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Since her first solo exhibition in 1935 at the age of seventeen, June Wayne has achieved legendary status among twentieth-century American artists. Best known today for her work in and influence on printmaking and fine-art lithography, one of her most renowned achievements was the founding of the Tamarind Lithography Workshop in 1959. Under her direction, this workshop became one of the most important focal points of a general revival of printmaking in the United States - a revival that gave many other famous artists, including Willem de Kooning, Louise Nevelson, and Ed Ruscha, an opportunity to experiment in this format. Her own spectacular prints earned her the estimable title the incontestable pioneer of contemporary lithography. But Wayne's artistic accomplishments are even richer than that. Throughout her career, she boldly explored a variety of media and aesthetic concepts.
This timely reexamination of the experimental New York print studio Atelier 17 focuses on the women whose work defied gender norms through novel aesthetic forms and techniques.
Published in conjunction with an exhibition held at the Norton Simon Museum, Pasadena, Calif., Oct. 1, 2011-Apr. 2, 2012.
Design guru and art collector Todd Oldham shines the spotlight on the clever and warped world of artist Wayne White. From Wayne's early days as a production designer and puppet maker for the iconic TV show "Pee-Wee's Playhouse" to his unmistakable and exquisitely rendered text paintings, this monograph is a comprehensive view of Wayne White's oeuvre. Wayne is a unique wordsmith, brilliantly juxtaposing irreverent and humorous phrases over existing thrift store paintings that together create a completely original and fictional landscape. Influenced by both his upbringing in rural Tennessee and a very sophisticated knowledge of art history. Wayne White's sensibility is completely singular and distinctive. Wayne White's warped and perspectival words integrate into seemingly benign pastoral landscapes, creating a completely surreal experience. Wayne's expert painting chops and detailed attention to lighting and reflection place the "new" text directly in its "original" setting. Text paintings such as "Donald Judd was a Son of a Bitch Wrecked His Train in a Whorehouse Ditch," "Poon," and "Maybe Now I'll Get The Respect I So Richly Deserve" are a welcome departure from the more-often-than-not self-aggrandizing art world.
The author's own critical analyses of individual pieces are based on direct observations made during trips to the various cities in which Bertoia's sculptures are located.
Thirty illustrated essays highlighting a variety of Detroit artists.
Rock star, crowdfunding pioneer, and TED speaker Amanda Palmer knows all about asking. Performing as a living statue in a wedding dress, she wordlessly asked thousands of passersby for their dollars. When she became a singer, songwriter, and musician, she was not afraid to ask her audience to support her as she surfed the crowd (and slept on their couches while touring). And when she left her record label to strike out on her own, she asked her fans to support her in making an album, leading to the world's most successful music Kickstarter. Even while Amanda is both celebrated and attacked for her fearlessness in asking for help, she finds that there are important things she cannot ask for-as a musician, as a friend, and as a wife. She learns that she isn't alone in this, that so many people are afraid to ask for help, and it paralyzes their lives and relationships. In this groundbreaking book, she explores these barriers in her own life and in the lives of those around her, and discovers the emotional, philosophical, and practical aspects of The Art of Asking. Part manifesto, part revelation, this is the story of an artist struggling with the new rules of exchange in the twenty-first century, both on and off the Internet. The Art of Asking will inspire readers to rethink their own ideas about asking, giving, art, and love.
"In a collaboration between curators at The Columbus Museum and the Chrysler Museum of Art, Alma W. Thomas: Everything is Beautiful, works toward a primary objective: to introduce the Thomas-related materials housed at The Columbus Museum to a broader public, and to demonstrate how those materials reshape the narratives surrounding the artist. The wealth of material in The Columbus Museum's collection-from student work of the 1920s and marionettes from the 1930s, to home furnishings, ephemera, and little-known works on paper-offers a robust, but until now untold, account of Thomas's artistic journey. Taking cues from Thomas's wide-ranging interests and her broad network of collaborators and supporters, our museums also sought a scholarly approach that resonated with the artist's own disregard for silos, borders, and other arbitrary limitations. Assembling an interdisciplinary advisory committee of more than twenty scholars of diverse backgrounds and experiences, the curators convened a two-day gathering at the University of Maryland Center for Art and Knowledge at The Phillips Collection in January 2020 to illuminate varied aspects of Thomas's creativity and amplify the show's interdisciplinary approach. By applying interdisciplinary approaches to a range of artistic objects, the overall project presents new insights into Thomas's diverse forms of creativity while offering an inspiring look at how to lead a rich and beautiful life"--
[This book is] for American art survey courses. [It] provides a thorough ... chronology of American art, including painting, sculpture, architecture, decorative arts, photography, and folk art. [The author] presents art and artists within the context of their times, including insights into the intellectual, spiritual, and political environment. [He] charts the growth of a distinctly American art culture.-Back cover.