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In this brilliantly satisfying conclusion to the epic adventure begun in Split Infinity and continued in Blue Adept, Piers Anthony again proves himself a consummate master of both science fiction and fantasy. Stile had problems—two whole worlds of problems, in fact. On Proton, a world of future science, his murder was averted only by the help of a lovely robot, who sent him through an invisible “curtain” to Phaze, an alternate world ruled by magic. There he found he was the double of the sorcerer, the Blue Adept, who had been mysteriously murdered. And the assassin was after Stile! To survive, Stile had to master magic, fight a dragon, win the friendship of a lady unicorn, locate his enemy among the paranoid Adepts, and return out of Phaze to win the Great Games on Proton. After that, he was ready to face the real problems! The infallible Oracle was suddenly involved in the conspiracy against him. The two worlds were out of balance and heading for disaster. Stile was somehow supposed to take over the job of saving them or go down to total destruction with all he loved, he had to act and act quickly—with no idea of what he was supposed to do.
This monograph examines the juxtaposition of narrative units in biblical narrative and the effect this has on interpretation. Early rabbinical and inner-biblical interpretations suggest that juxtaposition was an intentional device used by biblical editors and authors to shape the meaning of their material. Therefore, this monograph develops a framework for recognising the ways in which adjacent units interpret and re-interpret one another and presents this framework as an important hermeneutical tool. Stories and episodes that are linked chronologically affect one another through a relationship of causes and consequences. The categories of contradiction, corroboration and question and answer are also used to describe the types of interaction between narrative units and demonstrate how such dialogues create new meaning. Indicators in the text that guide the audience towards the intended interpretation are identified in order that a 'poetics' of juxtaposition is developed. The theoretical basis established in the first half of the monograph is then applied to the Elisha cycle. Each episode is interpreted independently and then read in juxtaposition with the surrounding episodes, producing a fresh literary reading of the cycle. Furthermore, in order to demonstrate how juxtaposition functioned as a diachronic process, attention is given to the literary history of the cycle. We conjecture earlier interpretations of the Elisha episodes and compare them to the final form of the cycle. Finally, the Elisha cycle is itself a story juxtaposed with other stories and so the same principles of interpretation are used to suggest the meaning of the cycle within the book of Kings.
In this brilliant continuation of the epic adventure that began in Split Infinity, Piers Anthony again proves himself a master of both fantasy and science fiction For Stile, life was a matter of shuttling madly between two worlds, with the problems growing greater on each. On the science world of Proton, he was a serf, trying to prove his right to exist by competing in the Great Games. On Phaze, where only magic worked, he was the Blue Adept, trying to master the powers of sorcery. And on both worlds, someone was trying to assassinate him. Aside from winning increasingly difficult contests with no time to prepare, all he had to do was win the love of the Lady Blue, fight a dragon, discover the ultimate weapon—and, of course, seek the paranoid Adept or the all-powerful Citizen who was trying to kill him! And now, just when things were growing impossible, he had to fight a mortal duel with the unicorn Herd Leader, against whom his magic powers were useless!
Whether you’re heading to Paris or San Francisco, Patagonia or Yosemite, you need a book that goes beyond the camera manual to teach you how to take great shots. This guide by pro photographer John Batdorff will help you conquer the fundamentals of travel and street photography and capture stunning pictures. Batdorff starts with the basics–composition, light, and exposure–and how to plan and pack the right equipment for different types of shooting conditions. He also covers all the key camera features that affect your image. Once you’ve captured those shots, John takes you step-by-step through an effective workflow in Lightroom to organize your images and develop your own personal style. This guide is for beginning-to-intermediate digital photographers to understand the basics and bring their own unique artistic expression to any situation whether you’re taking landscapes, cityscapes, portraits, or food and drink shots. Beautifully illustrated with large, compelling photos, this book teaches you how to take control of your photography to get the image you want every time you pack up your camera and take it on the road.
Examines the work of Yvonne Rainer, an avante-garde filmmaker with film credits covering over 20 years. Green's attention falls specifically on Rainer's treatment of gender and multiculture issues. Annotation copyright by Book News, Inc., Portland, OR
This book considers governance and policy-making within the maritime sector, and focuses significantly on the dimensional context within which governance works. Recognising the importance of understanding governance and policy at times when the world is faced with social, political, and economic problems, it highlights the fact that both areas are equally significant in understanding today’s political economy. By focusing on the maritime sector, a pillar industry supporting international trade activities, the book offers a unique perspective to explain the difficulties of balancing policy-making with governance in order to provide solutions. It also examines the importance of developing a governance process that encourages and accommodates juxtaposition in a way that ensures that the effect of independent policy-making is understood upon the success or otherwise of policies across a range of contexts and problems. Given the in-depth nature of the text, it is of interest to academics, researchers and professionals in the field.
William S. Burroughs’ experimental narratives, from the 1959 publication of Naked Lunch through the late trilogy of the 1980s, have provided readers with intriguing challenges and, for some, disheartening frustrations. Yet, these novels continue to generate new interest and inspire new insights among an increasing and evolving readership. This book addresses the unique characteristics of Burroughs’ narrative style in order to discover strategies for engaging and navigating these demanding novels. Bolton advises, “Burroughs’ subversive themes and randomizing techniques do not amount to unmitigated attacks on conventions, as many critics suggest, but constitute part of a careful strategy for effecting transformations in his readers”. Utilizing various poststructuralist theories, as well as recent theories in electronic literature and posthumanism, Mosaic of Juxtaposition examines the various strategies that Burroughs employs to challenge assumptions about textual interpretation and to redefine the relationship between reader and text.
The most accessible and up-to-date dictionary of its kind, this wide-ranging A-Z covers both interpersonal and mass communication, in all their myriad forms, encompassing advertising, digital culture, journalism, new media, telecommunications, and visual culture, among many other topics. This new edition includes over 200 new complete entries and revises hundreds of others, as well as including hundreds of new cross-references. The biographical appendix has also been fully cross-referenced to the rest of the text. This dictionary is an indispensable guide for undergraduate students on degree courses in media or communication studies, and also for those taking related subjects such as film studies, visual culture, and cultural studies.
Photocopy of typescript pages 203-250 of Theory and Methodology in Semiotics, v.26: 3-4, 1979 stapled in covers, 2 copies of the prefinal draft of Aug. 21 [1979] (1 in covers).
The A–Z of Visual Ideas explains the key ideas, sources of inspiration and visual techniques that have been used throughout design history. Showing where ideas and inspiration come from, the book provides numerous strategies to help unlock the reader’s creativity. Using a dynamic and easy-to-understand A–Z format, the book reveals techniques that can be exploited to deliver ideas with greater impact, each entry offering a different starting point. Looking at everything from, Art to Zeitgeist, Intuition and Instinct to Happy Accidents and Hidden Messages, the book also features a section explaining how to use the idea or technique, providing readers with an infallible ‘tool kit’ of inspiration. Including hundreds of inspirational quotes and packed with great examples of advertising campaigns, posters, book and magazine covers and illustrations, this is an indispensable primer that shows design students and professionals how to solve any creative brief.