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Judo, origami, sushi - with just a few words an immediate landscape is conjured: the country of Japan. In K is for Kabuki: A Japan Alphabet, young readers are invited to travel to faraway Japan and explore its rich history, traditions, and role in today's world. Evocative artwork captures the spirit of each letter topic. O is for Origami A paper frog, a paper tree, a paper sunflower just for me, a paper fox, a paper shrew, a paper tiger just for you. From the comic relief of Kyogen theater to the meditative powers of a Zen garden, K is for Kabuki brings the past, present, and pageantry of Japan to life.To find recipes, games, interactives maps and much more for this title visit www.discovertheworldbooks.com! Gloria Whelan is the award-winning author of many children's books including Homeless Bird, for which she received the National Book Award. She lives in Michigan. A librarian by profession, Jenny Nolan has worked for The New Yorker and Rolling Stone magazines and as a researcher for investigative reporters. She lives in Michigan. Oki S. Han's book, Basho and the Fox, was a New York Times best-seller. Her books, Mr. Long Beard and My Hometown, both won the Korea Children's Book Award. In 2005 Oki was selected as Illustrator of the Year at the Bologna Children's Book Fair for My Hometown. She lives in Korea.
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"The Halfords' book is an achievement. For the first time ever, any Westerner who reads English can obtain a real insight into the plots and stories, the texts and characteristics of Kabuki dramas, and in terms which a Western-trained mind can readily understand. For this the entire Kabuki world must be grateful." -- From the Foreword by Faubion Bowers, author of Japanese Theatre and Theatre in the East Kabuki has been described as "in the main, the finest theatre art in the world," and its ever-growing popularity both in Japan and abroad bears witness to its tremendous dramatic effectiveness. The fact that many persons tend to regard it as mere spectacle, thus missing the greater part of its moving appeal, has been due to the lack of any key to the intricacies of its plots and its unfamiliar stage conventions. Here at last is a genuine key, one which opens wide vistas of understanding and appreciation. Included here are lucid synopses and crystal-clear explanations of the hundred odd plays which form the backbone of the classical Kabuki repertoire and constitute over twice that many individual program items. Equally as valuable as the synopses are the informative and entertaining Notes explaining the many points that have proved perplexing to the non-Japanese spectator. Both synopses and notes are provided with a careful system of cross references and an indispensable index, all making for ready use and saving the spectator from "dwelling so much on some minor, but incomprehensible, point that the thread of the drama is lost." Kabuki is drama -- drama par excellence -- and now, thanks to this invaluable handbook, may at last be enjoyed as such. The authors have well fulfilled their aim of allowing the playgoer to concentrate on the performance and appreciate both the Kabuki actor's amazing virtuosity and the unique art of the Kabuki theatre.
Darkness and Desire, 1804-1864, is the third volume in a monumental new series-the first collection of kabuki play translations to be published in nearly a quarter of a century. Fifty-one plays, published in four volumes, vividly trace kabuki's changing relations to Japanese society during the premodern era. The fourteen plays translated in Volume 3, Darkness and Desire, 1804-1864, mark an extreme point in the development of kabuki dramaturgy. The plays are remarkable, even within kabuki, for their intense theatricality, gutsy individualism of character, cold-blooded and ferocious violence, realism pushed into fantasy and grotesquery, novelty for its own sake, sexual aggressiveness, and assertion of female will. The plays depict a society in extremis, the end of an era, a time often marked by unmitigated darkness and desire.
This book is a feminist reading of gender performance and construction of the female role players, onnogata, of the Kabuki theatre. It is not limited to a 'theatre arts' focus, rather it is a mapping and close analysis of transformative genders through several historical periods in Japan (the seventeenth through the twentieth centuries).
Audisee® eBooks with Audio combine professional narration and text highlighting for an engaging read aloud experience! Konnichi wa! Have you ever been to Japan? Learn about Japanese animals, foods, culture, and more to see what makes this Asian country unique. Full-color photographs bring Japan to life before your eyes, and carefully leveled text and critical thinking questions introduce young readers to nonfiction.