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A groundbreaking biography of Milton’s formative years that provides a new account of the poet’s political radicalization John Milton (1608–1674) has a unique claim on literary and intellectual history as the author of both Paradise Lost, the greatest narrative poem in English, and prose defences of the execution of Charles I that influenced the French and American revolutions. Tracing Milton’s literary, intellectual, and political development with unprecedented depth and understanding, Poet of Revolution is an unmatched biographical account of the formation of the mind that would go on to create Paradise Lost—but would first justify the killing of a king. Biographers of Milton have always struggled to explain how the young poet became a notorious defender of regicide and other radical ideas such as freedom of the press, religious toleration, and republicanism. In this groundbreaking intellectual biography of Milton’s formative years, Nicholas McDowell draws on recent archival discoveries to reconcile at last the poet and polemicist. He charts Milton’s development from his earliest days as a London schoolboy, through his university life and travels in Italy, to his emergence as a public writer during the English Civil War. At the same time, McDowell presents fresh, richly contextual readings of Milton’s best-known works from this period, including the “Nativity Ode,” “L’Allegro” and “Il Penseroso,” Comus, and “Lycidas.” Challenging biographers who claim that Milton was always a secret radical, Poet of Revolution shows how the events that provoked civil war in England combined with Milton’s astonishing programme of self-education to instil the beliefs that would shape not only his political prose but also his later epic masterpiece.
Providing a close examination of Milton's wide-ranging prose and poetry at each stage of his life, Barbara Lewalski reveals a rather different Milton from that in earlier accounts. Provides a close analysis of each of Milton's prose and poetry works. Reveals how Milton was the first writer to self consciously construct himself as an 'author'. Focuses on the development of Milton's ideas and his art.
The first biography of Milton based on original research for 40 years, and first to take account of new thinking about 17th-century England. Milton is seen here as flawed, passionate, ruthless, and ambitious, as well as one of the most accomplished writers of the time and author of the most influential narrative poem in English.
'Janiform Novels' and Other Literary Essays gathers 25 essays by Cedric Watts, MA, Ph.D., Emeritus Professor of English at Sussex University. Previously published in a diversity of magazines and books, these conveniently-gathered literary discussions deal with such authors as Sophocles, Chaucer, Shakespeare, Donne, Marvell, Milton, Defoe, Richardson, Jane Austen, Emily Brontë, Conrad, Hemingway, Graham Greene, William Golding, Samuel Beckett and Chinua Achebe. Topics include covert plotting, the conceit of the conceit, the fallacies of structuralist and post-structuralist literary theory, delayed decoding, Shakespeare's scepticism, Conrad's opposition to racism and imperialism, Hemingway's profoundly ambiguous style, and Lévi-Strauss's ludicrous naivety. Cedric Watts's critical writings have been described as 'fearless', 'perceptive', 'provocative', 'incisive' and 'entertaining' (Neil Sinyard, Graham Greene Newsletter).