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Randall Kennedy takes on not just a word, but our laws, attitudes, and culture with bracing courage and intelligence—with a range of reference that extends from the Jim Crow south to Chris Rock routines and the O. J. Simpson trial. It’s “the nuclear bomb of racial epithets,” a word that whites have employed to wound and degrade African Americans for three centuries. Paradoxically, among many Black people it has become a term of affection and even empowerment. The word, of course, is nigger, and in this candid, lucidly argued book the distinguished legal scholar Randall Kennedy traces its origins, maps its multifarious connotations, and explores the controversies that rage around it. Should Blacks be able to use nigger in ways forbidden to others? Should the law treat it as a provocation that reduces the culpability of those who respond to it violently? Should it cost a person his job, or a book like Huckleberry Finn its place on library shelves?
The story of Dick Greagory, welfare case, star athelete, hit comedian, and front-line participant in the battle for Civil Rights.
"Memoir of a Black Panther Party member, chronicling his early childhood in Missouri, his thoughts about American racism and the nascent Civil Rights Movement, his participation in the Black Panther Party, and his exile from the United States"--
A ¿self-help guide for trolls, by a troll¿, this book is a comprehensive self-help manual of social & political strategies from an urban perspective that many can identify with.
More than any other black leader, H. Rap Brown, chairman of the radical Black Power organization Student Nonviolent Coordinating Committee (SNCC), came to symbolize the ideology of black revolution. This autobiography—which was first published in 1969, went through seven printings and has long been unavailable—chronicles the making of a revolutionary. It is much more than a personal history, however; it is a call to arms, an urgent message to the black community to be the vanguard force in the struggle of oppressed people. Forthright, sardonic, and shocking, this book is not only illuminating and dynamic but also a vitally important document that is essential to understanding the upheavals of the late 1960s. University of Massachusetts professor Ekwueme Michael Thelwell has updated this edition, covering Brown's decades of harassment by law enforcement agencies, his extraordinary transformation into an important Muslim leader, and his sensational trial.
In the early morning hours of December 8, 1969, three hundred officers of the newly created elite paramilitary tactical unit known as SWAT initiated a violent battle with a handful of Los Angeles&–based members of the Black Panther Party for Self-Defense (BPP). Five hours and five thousand rounds of ammunition later, three SWAT team members and three Black Panthers lay wounded. From a tactical standpoint, the Los Angeles Police Department (LAPD) considered the encounter a disaster. For the Panthers and the community that supported them, the shootout symbolized a victory. A key contributor to that victory was the nineteen-year-old rank-and-file member of the BPP Wayne Pharr. Nine Lives of a Black Panther tells Wayne's riveting story of the Los Angeles branch of the BPP and gives a blow-by-blow account of how it prepared for and survived the massive military-style attack. Because of his dedication to the black liberation struggle, Wayne was hunted, beaten, and almost killed by the LAPD in four separate events. Here he reveals how the branch survived attacks such as these, and also why BPP cofounder Huey P. Newton expelled the entire Southern California chapter and deemed it &“too dangerous to remain a part of the national organization.&” The Los Angeles branch was the proving ground for some of the most beloved and colorful characters in Panther lore, including Bunchy Carter, Masai Hewitt, Geronimo &“ji-Jaga&” Pratt, and Elaine Brown. Nine Lives fills in a missing piece of Black Panther history, while making clear why black Los Angeles was home to two of the most devastating riots in the history of urban America. But it also eloquently relates one man's triumph over police terror, internal warfare, and personal demons. It will doubtless soon take its place among the classics of black militant literature.
An engrossing autobiographical exploration of black masculinity as a mode of racial and verbal performance. In Your Average Nigga, Vershawn Ashanti Young disputes the belief that speaking Standard English and giving up Black English Vernacular helps black students succeed academically. Young argues that this assumption not only exaggerates the differences between two compatible varieties of English but forces black males to choose between an education and their masculinity, by choosing to act either white or black. As one would expect from a scholar who is subject to the very circumstances he studies, Young shares his own experiences as he exposes the factors that make black racial identity irreconcilable with literacy for blacks, especially black males. Drawing on a range of interdisciplinary scholarship in performance theory and African American literary and cultural studies, Young shows that the linguistic conflict that exists between black and white language styles harms black students from the inner city the most. If these students choose to speak Standard English they risk alienating themselves from their families and communities, and if they choose to retain their customary speech and behavior they may isolate themselves from mainstream society. Young argues that this conflict leaves blacks in the impossible position of either trying to be white or forever struggling to prove that they are black enough. For men, this also becomes an endless struggle to prove that they are masculine enough. Young calls this constant effort to display proper masculine and racial identity the burden of racial performance. Ultimately, Young argues that racial and verbal performances are a burden because they cannot reduce the causes or effects of racism, nor can they denaturalize supposedly fixed identity categories, as many theorists contend. On the contrary, racial and verbal performances only reinscribe the essentialism that they are believed to subvert. Scholars and teachers of rhetoric, performance studies, and African American studies will enjoy this insightful volume.
A renowned cultural critic untangles the twisted history and future of racism through its most volatile word. The N Word reveals how the term “nigger” has both reflected and spread the scourge of bigotry in America over the four hundred years since it was first spoken on our shores. Jabari Asim pinpoints Thomas Jefferson as the source of our enduring image of the “nigger.” In a seminal but now obscure essay, Jefferson marshaled a welter of pseudoscience to define the stereotype of a shiftless child-man with huge appetites and stunted self-control. Asim reveals how nineteenth-century “science” then colluded with popular culture to amplify this slander. What began as false generalizations became institutionalized in every corner of our society: the arts and sciences, sports, the law, and on the streets. Asim’s conclusion is as original as his premise. He argues that even when uttered with the opposite intent by hipsters and hip-hop icons, the slur helps keep blacks at the bottom of America’s socioeconomic ladder. But Asim also proves there is a place for the word in the mouths and on the pens of those who truly understand its twisted history—from Mark Twain to Dave Chappelle to Mos Def. Only when we know its legacy can we loosen this slur’s grip on our national psyche.