. Each is accompanied by a brief summary of its story, but the full 'frame-by-frame' narrative is described in a separate illustrated catalogue section. This will also provide translations of all the Telugu and Tamil inscriptions that accompany the narratives, translated especially for this book. As well as the description of the works themselves, there is a general introduction about how they were used and their regional stylistic variations and a chapter on technique and how they fit into the broader picture of Indian textiles, by V&A curator Rosemary Crill.
Kalamkari means. 'pen work' done on grey cloth using natural dyestuffs portraying motifs of flowers, birds and animals. In ancient India Town of Masulipatam on the Coromandel Coast was home for this wonder fabric, which became popular in the Orient as well as the Occident. The British people were using this imported cloth so vastly that the British Parliament had to pass THE CALICO ACT in order to protect their native weaving.
A richly illustrated history of textiles in the Mughal Empire In the sixteenth and seventeenth centuries, a vast array of textiles circulated throughout the Mughal Empire. Made from rare fibers and crafted using virtuosic techniques, these exquisite objects animated early modern experience, from the intimate, sensory pleasure of garments to the monumentality of imperial tents. The Art of Cloth in Mughal India tells the story of textiles crafted and collected across South Asia and beyond, illuminating how cloth participated in political negotiations, social conversations, and the shared seasonal rhythms of the year. Drawing on small-scale paintings, popular poetry, chronicle histories, and royal inventory records, Sylvia Houghteling charts the travels of textiles from the Mughal imperial court to the kingdoms of Rajasthan, the Deccan sultanates, and the British Isles. She shows how the “art of cloth” encompassed both the making of textiles as well as their creative uses. Houghteling asks what cloth made its wearers feel, how it acted in space, and what images and memories it conjured in the mind. She reveals how woven objects began to evoke the natural environment, convey political and personal meaning, and span the distance between faraway people and places. Beautifully illustrated, The Art of Cloth in Mughal India offers an incomparable account of the aesthetics and techniques of cloth and cloth making and the ways that textiles shaped the social, political, religious, and aesthetic life of early modern South Asia.