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"Just the Echo of a Sigh" and "Faint Harmony" concentrate on the life and career of famous British tenor, Malcolm Craig and his tumultuous private life. He marries three times, but none of his marriages work out well. Even his third "perfect" marriage to soprano Marina Dunbar who becomes his singing partner, has many problems. The four novels in the Malcolm Craig series are a mixture of Roman à clef, and biographical-autobiographical novel, in other words, a novel about real life, overlaid with a façade of fiction.The four novels in the Malcolm Craig series are broadly based on fact, but many incidents are purely products of my imagination and do not pretend to be true. The first two novels included in this volume are based on my knowledge and research into the lives of "Malcolm Craig" and "Marina Dunbar" before I met them, overlaid with many fictional elements.
Reproduction of the original: The Invisible Lodge by Jean Paul
Glenn Stanley opens Beethoven Forum 6 with a consideration of the “piano sonata culture” of the late eighteenth century and how Beethoven’s sonatas influenced this culture. Lawrence Kramer explores the "Tempest" sonata and the way it exemplifies "one of the leading intellectual projects of the Enlightenment, the project of speculative anthropology or 'universal history.'" Elaine R. Sisman examines the "lyrical," "small-scale" sonatas of Beethoven’s middle period in relation to his renewed preoccupation with the idea of "fantasia." Nicholas Marston concludes the volume’s consideration of the piano sonatas with a study of the development of a musical idea in the "Hammerklavier" sonata. Birgit Lodes examines the relationship between the human and the divine as they are represented in the Gloria of Beethoven’s great mass, the Missa solemnis. In a second article on this late masterpiece, Norbert Gertsch describes a subscription copy of the Missa solemnis—a copy that Beethoven had corrected—and its significance for a future scholarly edition of the work. Maynard Solomon offers a commentary, transcription, and translation of a papal document concerning the marriage of Beethoven’s great-uncle Cornelius. In a review article, Nicholas Marston discusses the recent edition of the Landsberg 5 sketchbook and future prospects for sketchbook editions. Robert Levin concludes the volume with a review of Performing Beethoven, edited by Robin Stowell.