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Engelbert Kaempfer's History of Japan was a best-seller from the moment it was published in London in 1727. Born in Westphalia in 1651, Kaempfer traveled throughout the Near and Far East before settling in Japan as physician to the trading settlement of the Dutch East India Company at Nagasaki. During his two years residence, he made two extensive trips around Japan in 1691 and 1692, collecting, according to the British historian Boxer, "an astonishing amount of valuable and accurate information." He also learned all he could from the few Japanese who came to Deshima for instruction in the European sciences. To these observations, Kaempfer added details he had gathered from a wide reading of travelers' accounts and the reports of previous trading delegations. The result was the first scholarly study of Tokugawa Japan in the West, a work that greatly influenced the European view of Japan throughout the eighteenth and nineteenth centuries, serving as a reference for a variety of works ranging from encyclopedias to the libretto of "The Mikado." Kaempfer's work remains one of the most valuable sources for historians of the Tokugawa period. The narrative describes what no Japanese was permitted to record (the details of the shogun's castle, for example) and what no Japanese thought worthy of recording (the minutiae of everyday life). However, all previous translations of the History are flawed, being based on the work of an eighteenth-century Swiss translator or that of the German editor some fifty years later who had little knowledge of Japan and resented Kaempfer's praise of the heathen country. Beatrice Bodart-Bailey's impressive new translation of this classic, which reflects careful study of Kaempfer's original manuscript, reclaims the work for the modern reader, placing it in the context of what is currently known about Tokugawa Japan and restoring the humor and freshness of Kaempfer's observations and impressions. In Kaempfer's Japan we have, for the first time, an accurate and thoroughly readable annotated translation of Kaempfer's colorful account of pre-modern Japan.
This important study brings together some of the best current research on Kaempfer (author of the History of Japan, also published by Curzon) for the first time and includes a close analysis of 6 key topics from the writing of the History to an interpretation of the interpreter himself.
In The Dutch Language in Japan (1600-1900) Christopher Joby offers the first book-length account of the knowledge and use of the Dutch language in Tokugawa and early Meiji Japan, which had a profound effect on Japan’s language, society and culture.
This is an early account of an observer, neither French nor Catholic, who avoided both biases, in describing the various factions of Siamese society, and the promotion of Christianity or both European national interests in Siam.
This engaging book challenges the traditional notion that Japan was an isolated nation cut off from the outside world in the early modern era. This familiar story of seclusion, argues master historian Marius B. Jansen, results from viewing the period solely in terms of Japan's ties with the West, at the expense of its relationship with closer Asian neighbors. Taking as his focus the port of Nagasaki and its thriving trade with China in the sixteenth through the nineteenth centuries, Jansen not only corrects this misperception but offers an important analysis of the impact of the China trade on Japan's cultural, economic, and political life. Creating a vivid portrait of a city that lived on and for foreign trade, the author details Nagasaki's pivotal role in importing luxury goods for a growing Japanese market whose elite wanted more of everything that ships from China could bring. Silk, sugar, and ginseng were among the cargoes brought to Nagasaki as well as books that, by the late Tokugawa period, signaled the dangers of Western expansionism. The junks from China brought people as well as goods, and the author provides clear evidence of the influence of Chinese expatriates and visitors on Japanese religion, law, and art. Japan's intellectuals prided themselves on their full participation in the cultural milieu of the continental mainland, and for them China represented an ideal land of sages and tranquility. But gradually China came to represent, instead, a metaphor for the "other", as Japan's quest for a national identity intensified. Among the Japanese, a new image of their nation was beginning to emerge: a Japan superior to Asia in general and to China in particular.
Frog in the Well is a vivid and revealing account of Watanabe Kazan, one of the most important intellectuals of the late Tokugawa period. From his impoverished upbringing to his tragic suicide in exile, Kazan's life and work reflected a turbulent period in Japan's history. He was a famous artist, a Confucian scholar, a student of Western culture, a samurai, and a critic of the shogunate who, nevertheless, felt compelled to kill himself for fear that he had caused his lord anxiety. During this period, a typical Japanese scholar or artist refused to acknowledge the outside world, much like a "frog in the well that knows nothing of the ocean," but Kazan actively sought out Western learning. He appreciated European civilization and bought every scrap of European art that was available in Japan. He became a painter to help his family out of poverty and, by employing the artistic techniques of the West, achieved great success with his realistic and stylistically advanced portraits. Although he remained a nationalist committed to the old ways, Kazan called on the shogunate to learn from the West or risk disaster. He strove to improve the agricultural and economic conditions of his province and reinforce its defenses, but his criticisms and warnings about possible coastal invasions ultimately led to his arrest and exile. Frog in the Well is the first full-length biography of Kazan in English, and, in telling his life's story, renowned scholar Donald Keene paints a fascinating portrait of the social and intellectual milieus of the late Tokugawa period. Richly illustrated with Kazan's paintings, Frog in the Well illuminates a life that is emblematic of the cultural crises affecting Japan in the years before revolution.
In World Trade Systems of the East and West, Geoffrey C. Gunn profiles Nagasaki's historic role in mediating the Japanese bullion trade, especially silver exchanged against Chinese and Vietnamese silk. Founded in 1571 as the terminal port of the Portuguese Macau ships, Nagasaki served as Japan's window to the world over long time and with the East-West trade carried on by the Dutch and, with even more vigor, by the Chinese junk trade. While the final expulsion of the Portuguese in 1646 characteristically defines the “closed” period of early modern Japanese history, the real trade seclusion policy, this work argues, only came into place one century later when the Shogunate firmly grasped the true impact of the bullion trade upon the national economy.
In 1759 the British Museum opened its doors to the public—the first free national museum in the world. James Delbourgo recounts the story behind its creation through the life of Hans Sloane, a controversial luminary with an insatiable ambition to pit universal knowledge against superstition and few curbs on his passion for collecting the world.
In Japanese Historians and the National Myths, John Brownlee examines how Japanese historians between 1600 and 1945 interpreted the ancient myths of their origins. Ancient tales tell of Japan's creation in the Age of the Gods, and of Jinmu, a direct descendant of the Sun Goddess and first emperor of the imperial line. These founding myths went unchallenged until Confucian scholars in the Tokugawa period initiated a reassessment of the ancient history of Japan. These myths lay at the core of Japanese identity and provided legitimacy for the imperial state. Focusing on the theme of conflict and accommodation between scholars on one side and government and society on the other, Brownlee follows the historians' reactions to pressure and trends and their eventual understanding of history as a science in the service of the Japanese nation.