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(Piano Vocal). This sheet music features an arrangement for piano and voice with guitar chord frames, with the melody presented in the right hand of the piano part, as well as in the vocal line.
Another pop chart No. 1 song performed by Bruno Mars with a very melodic hook and romantic lyric.
Bruno Mars hit several Billboard charts with this catchy and uplifting song from his debut album Doo-Wops & Hooligans. Finn gave it the ultimate Glee treatment on the popular "Furt" episode! This big note piano arrangement features lyrics, chord symbols, and helpful fingering suggestions.
(Piano Vocal). This sheet music features an arrangement for piano and voice with guitar chord frames, with the melody presented in the right hand of the piano part, as well as in the vocal line.
For pianists who love Journey, this collection is a dream come true. Expertly engraved piano/vocal arrangements detail 28 of the band's standout songs for unlimited hours of fun at the keys. Complete lyrics and vocal melodies are included, along with basic chord grids for guitar. The selections are drawn from nearly 35 years of the legendary band's repertoire, from their 1978 album, Infinity, to their 2011 album, Eclipse. Titles: * After All These Years * Any Way You Want It * Anything Is Possible * Anytime * Ask the Lonely * Be Good to Yourself * City of Hope * Don't Stop Believin' * Edge of the Moment * Faithfully * Girl Can't Help It * Good Morning Girl * Happy to Give * I'll Be Alright Without You * Just the Same Way * Lights * Lovin', Touchin', Squeezin' * Only the Young * Open Arms * Patiently * Send Her My Love * Separate Ways (Worlds Apart) * Stay Awhile * Still They Ride * Stone in Love * Wheel in the Sky * When You Love a Woman * Who's Crying Now
A collection of in-depth interviews from Keyboard magazine highlighting the leading keyboardists of classic rock.
Forty of the biggest songs of the year in complete guitar TAB. Titles: * 1983 (Neon Trees) * Animal (Neon Trees) * The Animal (Disturbed) * Anything Is Possible (Journey) * Awake and Alive (Skillet) * Bottoms Up (Nickelback) * Burn (Papa Roach) * Country Boy (Aaron Lewis) * Country Song (Seether) * Firework (Katy Perry) * Fix Me (10 Years) * Forget You (Cee Lo Green) * Grenade (Bruno Mars) * Hell (Disturbed) * Hiding My Heart (Adele) * Honey Bee (Blake Shelton) * If I Die Young (The Band Perry) * It's Not Me It's You (Skillet) * Just a Kiss (Lady Antebellum) * Just the Way You Are (Bruno Mars) * Last Friday Night (T.G.I.F.) (Katy Perry) * The Lazy Song (Bruno Mars) * Lies of the Beautiful People (Sixx:A.M.) * Lowlife (Theory of a Deadman) * Marry Me (Train) * Mine Smell Like Honey (R.E.M.) * Monster (Paramore) * Mustache Man (Wasted) (Cake) * Neutron Star Collision (Love Is Forever) (Muse) * No Hurry (Zac Brown Band) * No Matter What (Papa Roach) * Not Again (Staind) * Not Over You (Gavin DeGraw) * Teenage Dream (Katy Perry) * Toes (Zac Brown Band) * Tonight (Seether) * Wake Up Everybody (John Legend & The Roots) * Warrior (Disturbed) * When We Stand Together (Nickelback) * White Knuckles (OK Go)
(Piano/Vocal/Guitar Artist Songbook). Matching folio to the Piano Man's first two greatest hits albums featuring a total of 26 songs from 1973 to 1985. Arrangements are for piano and voice with guitar chord frames. Includes: Allentown * Big Shot * The Entertainer * Honesty * It's Still Rock and Roll to Me * Just the Way You Are * The Longest Time * Movin' Out (Anthony's Song) * New York State of Mind * Only the Good Die Young * Piano Man * She's Always a Woman * Tell Her About It * Uptown Girl * You May Be Right * and more. These arrangements for piano and voice with guitar chord frames were edited by Joel's keyboardist and music director, David Rosenthal. This souvenir folio also includes a foreword by Rosenthal plus great photos of Billy and copies of his handwritten lyrics.
Doing the Time Warp explores how song and dance – sites of aesthetic difference in the musical – can 'warp' time and enable marginalized and semi-marginalized fans to imagine different ways of being in the world. While the musical is a bastion of mainstream theatrical culture, it also supports a fan culture of outsiders who dream themselves into being in the strange, liminal timespaces of its musical numbers. Through analysing musicals of stage and screen – ranging from Rent to Ragtime, Glee to Taylor Mac's A 24-Decade History of Popular Music – Sarah Taylor Ellis investigates how alienated subjects find moments of coherence and connection in musical theatre's imaginaries of song and dance. Exploring an array of archival work and live performance, such as Larry Gelbart's papers in the UCLA Performing Arts Collections and the shadowcast performances of Los Angeles's Sins o' the Flesh, Doing the Time Warp probes the politics of musicals and consider show the genre's 'strange temporalities' can point towards new futurities for identities and communities in difference.