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The No 1 Bestseller 'Compelling ... colourful, thoughtful' Sunday Independent 'Tubridy's compassionate, no-nonsense approach makes him a comforting guide through the landscape of neurological medicine' Irish Times __________ As a medical student Niall Tubridy fell in love with neurology. Figuring out how the brain and nervous system signal problems was a form of high stakes detective work and answers could be life-changing. Just One More Question is the story of Niall Tubridy's career in neurology. He shares the stories of encounters that are, by turn, poignant, dramatic and funny, such as... - The chef who goes for his usual morning walk, and loses his memory for the next six hours - The painter who believes her left hand is her guardian angel - The eager young lover whose head 'explodes' every time he orgasms Using simple and illuminating language Tubridy also explains well-known conditions like multiple sclerosis, motor neuron disease and Parkinson's and and brings us into the examining room as he accompanies patients with these diagnoses on their challenging path. In addition, he reflects candidly on the reasons he, a doctor's son, went into medicine, how he has been tested, and what he has learned about people - and about himself - along the way. Revealing, gripping and moving, Just One More Question will make you think in a new way about the human brain - and about what it's like to be a doctor. __________ 'Fascinating ... teems with interesting characters' Sunday Business Post '[Oliver] Sacks hoped that his neurological tales ... could bring us closer to where the psychic and the physical meet ... Tubridy's concerns are less rarefied. He wants us to understand the human toll that illness takes' Sunday Times 'It's a most readable book. There's no jargon in it' Seán O'Rourke, RTÉ '[My brother] has written a book which has to be one of the most extraordinary books written in Irish medical history! I would say that, wouldn't I? But it is great. It's really good, really accessible, a super read. We're all very proud of him' Ryan Tubridy, RTÉ 'Fascinating' Liz Nugent 'Very interesting and very entertaining' Pat Kenny 'Niall's sense of wonder at the human brain is enormously clear even with almost three decades of work in the field under his belt' RTÉ Lifestyle 'Will make you think in a whole new way about the human brain' Ireland AM 'A book that will fascinate you with the patients' tales but leave you at the end pondering the notion of what life really is' Journal.ie 'Simple and illuminating' Irish News 'Written in a very accessible way for non-medical people, like myself' Dave Fanning, RTÉ
In JUST ONE MORE THING, Peter Falk takes us on an acting journey that begins not in Hollywood but in Hartford, where he worked as a management analyst for the Connecticut State Budget Bureau. His time there was no more successful than an earlier attempt to find work with the Central Intelligence Agency. At loose ends, Falk turned to an old college interest: acting. He came to prominence as an actor in 1956 in the highly successful Off-Broadway revival of 'The Iceman Cometh' with Jason Robards. Although he worked continuously for the next three years, bouncing from one Off-Broadway theater to the next, a theatrical agent advised him not to expect much work in motion pictures because of his glass eye. Surgeons had removed his right eye, along with a malignant tumor, when he was three years old. But in 1958, the actor made the jump to Hollywood, where he landed his first movie, 'Murder Incorporated', and was nominated for an Oscar. Next came Frank Capra's 'A Pocketful of Miracles' starring Bette Davis, which garnered Falk his second Oscar nomination. Falk was a favorite among moviegoers during the 1960s, admired for his roles in classic comedies such as 'It's A Mad, Mad, Mad, Mad World' and 'The Great Race'. However, it was through his collaboration with filmmaker John Cassavetes that Falk entered into his most creative period in 1970. Motion pictures such as 'Husbands' and 'A Woman Under the Influence' helped launch the independent film movement. Nevertheless, Falk continued to act in light film comedies, including 'The In-Laws' and Neil Simon's 'The Cheap Detective' and 'Murder by Death', among others. Yet it was through television that Falk reached his widest audience. He has portrayed the beloved Lt. Columbo since the 1970s, winning four Emmys. The series was so successful that ten years after it's demise, 'Columbo' was re-launched, bringing Falk to a new generation of viewers. JUST ONE MORE THING also chronicles the author's more recent work, such as movie appearances in 'A Shark's Tale' and Paul Reiser's 'The Thing About My Folks', as well stories of growing up in New York, Hollywood and Broadway luminaries, and the author's accomplished passion for drawing and painting.
In this astonishing memoir, the medium who was hailed by Hans Holzer as “probably the best in the world” offers extraordinary insight to readers to help them tap into their own psychic strengths, fulfill their destinies, and answer that “one more question” on their own. For more than twenty-five years, Yolana has used her remarkable gifts to give hope, guide the careers of celebrities and politicians, connect loved ones who have passed on, solve medical mysteries, and even crack some of New York’s most high-profile criminal cases. Here she finally reveals the facts behind those illuminating readings, divulges the truths of her experiences with ghosts and the beyond, and most importantly, inspires readers everywhere to trust in themselves and in their own intuitive and spiritual powers.
The authors of Make Just One Change argue that formulating one’s own questions is “the single most essential skill for learning”—and one that should be taught to all students. They also argue that it should be taught in the simplest way possible. Drawing on twenty years of experience, the authors present the Question Formulation Technique, a concise and powerful protocol that enables learners to produce their own questions, improve their questions, and strategize how to use them. Make Just One Change features the voices and experiences of teachers in classrooms across the country to illustrate the use of the Question Formulation Technique across grade levels and subject areas and with different kinds of learners.
• More than 500 appearances on national bestseller lists • #1 Wall Street Journal, New York Times, and USA Today • Won 12 book awards • Translated into 35 languages • Voted Top 100 Business Book of All Time on Goodreads People are using this simple, powerful concept to focus on what matters most in their personal and work lives. Companies are helping their employees be more productive with study groups, training, and coaching. Sales teams are boosting sales. Churches are conducting classes and recommending for their members. By focusing their energy on one thing at a time people are living more rewarding lives by building their careers, strengthening their finances, losing weight and getting in shape, deepening their faith, and nurturing stronger marriages and personal relationships. YOU WANT LESS. You want fewer distractions and less on your plate. The daily barrage of e-mails, texts, tweets, messages, and meetings distract you and stress you out. The simultaneous demands of work and family are taking a toll. And what's the cost? Second-rate work, missed deadlines, smaller paychecks, fewer promotions--and lots of stress. AND YOU WANT MORE. You want more productivity from your work. More income for a better lifestyle. You want more satisfaction from life, and more time for yourself, your family, and your friends. NOW YOU CAN HAVE BOTH — LESS AND MORE. In The ONE Thing, you'll learn to * cut through the clutter * achieve better results in less time * build momentum toward your goal* dial down the stress * overcome that overwhelmed feeling * revive your energy * stay on track * master what matters to you The ONE Thing delivers extraordinary results in every area of your life--work, personal, family, and spiritual. WHAT'S YOUR ONE THING?
A collection of feminist essays steeped in “Solnit’s unapologetically observant and truth-speaking voice on toxic, violent masculinity” (The Los Angeles Review). In a timely and incisive follow-up to her national bestseller Men Explain Things to Me, Rebecca Solnit offers sharp commentary on women who refuse to be silenced, misogynistic violence, the fragile masculinity of the literary canon, the gender binary, the recent history of rape jokes, and much more. In characteristic style, “Solnit draw[s] anecdotes of female indignity or male aggression from history, social media, literature, popular culture, and the news . . . The main essay in the book is about the various ways that women are silenced, and Solnit focuses upon the power of storytelling—the way that who gets to speak, and about what, shapes how a society understands itself and what it expects from its members. The Mother of All Questions poses the thesis that telling women’s stories to the world will change the way that the world treats women, and it sets out to tell as many of those stories as possible” (The New Yorker). “There’s a new feminist revolution—open to people of all genders—brewing right now and Rebecca Solnit is one of its most powerful, not to mention beguiling, voices.”—Barbara Ehrenreich, New York Times–bestselling author of Natural Causes “Short, incisive essays that pack a powerful punch.” —Publishers Weekly “A keen and timely commentary on gender and feminism. Solnit’s voice is calm, clear, and unapologetic; each essay balances a warm wit with confident, thoughtful analysis, resulting in a collection that is as enjoyable and accessible as it is incisive.” —Booklist
To get the best answer-in business, in life-you have to ask the best possible question. Innovation expert Warren Berger shows that ability is both an art and a science. It may be the most underappreciated tool at our disposal, one we learn to use well in infancy-and then abandon as we grow older. Critical to learning, innovation, success, even to happiness-yet often discouraged in our schools and workplaces-it can unlock new business opportunities and reinvent industries, spark creative insights at many levels, and provide a transformative new outlook on life. It is the ability to question-and to do so deeply, imaginatively, and “beautifully.” In this fascinating exploration of the surprising power of questioning, innovation expert Warren Berger reveals that powerhouse businesses like Google, Nike, and Netflix, as well as hot Silicon Valley startups like Pandora and Airbnb, are fueled by the ability to ask fundamental, game-changing questions. But Berger also shares human stories of people using questioning to solve everyday problems-from “How can I adapt my career in a time of constant change?” to “How can I step back from the daily rush and figure out what really makes me happy?” By showing how to approach questioning with an open, curious mind and a willingness to work through a series of “Why,” “What if,” and “How” queries, Berger offers an inspiring framework of how we can all arrive at better solutions, fresh possibilities, and greater success in business and life.
Just One More Song is Herb Appleman’s account of coping with loss and grief following the death of his wife, Dee. It’s also the celebration of a marriage that was a love affair for forty-six years. The book takes the form of a diary that Herb kept during his first fifteen months of widowhood; and the entries are, for the most part, his conversations with Dee. These weren’t mystical experiences but as Herb says, “as real as memory, imagination, and love are real.” They came about because he couldn’t sleep. Even sleeping pills didn’t help. Nothing did, until one night, when he remembered a scene from the movie Sleepless in Seattle. It was a scene in which Tom Hanks played a character who’d been recently widowed and was having trouble sleeping. Out of the blue, he imagined his dead wife sitting on the other end of the sofa, talking to him, and he felt comforted. Herb thought he’d give it a try and imagined talking to Dee. It worked. From then on, knowing he could talk to her at the end of the day gave him something to look forward to, and after they talked, he found it easier to sleep. Their conversations were triggered by things that happened on a particular day but ranged, as conversations often do, over the whole of their lives. The tone of the book is set in the dedication, which begins, “Nearly every night before going to sleep, Dee liked me to sing to her. The song she’d pick would depend on her mood or the occasion, if the day was special, or simply on the time of year. On the first day of fall, when the colors began to change, she’d always pick ‘Autumn Leaves.’ More often than not, after I finished, she’d say, ‘Just one more song. This time you pick it.’” The dedication ends with “For Dee, in loving memory, just one more song.” Just One More Song is enhanced by personal photos and reproductions of Dee’s artwork; it’s a book to treasure and tell your friends about, especially if they’re in mourning or if they still believe that romantic love can last a lifetime—and longer.
“An intense snapshot of the chain reaction caused by pulling a trigger.” —Booklist (starred review) “Astonishing.” —Kirkus Reviews (starred review) “A tour de force.” —Publishers Weekly (starred review) A Newbery Honor Book A Coretta Scott King Honor Book A Printz Honor Book A Time Best YA Book of All Time (2021) A Los Angeles Times Book Prize Winner for Young Adult Literature Longlisted for the National Book Award for Young People’s Literature Winner of the Walter Dean Myers Award An Edgar Award Winner for Best Young Adult Fiction Parents’ Choice Gold Award Winner An Entertainment Weekly Best YA Book of 2017 A Vulture Best YA Book of 2017 A Buzzfeed Best YA Book of 2017 An ode to Put the Damn Guns Down, this is New York Times bestselling author Jason Reynolds’s electrifying novel that takes place in sixty potent seconds—the time it takes a kid to decide whether or not he’s going to murder the guy who killed his brother. A cannon. A strap. A piece. A biscuit. A burner. A heater. A chopper. A gat. A hammer A tool for RULE Or, you can call it a gun. That’s what fifteen-year-old Will has shoved in the back waistband of his jeans. See, his brother Shawn was just murdered. And Will knows the rules. No crying. No snitching. Revenge. That’s where Will’s now heading, with that gun shoved in the back waistband of his jeans, the gun that was his brother’s gun. He gets on the elevator, seventh floor, stoked. He knows who he’s after. Or does he? As the elevator stops on the sixth floor, on comes Buck. Buck, Will finds out, is who gave Shawn the gun before Will took the gun. Buck tells Will to check that the gun is even loaded. And that’s when Will sees that one bullet is missing. And the only one who could have fired Shawn’s gun was Shawn. Huh. Will didn’t know that Shawn had ever actually USED his gun. Bigger huh. BUCK IS DEAD. But Buck’s in the elevator? Just as Will’s trying to think this through, the door to the next floor opens. A teenage girl gets on, waves away the smoke from Dead Buck’s cigarette. Will doesn’t know her, but she knew him. Knew. When they were eight. And stray bullets had cut through the playground, and Will had tried to cover her, but she was hit anyway, and so what she wants to know, on that fifth floor elevator stop, is, what if Will, Will with the gun shoved in the back waistband of his jeans, MISSES. And so it goes, the whole long way down, as the elevator stops on each floor, and at each stop someone connected to his brother gets on to give Will a piece to a bigger story than the one he thinks he knows. A story that might never know an END…if Will gets off that elevator. Told in short, fierce staccato narrative verse, Long Way Down is a fast and furious, dazzlingly brilliant look at teenage gun violence, as could only be told by Jason Reynolds.
When Britain declares war on Germany in 1939, Carolyn Maddison is still a schoolgirl. Her elder brother Alastair wastes no time in joining the RAF as a flying officer, and Carolyn decides that when she is eighteen she will follow him into the service by joining the Women's Auxiliary Air Force. While reporting to the Air Ministry in London she meets a good-looking, charismatic pilot, Charlie Wade, currently employed in propaganda work. He believes that with her calm demeanor and resilience, Carolyn should work as an Intelligence officer, and suggests she serve on an active bombing station. At her side throughout the courses and postings that follow is Lucy Gaston, naturally quick-witted and sparky, a perfect foil for her friend. The young WAAFs both obtain prestigious postings in 5 Group Bomber Command, where they perform the vital tasks of briefing and debriefing aircrew returning from operations over Germany. Lucy, an incorrigible optimist, falls head over heels for a member of a Lancaster bomber crew while Carolyn resists her feelings for its dashing pilot. She decides it's not worth the risk of loving a man in wartime. . . only to wonder if she has done the right thing when a new WAAF on the station sets her cap at him. For Lucy and Carolyn, life on a WWII bombing station brings drama, heartbreak and suspense in this touching love story.