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Little Shoppe of Horrors #21 (now in a 8-1/2" x 11" standard definition reprint format) came out in 2008 - when LSoH became a twice a year publication. Featuring an in-depth study of the horror movie that made Hammer Film a house hold name - THE CURSE OF FRANKENSTEIN. History of the making of the film; interview with director Terence Fisher, first asst. director Derek Whitehurst, star Peter Cushing and producer Anthony Hinds. Makeup artist Norman Bryn does an analysis of Phil Leakey's groundbreaking creature makeup. Hugh Harlow, who worked for Hammer during that period, remembers Bray Studios - November 19, 1956 to January 3rd, 1957. A look at the abortive Hammer TV series pilot - TALES OF FRANKENSTEIN. And the original script idea by Milton Subotsky (one of the founders of Amicus Productions) 'The "Lost" Subotsky Script for THE CURSE OF FRANKENSTEIN'. Interviews with director Peter Sasdy (TASTE THE BLOOD OF DRACULA) and actor Shane Briant (FRANKENSTEIN AND THE MONSTER FROM HELL).
For nearly 40 years, David Lynch's works have enthralled, mystified, and provoked viewers. Lynch's films delve into the subjective consciousness of his characters to reveal both the depraved darkness and luminous spirituality of human nature. From his experimental shorts of the 1960s to feature films like Eraserhead, The Elephant Man, Blue Velvet, Mulholland Drive, and INLAND EMPIRE, Lynch has pushed the boundaries of cinematic storytelling. In David Lynch: Beautiful Dark, author Greg Olson explores the surreal intricacies of the director's unique visual and visceral style not only in his full-length films but also his early forays into painting and short films, as well as his television landmark, Twin Peaks. This in-depth exploration is the first full-length work to analyze the intimate symbiosis between Lynch's life experience and artistic expressions: from the small-town child to the teenage painter to the 60-year-old Internet and digital media experimenter. To fully delineate the director's life and art, Olson received unprecedented participation from Lynch, his parents, siblings, old school friends, romantic partners, children, and decades of professional colleagues, as well as on-set access to the director during the production of Twin Peaks: Fire Walk with Me. Throughout this study, Olson provides thorough analyses of the filmmaker's works as Lynch conceived, crafted, and completed them. Consequently, David Lynch: Beautiful Dark is the definitive study of one of the most influential and idiosyncratic directors of the last four decades.
“Simply put, there is absolutely nothing on the market with the range of ambition of this strikingly eclectic collection of essays. Not only is it impossible to imagine a more comprehensive view of the subject, most readers – even specialists in the subject – will find that there are elements of the Gothic genre here of which they were previously unaware.” - Barry Forshaw, Author of British Gothic Cinema and Sex and Film The Palgrave Handbook of Contemporary Gothic is the most comprehensive compendium of analytic essays on the modern Gothic now available, covering the vast and highly significant period from 1918 to 2019. The Gothic sensibility, over 200 years old, embraces its dark past whilst anticipating the future. From demons and monsters to post- apocalyptic fears and ecological fantasies, Gothic is thriving as never before in the arts and in popular culture. This volume is made up of 62 comprehensive chapters with notes and extended bibliographies contributed by scholars from around the world. The chapters are written not only for those engaged in academic research but also to be accessible to students and dedicated followers of the genre. Each chapter is packed with analysis of the Gothic in both theory and practice, as the genre has mutated and spread over the last hundred years. Starting in 1918 with the impact of film on the genre's development, and moving through its many and varied international incarnations, each chapter chronicles the history of the gothic milieu from the movies to gaming platforms and internet memes, television and theatre. The volume also looks at how Gothic intersects with fashion, music and popular culture: a multi-layered, multi-ethnic, even a trans-gendered experience as we move into the twenty first century.
Turner provides a clear introduction to major theoretical issues in the history of film production and film studies, examining the function of film as a national cultural industry, and its place in our popular culture.
The observation of male and female models in the child's environment has been postulated as a major source of sex-role information, while the audio-visual mass media is one of the two principle sources of models for the developing child.
In this significantly expanded new edition of his acclaimed exploration of the four Alien movies, Stephen Mulhall adds several new chapters on Steven Spielberg’s Mission: Impossible trilogy and Minority Report. The first part of the book discusses the four Alien movies. Mulhall argues that the sexual significance of the aliens themselves, and of Ripley’s resistance to them, takes us deep into the question of what it is to be human. At the heart of the book is a highly original and controversial argument that films themselves can philosophize. Mulhall then applies his interpretative model to another sequence of contemporary Hollywood movies: the Mission: Impossible series. A brand new chapter is devoted to each of the three films in the series, and to other films by the relevant directors that cast light on their individual contribution to it. In this discussion, the nature of television becomes as central a concern as the nature of cinema; and the shift in generic focus from science fiction to thriller also makes room for a detailed reading of Spielberg’s Minority Report. On Film, Second Edition is essential reading for anyone interested in philosophy, film theory and cultural studies, and in the way philosophy can enrich our understanding of cinema.
This book describes the childhood of noted California artist Milford Zornes in the Panhandle of Oklahoma in 1908, his move to Boise, Idaho and finally San Fernando, California.Milford eventually studies with artist Millard Sheets, becomes involved with the California ScenePainters, works with the WPA during the Depression, then became an art professor at Otis Art Institute,all in the 1930¿s and very early 1940¿s.In 1943 Milford was drafted into the Army/Air Force as an official military artist, serving in China, Burmaand India. In 1945 he returns to California to greet his wife Pat and new daughter. He becomes an ArtProfessor at Pomona College and in 1951 he goes to Greenland for most of the next four years. In 1955he returns to Claremont, California and becomes the Art Director for the Padua Theater.In 1966 Pat and Milford buy the Maynard Dixon home and studio in Utah, built by famous Western artistMaynard Dixon. He spent the next few decades doing workshops there, all over the United States and inEurope. In 1998 they move back to Claremont full time.For his 100 the birthday he did a 2 hour demonstration at the Pasadena Museum of California Art in front of 250 people even though he is under Hospice care. He would die three weeks later.The book looks at his passion and focus for his art from a young age, his loss of vision and his efforts tocontinue to paint. He couldn¿t imagine life without painting.In the Los Angeles Times obituary he was described as probably the most prolific watercolorists in theUnited States. In addition to all his paintings he left a legacy of inspiring other artists through hismentorship. Milford had been recognized as a National Academician by his peers, an honor Milford heldin high regard.
The investigative biography of Michael Jackson’s final years: “A tale of family, fame, lost childhood, and startling accusations never heard before” (ABC Nightline). When Michael Jackson died on June 25, 2009, millions of fans around the world were shocked. But the outpouring of emotion that followed his loss was bittersweet. Dogged by scandal for years and undone by financial mismanagement, Jackson had become untouchable in many quarters. Untouchable pulls back the curtain Jackson’s public person to introduce a man who, despite his immense fame, spent his entire life utterly alone; who, in the wake of a criminal trial that left him briefly hospitalized, abandoned Neverland to wander the globe before making one final—and fatal—attempt to recover his wealth and reputation. The Jackson that emerges in these pages is both naïve and cunning, a devoted father whose parenting became an international scandal, a shrewd businessman whose failures nearly brought down a megacorporation, and an inveterate narcissist who craved a quiet, normal life. Randall Sullivan delivers never-before-reported information about Jackson’s business dealings, his relationship with his family, and the pedophilia allegations that derailed his life and mar his legacy today, as well as the suspicious nature of his death. Based on exclusive access to Jackson’s inner circle, Untouchable is an intimate, unflinching portrait of the man who continues to reign as the King of Pop. “A dishy Michael Jackson biography that makes the exhaustively covered King of Pop fascinating all over again.” —People
I Will Survive is the story of Gloria Gaynor, America's "Queen of Disco." It is the story of riches and fame, despair, and finally salvation. Her meteoric rise to stardom in the mid-1970s was nothing short of phenomenal, and hits poured forth that pushed her to the top of the charts, including "Honey Bee," "I Got You Under My Skin," "Never Can Say Goodbye," and the song that has immortalized her, "I Will Survive," which became a #1 international gold seller. With that song, Gloria heralded the international rise of disco that became synonymous with a way of life in the fast lane - the sweaty bodies at Studio 54, the lines of cocaine, the indescribable feeling that you could always be at the top of your game and never come down. But down she came after her early stardom, and problems followed in the wake, including the death of her mother, whose love had anchored the young singer, as well as constant battles with weight, drugs, and alcohol. While her fans always imagined her to be rich, her personal finances collapsed due to poor management; and while many envied her, she felt completely empty inside. In the early 1980s, sustained by her marriage to music publisher Linwood Simon, Gloria took three years off and reflected upon her life. She visited churches and revisited her mother's old Bible. Discovering the world of gospel, she made a commitment to Christ that sustains her to this day.
A practical and up to date guide to scriptwriting.