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The Southern chef and author of Let’s Brunch explores the many ways to eat a peach with nearly 70 recipes for breads, desserts, entrees, and more. Chef Belinda Smith-Sullivan, granddaughter of Mississippi sharecroppers, is the go-to expert on everything peaches. In Just Peachy, she shares recipes for breads, breakfasts, appetizers, soups and salads, entrees, desserts, pies, sauces, preserves, condiments, and even drinks—all featuring delicious and juicy peaches. But Just Peachy isn’t just recipes. Belinda offers essential information about the many peach varieties, as well as their history, orchards, farmers, and festivals. Peach lovers will enjoy this beautifully photographed cookbook as they take a sip of Sparkling Peach-Blueberry Lemonade or Peach Margherita, dip a spoon into a chilled Peach and Tomato Gazpacho, or bite into a Peach-Stuffed Pork Chop.
"The Joy of Being Eaten," subtitled: "Journeys into the Bizarre Sexuality and Private Love Lives of the Ancient Layers of the Human Brain" is a science fiction novel based on psychology, and includes (1) the newest factual brain-imaging research that reads the mind (Professor Jack Gallant see demonstration video at http://gallantlab.org), (2) triune brain evolution of layers of the brain (Paul MacLean, late Senior Research Scientist at National Institute of Mental Health), (3) the paleoanthropology of the Homo erectus people, (4) the neuroscience of the holograms of the mind (Professor Karl Pribram), and (5) the artificial intelligence of tomorrow. "The Joy" is the story of two young women who journey into the ancient layers of the brain to experience 200 million years of "deep autobiographical memory" that includes our reptilian past and the Homo erectus people (http://en.wikipedia.org/wiki/Autobiographical_memory). This strongly science-based novel is an excellent supplemental reader for college-level courses in psychology, anthropology, computer science, and physics, or a helpful reader for anyone undergoing any of the psychological therapies.
The author takes a voyage through the past, the present, the players, and the ponderings of her lifeNsending love letters all along the way. Can letters change a life? They have already changed the life of the author and touched the hearts of the thousands of people around the world who have read her blog.
Following the overwhelming success of "The Cosby Show" in the 1980s, an unprecedented shift took place in television history: white executives turned to black dollars as a way of salvaging network profits lost in the war against video cassettes and cable T.V. Not only were African-American viewers watching disproportionately more network television than the general population but, as Nielsen finally realized, they preferred black shows. As a result, African-American producers, writers, directors, and stars were given an unusual degree of creative control over shows such as "The Fresh Prince of Bel Air," "Roc," "Living Single," and "New York Undercover". What emerged were radical representations of African-American memory and experience. Offering a fascinating examination of the explosion of black television programming in the 1980s and 1990s, this book provides, for the first time ever, an interpretation of black TV based in both journalism and critical theory. Locating a persistent black nationalist desire--a yearning for home and community--in the shows produced by and for African-Americans in this period, Kristal Brent Zook shows how the Fox hip-hop sitcom both reinforced and rebelled against earlier black sitcoms from the sixties and seventies. Incorporating interviews with such prominent executives, producers, and stars as Keenen Ivory Wayans, Sinbad, Quincy Jones, Robert Townsend, Charles Dutton, Yvette Lee Bowser, and Ralph Farquhar, this study looks at both production and reception among African-American viewers, providing nuanced readings of the shows themselves as well as the sociopolitical contexts in which they emerged. While black TV during this period may seem trivial or buffoonish to some, Color by Fox reveals its deep-rooted ties to African-American protest literature and autobiography, and a desire for social transformation.
#1 New York Times bestselling author of Tidelands—the “searing portrait of a woman that resonates across the ages” (People)—returns with an evocative historical novel tracking the rise of the Tidelands family in London, Venice, and New England. Midsummer Eve 1670. Two unexpected visitors arrive at a shabby warehouse on the south side of the River Thames. The first is a wealthy nobleman seeking the lover he deserted twenty-one years earlier. Now James Avery has everything to offer: a fortune, a title, and the favor of the newly restored King Charles II. He believes that the warehouse’s poor owner Alinor has the one thing he cannot buy—his son and heir. The second visitor is a beautiful widow from Venice in deepest mourning. She claims Alinor as her mother-in-law and tells her of the death of Rob—Alinor’s son—drowned in the dark tides of the Venice lagoon. Meanwhile, Alinor’s brother Ned, in faraway New England, is making a life for himself between in the narrowing space between the jarring worlds of the English newcomers and the American Indians as they move towards inevitable war. Alinor writes to him that she knows—without doubt—that her son is alive and the widow is an imposter. But how can she prove it? Set in the poverty and glamour of Restoration London, in the golden streets of Venice, and on the tensely contested frontier of early America, this is a novel of greed and desire: for love, for wealth, for a child, and for home.
From the award-winning, bestselling author of The Red-Hot Cajun comes this new spicy and sexy romance about a woman, her former husband, a search for pink diamonds, and an elderly Cajun matchmaker. BAITED Straitlaced Boston lawyer Veronica "Ronnie" Jinkowsky knows something's fishy when her estranged grandfather lures her to his New Jersey treasure-hunting business with woeful tales of old age and bankruptcy. But she never expected the salty old dog to shanghai her into a hunt for pink diamonds with her poker-playing, four-time ex-husband Jake Jensen in tow. HOOKED... Betting her heart on Jake was always a losing proposition, yet just the sight of his come-hither blue eyes is still enough to melt her steely resolve. Now Ronnie's on a high seas adventure that throws together lost gems, a lost ship, and lost love - not to mention a Mafia widow, her two goons, and an elderly Cajun matchmaker. AND GOING DOWN FOR THE LAST TIME! Trapped with the man she could never learn to live with - and was never happy without - is Ronnie fated to be forever jinxed in matters of the heart? Original.
When Pa Peachey becomes comically ambitious about entering a town baking competition, family dog McTavish wisely cooks up a plan to rescue him from himself. Pa Peachey has gotten it in his head that he is going to be the baker in the family, and the Peacheys and their dog, McTavish, are more than a little surprised. Stunned, in fact. Ever since Ma Peachey declared herself free of the cooking responsibilities, Betty, Ava, and Ollie have taken turns making inventive and delicious meals. But Pa thinks he can do better, even though his cakes are as flat as manhole covers and his cookies turn to charcoal. When the town announces a baking competition with a big prize, Pa is convinced he will enter an absolute masterpiece. Now the Peacheys have to decide: should they be honest with Pa and tell him his confections are contemptible, or should they support his high-flying dreams? Or could McTavish have a last-minute option at the ready?
"No doubt you have heard the age-old legend of the Mother Vein of Gold, which appears and vanishes, now and again, in this corner of the world. Superstition regarding this great original vein of gold is found wherever men seek the precious metal. The feverish Spaniards called this phantom lode the Madre d'Oro, or "Mother of Gold." Now it is located in Mexico, now in India or Peru, California or Australia. Tradition says that Montezuma got his gold from this great vein, which lay in a secret valley whose where-abouts was jealously guarded by three priests of the war tribe, sole possessors of the knowledge. Any intruder who by chance or design looked down into this valley was smitten absolutely blind. Tradition among the successors of the Aztecs says that when Montezuma passed, the Madre d'Oro sank back again into the earth, and has been seen no more. Men still follow the phantom vein. Those who see it, even in their dreams, still are smitten blind." -Preface