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Women's lives are at the center of this stunning collection of short stories by the writer The New Yorker says "provides unexpected delights....Questions and answers alike shine with intelligence and an almost ninteenth-century concern for ideals." Though Sara Maitland's interests are as varied as the people who inhabit her stories, there is a common theme to this work that extols risk taking over safety. Acrobats, women warriors, a girl who wants to become a garden, a long-distance runner, housewives and mothers, and a reformed sixteenth-century conquistador are among the characters revealed in this dazzling collection. By turns elegant and simple, erotic and elegiac, the stories draw on classical mythology, folktales, inexplicable accidents of history, and disquieting experiences of the supernatural. And, as Ann Beattie has writen of Sara Maitland's wise and magical fiction, "it speaks to today's reader in a voice that is irresistible." Familiar names from literature--Gretel, Eurydice of the green fields, the shepherd Prince Endymion, Lady Artemis-commingle with contemporary characters called David, Meg, and Liz, who desperately seek love and fulfillment and frequently have babies when they can't get what they want. Close by is the echo of Mary Magdalene, teaching us about endurance and perserverance in a voice rich with the experiences of the sex object and the "true-love dichotomy." The author suggests: "She must have thought the crucifixion a bit mad too." Sara Maitland never holds back; instead, she invites us again and again to a place of risks, and we enter, "not because we must, but because we will." And when you are about to lose heart, you meet Caroline, who has learned what it is to be strong, how it feels to be free of fear, how it feels to be totally herself: "Then she looked at Richard and he was smiling, not pityingly, not even kindly, but with open admiration."
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Although Ashley Johnston is comfortable with a needle and thread—and really enjoys making handmade items for her children and home—she could certainly understand that sewing machines can strike fear and dread into the hearts of many crafters. The complicated machinery with the fussy parts as well as confusing pattern directions send many people running from any craft that requires sewing. No-Sew Love is filled with ideas for the non-sewing crafter or for the more casual sewist who would rather not haul out the sewing machine for a quick project. Materials all easily found at craft and fabric stores—hem tape, fusible webbing, a variety of glues, and of course, fabric—are all you need to whip up the 50 no-sew wonders in the book. There are throw pillows, grommet curtain panels, cute kids' clothing, holiday decorations, and even accessories for you! Projects are photographed at each step for crystal-clear directions, and sure-to-please results.
Described as ‘a continuous carnival’ and ‘the crossroads of the world,’ Times Square is a singular phenomenon: the spot where imagination and veracity intersect. To Marshall Berman, it is also the flashing, teeming, and strangely beautiful nexus of his life. In this remarkable book, Berman takes us on a thrilling illustrated tour of Times Square, revealing a landscape both mythic and real. Interleafing his own recollections with social commentary, he reveals how movies, graphic arts, literature, popular music, television, and, of course, the Broadway theater have reflected Times Square’s voluminous light to illuminate a vast spectrum of themes and vignettes. Part love letter, part revelatory semiotic exposition of a place known to all, On the Town is a nonstop excursion to the heart of American civilization, written by one of our keenest, most entertaining cultural observers.