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A study of calypso music from its early days to the latest victory songs of carnival. With discography, photos of leading calypsonians, and updated bibliography from original 1982 edition.
Roy Cape is a Trinidadian saxophonist active as a band musician for more than fifty years and as a bandleader for more than thirty. He is known throughout the islands and the Caribbean diasporas in North America and Europe. Part ethnography, part biography, and part Caribbean music history, Roy Cape is about the making of reputation and circulation, and about the meaning of labor and work ethics. An experiment in storytelling, it joins Roy's voice with that of ethnomusicologist Jocelyne Guilbault. The idea for the book emerged from an exchange they had while discussing Roy's journey as a performer and bandleader. In conversation, they began experimenting with voice, with who takes the lead, who says what, when, to whom, and why. Their book reflects that dynamic, combining first-person narrative, dialogue, and the polyphony of Roy's bandmates' voices. Listening to recordings and looking at old photographs elicited more recollections, which allowed Roy to expand on recurring themes and motifs. This congenial, candid book offers different ways of knowing Roy's labor of love—his sound and work through sound, his reputation and circulation as a renowned musician and bandleader in the world.
Classic calypso, one of the greatest creations of Caribbean culture, is more than the frivolous music played for tourists in pink hotels overlooking tropical beaches. Much traditional calypso is also social commentary and has reflected, sometimes not so subtly, Trinidad's difficult social and political evolution.
An innovative analysis of how ideas of Indian identity negotiated within the Indian diaspora in Trinidad affect cultural identities "back home" in India.
Kempadoo's moving third novel looks at the personal and aesthetic choices of her multifaceted characters on the island of Trinidad--a country still economically developing but culturally rich, aiming at "world class" status amid its poor island cousins.
This drama trilogy shows the story of the Calypso art form over four decades of social and artistic change, 1930-1970. Sing de Chorus, the first in the series, recreates the conditions and conflicts that made the 1930s the classical era of the Calypso and placed the art on the international stage. Ah Wanna Fall is built around the Absurdist genius of Spoiler, who characterized the transitions of post-war Trinidad. Ten to One crowns the series with the triumphant rise of Sparrow in his struggle for social respect for the art and its performers.