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Guy Bourdin, who died in 1991, was a legend in the world of fashion photography. He was the most radical and audacious photographer of his generation but his reputation has been surrounded in secrecy - he rarely allowed his photographs to appear outside the pages of French Vogue. No book of his work has previously been published. His estate was frozen by the courts until 1997, after which his son, Samuel, gained control of his work as a result of which this long-awaited book can be published. Bourdin was originally a painter and a friend of Man Ray. His fashion photographs began to incorporate his surrealist influences. Fashion photography became an arena for his personal obsessions. The results are as shocking and astonishing as any commercial photograph ever published. They were executed meticulously. Despite his intense eroticism, subversion and, as Cecil Beaton described, 'his grotesque little gamines', Beaton referred to him in 1975 as 'unquestionably the most interesting fashion photographer in Paris today'. His work was said to have represented 'the look of an era -glamorous, hard-edged, cleverly spiced with vulgarity.. .rich with implied narratives and strong erotic undercurrents'
This book is a selection of candid and often amusing interviews with independent singer/songwriters around Australia. From the wide-eyed innocence of teens starting out to the older more experienced musicians who have faced the disappointments and frustrations of competing against the major labels. Each published article concludes with the web links of the musician interviewed. The idea being that, having been introduced to them as an individual, the reader can then visit their website, check out their music, and show much needed support.
Misty Dawn is one of Jock Sturges' primary and most popular muses. He has photographed her for 25 of her 28 years. Taken as a whole this series of images presents a unique, fully realised portrait of a blossoming individual and explores the relationship between photographer and subject.
The work in this book is drawn from a project which famous cinematographer Peter Suschitzky has been working on for the past seven years, on and off between his activities in the movies industry. Suschitzky decided to take up this project after years and years of photographing life all over the world. He wanted a to find a theme which he could work on at home and in his own time. He knew that it would be hard to do anything original with the theme that he had chosen, as so many painters and photographers, great and small, have worked on this subject before him. Nevertheless he felt that he had to put his own imprint on the subject. The result is this gorgeous book, which also includes a small but extremely fine selection of Suschitzky's most important other work.
Chris Shaw spent ten years working in London hotels, all the while using his camera to both document the hotels' unexpected human spectacles and keep himself awake through the long hours of his shift. Whether capturing prostitutes waiting between "Johns," weary hotel staff, the inebriated and profligate guests, or the details of the hotels' faded grandeur, Shaw's images transcend the physical boundaries of a place, and instead capture a state of mind in which few people would choose to stay more than a night. The thing I like most about the pictures is the large element of what I call the "chance meeting," the times I was so tired I lost the artifice and techniques of photography. I just took photographs to keep me awake. It became artless. The people I photographed, these episodes in the social fantastic would heighten and illuminate my whole night, often making a difficult job and my twelve-hour shift bearable.