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Welcome to Memorial Middle School, where drama fills the classrooms and follows students home on the bus. Social awkwardness. Mean girls. Hallway gossip. It's all part of life in junior high, but maybe it helps to know you aren't alone. Can Lucia avoid the boy-girl party? Will Kamilla overcome her self-consciousness and try out for the play? Can Allie keep anyone from finding out her secret? Told in graphic formal, Junior High Drama shows that while you can't escape the drama, you can certainly survive it.
"A collection of three bizarre comedies that will never let you view live theatre, childbirth, or political correctness the same way again. The Last Touchy-Feely Drama on the American Stage: A ludicrously slow-moving father and son reconciliation theatre piece is broken down and overanalyzed by a trio of cruelly detached sportscasters. Every cross, pause and pretentious utterance is cause for an exuberant shout and a lengthy dissection. Even the characters' gray hair paint and bedroom slippers are chatted over excitedly. Deliver Us Not! (or Birth, Where Is Thy Sting?): Three fetuses sharing a womb debate the possibilities of life-after-birth, trying to come to terms with their impending due-date. This festival-winning, easy-to-stage crowd-pleaser combines witty palaver and thought-provoking banter to form a marriage of mirth and meaning. The characters represent a trio of philosophies, including an atheist fetus who is convinced that "you're conceived, you live, you're born and that's it! There's nothing after birth!" It's Tough to Be Somebody!: An apathetic high school "Fame Awareness Education" class learns a hard lesson from a washed-up, wet-brained silver screen maven. This in-your-face hoot is a brashly insensitive look at sensitivity that touches on modern tolerance-mania with all the politeness of a cattle prod. The script swaggers with every insolent line, mocking without remorse as the overly caring teacher apologizes profusely for uttering such a bigoted and insensitive phrase as 'Good morning, students.'"--Publisher website
The importance of play and fun to people’s lives cannot be stressed enough in today’s cultural climate of high stress, high stakes, and competition. One activity that gains recognition and credibility as both fun and transformative is theatrical improvisation or improv. In this book, Ruth Yamamoto reviews her research on the influences of improvisation on community college students. Educators, theatre artists, improvisers, or anyone interested building community, developing self-awareness, and affecting positive social change will want to read this book. Dr. Yamamoto examines the principles of improvisation and the concepts of play and flow to add credibility to a craft and practice that is often viewed a frivolous and silly. Ruth Yamamoto extends her research through interviews with applied improvisation professionals, examples and suggestions of games and exercises, and provides solid evidence of the serious, positive benefits of improvisation.
THE SIEGE OF ECBATANA After escaping the horrors of the battlefield, Arslan takes refuge with Daryun in a mountain retreat belonging to the former lord and genius strategist, Narsus and enlists his assistance in his mission to reclaim his lost kingdom. Meanwhile, the royal capital of Ecbatana is under siege by the Lusitanians and the queen finds herself captured by the mysterious masked figure behind the fall of Pars. From the Trade Paperback edition.
This book presents a feminist perspective on educational leadership, and demonstrates that women conceptualize leadership differently than men.