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Since the arrival of its first settler in 1829, the story of Kalamazoo has been an interesting one. Out of the southwest Michigan wilderness, a small 19th century village quickly blossomed into a 20th century city. During the late 19th and early 20th centuries, a wide variety of industries made Kalamazoo a boomtown. Everything from paper, corsets, taxicabs, and pharmaceuticals allowed Kalamazoo to develop into a major center of manufacturing. At the same time, several colleges that would establish the area as a center for education were organized and expanded. Fortunately, much of Kalamazoo's development has been well-documented through photographs and other visual illustrations. These images are the subjects of this volume, which is organized to show the varied elements of Kalamazoo's history. Gathered from local archives and private collections, most of these rare photographs have never before been published.
Something is very odd about the clowns in the carnival visiting Kalamazoo.
Most of Kalamazoo County’s early white settlers were fur traders from England or New York. The remainder came from Pennsylvania and Maryland. After 1845 the number of foreign immigrants increased rapidly especially with the coming of the Hollanders in 1850. The growth rate of the county’s population reached its height between 1845-1860, when almost 8,000 newcomers settled there. That growth rate was not exceeded for 50 years when, between 1904-1920, the population grew to 214,000, quite an increase over the 1860 figure. Increased immigration, better transportation, and the appearance of diversified industries all played a role in Kalamazoo County’s growth. “Every community has its roots in the past. Its people live in the present and look to the future, but their way of life and their patterns of thought are conditioned by their heritage. A widespread understanding of that heritage is essential in order that progress may be planned wisely. “Hence, it has seemed desirable to gather into a single volume the story of Kalamazoo’s growth from a tiny fur-trading post in the wilderness to a modern metropolitan center.”—Willis F. Dunbar
Michigan’s city with a strange name has an even stranger—and spirited—past. The authors of Ghosts of Grand Rapids share its chilling tales. Kalamazoo’s violent and often anguished history has given way to myriad ghostly tales surrounding some of the town’s most prominent places. From the tortured souls roaming the Asylum Lake Preserve to the infamous suicide of the amateur actress Thelma, who reputedly haunts the Civic Auditorium to this day, it is no small wonder that the town is filled with apparitions longing to make their stories and their presence known. In this startlingly spooky collection of tales, ghost hunters Bray and DuShane gather stories from legend, lore and residents alike that bring new meaning to the age-old adage “seeing is believing.” Includes photos! “Highlight[s] over 30 different haunted locations in Kalamazoo including the Asylum Lake preserve, the Civic Auditorium, an abused grave marker that is supposedly responsible for demonic activity, and the gravesite of a deceased minister that oozes.” —Morning Sun
According to company lore, Gibson, the guitar manufacturer, had ceased guitar production during World War II with only "seasoned craftsmen" too old for battle doing repairs and completing the few instruments already in progress at their Kalamazoo, Michigan factory. However, beginning in 1942, Gibson started producing wartime guitars each marked with a small, golden "banner" displaying the slogan: "only a Gibson is good enough." Over 9000 of these "Banner" guitars were produced between 1942 and 1945 and they are considered to be some of the finest acoustic guitars ever produced but who was making them? In this work of musical and social history, Thomas explores the origins of the Gibson "Banner" guitars and the remarkable women, many of whom had no prior training in instrument construction, who built them.
Product Description: To establish the context within which the Kalamazoo Hospital came to be built, Decker begins the story in Europe in the previous centuries with historical antecedents, theories about mental illness and the treatment of mental disorders. These formative, primitive ideas were gradually adopted in this country where very little understanding of mental disorders existed. When the Kalamazoo State Hospital was founded, then named the Michigan Asylum for the Insane, in 1854, there were no private practitioners of psychiatry even in the largest cities. Psychiatry grew out of the exchange of information between the medical staff of these new public institutions. Dr. Decker gives readers a comprehensive view of Michigan s first psychiatric facility including the architectural style and plans, building descriptions and history, Legislative Acts regarding the operation and governance, personnel including Medical Directors, historical perspective on the causes of insanity, their treatment and services, noteworthy events and a complete bibliography and appendixes.
"[The story of] a young prince who grows up giving and receiving seeds (words). He faithfully plants and waters those seeds daily, until they grow to become very powerful trees. Later, with the help of a friend, he is able to cut down and uproot the bad ones and then replant good seeds in their place"--Preliminary page.
Perhaps you thought it was fantasy. Perhaps you thought it was a ruse. Perhaps you thought it was the actions of an immature heart and love that had yet to be "educated" by reality. Wrong! Actually your first answer was right. Now you have to be unschooled and learn love all over again, and you might want to start here at that foundation of love. But you forgot, after all it only lasted a couple of seconds, a couple of days and then that place that those eyes took you disappeared like a mirage. You no longer have what it takes to graduate to love's stage seven. Don't worry, Illuminations will take you back. If infatuation is oft the cornerstone with which we set the foundation of love, why do we throw away that foundation when we build the school of our convictions as to what love is? But remember when we thought a love was perfect and we thought that love was supreme? Remember when we thought love would find ourselves in a perfect plot and we could reside there forever? Remember when love was the most beautiful thing in existence and so was our love? Might I ask, what is wrong with that? And if there is nothing wrong with that, why isn't it considered right? If the school of love in which the world learns fails, and we are unable to graduate to love's better vision. If indeed, we fail to take our love to a higher grade, perhaps we aught to find a better school. Love instinctively knows better, and the new foundation upon which love will be reschooled goes back to our original convictions when we thought love was perfect, that love was supreme, that love would deliver and that love is perfect. There is a reason for that original conviction and it is because, love is.